Word the center film

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World Trade Center
A silhouette of the Twin Tower buildings of the World Trade Center

Theatrical release poster

Directed by Oliver Stone
Written by Andrea Berloff
Produced by
  • Moritz Borman
  • Debra Hill
  • Michael Shamberg
  • Stacey Sher
Starring
  • Nicolas Cage
  • Michael Peña
  • Maggie Gyllenhaal
  • Maria Bello
  • Stephen Dorff
  • Jay Hernandez
  • Michael Shannon
  • Jon Bernthal
Cinematography Seamus McGarvey
Edited by
  • David Brenner
  • Julie Monroe
Music by Craig Armstrong

Production
companies

  • Double Feature Films
  • Intermedia Films
  • Ixtlan
  • Kernos Filmproduktionsgesellschaft & Company
  • Saturn Films
Distributed by Paramount Pictures

Release date

  • August 9, 2006

Running time

129 minutes[1]
Country United States
Language English
Budget $65 million[2]
Box office $163.2 million[2]

World Trade Center is a 2006 American docudrama disaster film[3] directed by Oliver Stone and written by Andrea Berloff, based on the experience of a few police officers during the September 11 attacks, in which they were trapped in the rubble of the collapsed World Trade Center. It stars Nicolas Cage, Maria Bello, Michael Peña, Maggie Gyllenhaal, Stephen Dorff, and Michael Shannon. The film was shot between October 2005 and February 2006, and theatrically released in the United States by Paramount Pictures on August 9, 2006. It was met with generally positive reviews from critics and grossed $163 million worldwide.

Plot[edit]

On September 11, 2001, members of the Port Authority Police are dispatched to Downtown Manhattan in response to the North Tower of the World Trade Center having been hit by a plane. The officers learn en route that the South Tower also was hit by another plane. Sergeant John McLoughlin, veteran of the 1993 bombing, assembles a group of volunteers; officers Antonio Rodrigues, Will Jimeno and Dominick Pezzulo, to retrieve rescue equipment from Building 5. They are joined by Officer Christopher Amoroso.

As the five officers prepare to enter the North Tower from the concourse, the South Tower begins to collapse onto them, and McLoughlin realizes that their only chance of survival is to take shelter in the elevator shaft. McLoughlin, Jimeno, and Pezzulo are the only survivors, but they are trapped beneath the rubble. Pezzulo tries but fails to free Jimeno, whose lower half is pinned. McLoughlin, who is also pinned, listens helplessly as the North Tower begins to collapse. Pezzulo is fatally injured when a concrete slab crushes his torso, but manages to fire his sidearm once into the air, in an attempt to alert rescuers to their whereabouts just before dying. Jimeno and McLoughlin spend painful, terrifying hours under the rubble telling each other about their lives. Meanwhile, their families try to learn if they are still alive.

When Building 7 collapses, both men scream and accept their demise, but they survive without further harm. McLoughlin tries to keep Jimeno awake by encouraging him to repeatedly pull on a metal pipe that potential rescuers might hear. Hours pass, and McLoughlin falls in and out of consciousness. Both agree to stay alive for one another.

Two United States Marines, Dave Karnes and Jason Thomas, who are searching for survivors, hear the noise produced by Jimeno and find the men, calling for help to dig them out. After hours and effort by first responders, Jimeno is rescued first, and then hours later McLoughlin is lifted out of the debris in critical condition. Both men are reunited with their families at the hospital and undergo medical treatment, including extensive surgeries, and McLoughlin is placed in a medically induced coma.

In 2003, Jimeno and McLoughlin, both medically retired from duty, attend a celebratory barbecue with their families. The epilogue reveals that both men were two of twenty people found alive at Ground Zero, and they were numbers eighteen and nineteen, respectively. David Karnes reenlisted in the Marines and served two tours in the Iraq War.

Cast[edit]

  • Nicolas Cage as Sergeant John McLoughlin
  • Michael Peña as Officer Will Jimeno
  • Maria Bello as Donna McLoughlin
  • Maggie Gyllenhaal as Allison Jimeno
  • Stephen Dorff as NYPD ESU Rescueman Scott Strauss
  • Jon Bernthal as Officer Christopher Amoroso
  • Jay Hernandez as Officer Dominick Pezzulo
  • Michael Shannon as Marine Sergeant Dave Karnes
  • Donna Murphy as Judy Jonas
  • Brad William Henke as Allison’s Brother
  • Peter McRobbie as Allison’s Father
  • Frank Whaley as Paramedic Chuck Sereika
  • Jude Ciccolella as Inspector Lawrence Fields
  • Nicholas Turturro as Officer Colovito
  • Danny Nucci as Officer Giraldi
  • William Mapother as Marine Sergeant Jason Thomas
  • Tom Wright as Officer Reynolds
  • Wass Stevens as Officer Pat McLoughlin
  • Armando Riesco as Officer Antonio Rodrigues
  • Ned Eisenberg as Officer Polnicki
  • Dara Coleman as Officer Boel
  • Nick Damici as Lieutenant John Kassimatis
  • Arthur Nascarella as FDNY Chief At Ground Zero
  • Patti D’Arbanville as Donna’s Friend
  • Viola Davis as Mother In Hospital
  • Will Jimeno as Port Authority Police Officer
  • Aimee Mullins as Reporter
  • Charles A. Gargano as Port Authority Police Commander[4]

Production[edit]

Historical accuracy[edit]

The Port Authority police officers portrayed by Cage and Peña, John McLoughlin and Will Jimeno, and their wives, played by Bello and Gyllenhaal, were involved with the writing and overall production. McLoughlin and Jimeno said they wanted to have a film made to honor their rescuers and comrades who died on September 11, not for personal gain.[citation needed]

McLoughlin’s wife Donna has said: «We got involved because we felt it needed to be done accurately. We wanted to do the right thing and I think the filmmakers wanted to do the right thing too.»[5] Both John McLoughlin and Will Jimeno appear at the end of the film during the barbecue scene.

The real ESU (Emergency Services Unit) police from New York who are depicted in the film—Scott Strauss and Paddy McGee—were on set as technical advisers. In addition, the firemen in the film were played by real FDNY members who served on 9/11. All of them enthusiastically supported the film and its intention to accurately portray the rescue of McLoughlin and Jimeno.

Jeanette Pezzulo, the widow of Port Authority police officer Dominick Pezzulo (who died in the attacks and is played by Jay Hernandez in the film), expressed anger with the film, criticizing McLoughlin’s and Jimeno’s participation in its production. She is quoted as saying, «My thing is: this man died for you. How do you do this to his family?»[5] Staten Island resident Jamie Amoroso, whose husband also died during the rescue operation, also expressed her anger over the film and said she did «not need a movie» to tell her «what a hero» her husband was.[5]

Many major American newspapers ran editorials accusing Stone of having his film examine 9/11 conspiracy theories because Stone was known for examining various conspiracy theories surrounding the Kennedy assassination in JFK. However, Stone has stated that the film does not explore the conspiracy theories surrounding 9/11. He, the producers, and the real McLoughlin and Jimeno, have said the film is a simple dedication to the heroism and sadness of the day with little-to-no political themes.[5][6][7]

The film has been accused of not providing a fair portrayal of the character and motives of rescuer Dave Karnes and paramedic Chuck Sereika. They did not participate in the making of the film and felt their roles of being the first rescuers to reach the trapped men did not receive enough screen time. Sereika began treating and extricating Jimeno a full 20 minutes before officers from the New York City Police Department’s Emergency Services Unit arrived.[8]

Certain details about the story were altered. For instance, the film depicts McLoughlin’s team being completely oblivious to the crash into the South Tower, having arrived at the World Trade Center site and entered the concourse before United Airlines Flight 175 struck; in reality, Will Jimeno has clarified in interviews that they were well aware of the second impact as it occurred while they were en-route to the complex.[9]

Non-fictional characters[edit]

John McLoughlin graduated from the State University of New York at Oswego, where he was a member of the Sigma Tau Chi fraternity. He was rescued after 22 hours, the 19th of 20 people pulled out of the rubble alive. Doctors kept him in an induced coma for six weeks. He underwent 27 surgeries and spent nearly three months in the hospital and rehabilitation. Four months after their rescue, McLoughlin and Jimeno—who both have since retired—took part in a ceremony at Ground Zero to watch as the final column was removed. When all the uniformed officers walked out of The Pit, the last two were McLoughlin and Jimeno. On June 11, 2002, McLoughlin received the Port Authority’s Medal of Honor.[10] He resided in Goshen, New York.

Will Jimeno was born on November 26, 1967, in Colombia but immigrated to New York City as a boy with his family. At the time of the attacks, he was a rookie cop assigned to the Port Authority Bus Terminal.[11] He was pulled out of the rubble after 13 hours, the 18th of 20 people pulled out alive. On June 11, 2002, Jimeno received the Port Authority’s Medal of Honor.[11] Jimeno and McLoughlin make a cameo in the film.[12]

Christopher Amoroso was born on June 1, 1972, and raised in North Bergen, New Jersey where he attended North Bergen High School.[13] Since 2010 the Chopper 2002 Foundation has presented their annual invitational softball tournament in North Bergen on the first weekend of June.

Dominick Pezzulo was born on August 15, 1965, in Italy to Dino and Victoria Pezzulo. He was named after his grandfather Domenico Pezzulo. Pezzulo taught auto repair, math and computer technology. After seven years as a teacher, Pezzulo became a police officer for the Port Authority of New York and New Jersey Police Department 13 months before the attack. He was stationed at the Port Authority Bus Terminal. On September 9, 2005, all of the public safety officers killed on September 11, 2001, were posthumously awarded the 9/11 Heroes Medal of Valor by President George W. Bush.[14] At the National 9/11 Memorial, Pezzulo is memorialized at the South Pool, on Panel S-29.[15] In his birthplace of Giano Vetusto, Italy, a plaque has been erected on the door of the house he grew up in.[16]

Bruce A. Reynolds was born in Inwood and resided in Knowlton Township, New Jersey with his wife and two kids. He joined the Port Authority in 1986 and was stationed at the bus terminal on 42nd Street. On September 11th, 2001 — Reynolds was sent to the World Trade Center from his post at the George Washington Bridge. Despite having respiratory problems, he went into the South Tower to help with the rescue effort.[17]

David W. Karnes was born c. 1958 and spent 23 years in the Marine Corps infantry. He left his accounting office at Deloitte and Touche in Wilton, Connecticut on September 11, 2001 soon after witnessing the attacks on television to assist in the rescue efforts. Karnes spent nine days at the site before returning to his office. He then reenlisted in the Marine Corps Reserve and went on to serve in the Philippines and Iraq. He served for 17 months, including two tours of duty in Iraq. Karnes did not cooperate in the making of Stone’s World Trade Center movie due to Stone’s antipathy towards U.S. President George W. Bush. Some critics took issue with the portrayal in the film. Rebecca Liss of Slate magazine observed, «The film seems to overplay his zeal without conveying his motivations and reasoning.» It notes he is unfairly portrayed as «a robotic soldier of Christ—a little wacky and simplistic.»[18]

Jason Thomas was born c. 1974 and was dropping his daughter off at the home of his mother on Long Island when she told him about the attacks. Despite having left active duty in August 2001, Thomas drove to Manhattan to assist in the rescue efforts,[19] telling the Associated Press: «Someone needed help. It didn’t matter who. I didn’t even have a plan. But I have all this training as a Marine, and all I could think was, ‘My city is in need.'»[19] As of 2013, Thomas is serving in the United States Air Force as a medical technician.[20] His portrayal by a white actor in the film generated controversy, although the producers claimed that they were unaware that the real Thomas was black until they had already started filming.[21][22] On February 11, 2007, Extreme Makeover: Home Edition aired a special two-hour episode about Thomas and his family. Following the attacks, Thomas and his wife had moved their four children from New York to Columbus, Ohio. The house they bought began to deteriorate and the show intervened to help them. On September 2, 2013, Channel 4 broadcast The Lost Hero of 9/11[23] which detailed Thomas’s involvement in the rescue operation following the collapse of both towers. As of 2018, Thomas was living in Columbus with his wife Kirsti and their children. He worked as an officer for the Ohio Supreme Court.[24][25] Thomas is in 15 Septembers Later which has appeared on the History Channel.[citation needed]

Reception[edit]

Box office[edit]

In its opening weekend, the film made $18.7 million in the U.S. and Canada. In total, the film grossed $70.3 million in North America, and $93 million in other territories, for a worldwide total of $163.2 million.[2]

Critical response [edit]

On Rotten Tomatoes the film holds an approval rating of 66% based on 234 reviews, and an average rating of 6.70/10. The website’s critics consensus states: «As a visually stunning tribute to lives lost in tragedy, World Trade Center succeeds unequivocally, and it is more politically muted than many of Stone’s other works.»[26] On Metacritic, the film has a weighted average score of 66 out of 100, based on 40 critics, indicating «generally favorable reviews».[27] Audiences polled by CinemaScore gave the film an average grade of «A−» on an A+ to F scale.[28]

The producers met with all relevant September 11 victims groups, before production began, to inform them of the intent. After its release, they, the NYPD, and the FDNY were very pleased with it. Former mayor Rudy Giuliani, former Governor George Pataki, and then-Fire Commissioner Nicholas Scoppetta, as well as representatives from the NY Port Authority, were at the premiere of the film at the Ziegfeld Theatre in Manhattan.

Home media[edit]

The film was released on DVD and HD DVD on December 12, 2006, and on Blu-ray on June 3, 2008.

See also[edit]

  • List of cultural references to the September 11 attacks
  • Collapse of the World Trade Center
  • United 93, another 2006 film, directed by Paul Greengrass, which centered around the events aboard United Airlines Flight 93.
  • List of firefighting films
  • Whitewashing in film

Notes[edit]

  1. ^ «WORLD TRADE CENTER (12A)». British Board of Film Classification. August 14, 2006. Retrieved November 12, 2016.
  2. ^ a b c «World Trade Center». Box Office Mojo. IMDb. Retrieved October 9, 2011.
  3. ^ «World Trade Center (2006) — Oliver Stone». AllMovie.
  4. ^ «PA HONCHO IS READY FOR HIS CLOSEUP — NY Daily News». www.nydailynews.com. Archived from the original on August 2, 2018. Retrieved August 1, 2018.
  5. ^ a b c d Sharp, Rob (July 9, 2006). «A film too far for Stone?». The Guardian. Guardian News and Media. Retrieved July 19, 2006.
  6. ^ Mantel, John Marshall (November 2, 2005). «Oliver Stone shoots Sept. 11 movie in New York». USA Today. Gannett Company. Retrieved July 22, 2006.
  7. ^ Halbfinger, David M. (July 2, 2006). «Oliver Stone’s ‘World Trade Center’ Seeks Truth in the Rubble». The New York Times. Retrieved July 22, 2006.
  8. ^ Liss, Rebecca (August 9, 2006). «Oliver Stone’s World Trade Center Fiction». Slate. The Slate Group. Retrieved July 12, 2018.
  9. ^ «Revisiting September 11, 2001 with Will Jimeno». Mossy Oak. August 31, 2021. Retrieved November 30, 2022.
  10. ^ Dennis Cauchon and Martha T. Moor. He resides in Goshen, New York «Miracles emerge from debris». USA Today. September 6, 2002
  11. ^ a b «Miracles emerge from debris», usatoday.com, September 5, 2002; accessed August 28, 2015.
  12. ^ «Oliver Stone’s World Trade Center Fiction». Slate. August 9, 2006. Archived from the original on August 28, 2006. Retrieved September 25, 2012.
  13. ^ Alsbrook, Nina-Louise. «Christopher Amoroso, 29, Port Authority Police officer less than 2 years», Staten Island Advance, September 11, 2010. Accessed September 10, 2015. «Born on Long Island, Mr. Amoroso was raised in North Bergen, N.J. He graduated from North Bergen High School in 1990, and lived briefly in Bayonne, N.J, working six years for Consolidated Dairy.»
  14. ^ «President Remembers 9/11 Heroes at Medal of Valor Award Ceremony». Press release of President George W. Bush’s comments. www.whitehouse.gov. September 5, 2005. Retrieved September 7, 2011.
  15. ^ «South Pool: Panel S-29 — Dominick A. Pezzulo». National September 11 Memorial & Museum. Retrieved October 29, 2011.
  16. ^ «9-11 Victim Memorial: Dominick Pezzulo». www.9-11heroes.us. Archived from the original on October 14, 2016. Retrieved September 26, 2016.
  17. ^ «Police Officer Bruce A. Reynolds». Port Authority Police Benevolent Association Inc. Retrieved February 19, 2023.
  18. ^ Liss, Rebecca. «How the 9/11 Rescue Really Happened». Slate magazine. Archived from the original on August 28, 2006. Retrieved August 12, 2006.
  19. ^ a b Caruso, David B (August 14, 2006). «Mystery 9/11 rescuer reveals himself». Yahoo! News. Archived from the original on August 22, 2006.
  20. ^ «Time to get your flu shot». www.445aw.afrc.af.mil. Retrieved January 8, 2018. Staff Sgt. Jason Thomas, 445th Aerospace Medicine Squadron, administers a flu vaccine to Staff Sgt. Joshua McCrabb, 445th Security Forces Squadron craftsman, during the Oct. 13 unit training assembly for the 2012-13 flu season
  21. ^ Spencer, Lester (August 22, 2006). «Oliver Stone’s ‘Trade Center’ Casting Recall». NPR. Retrieved October 31, 2017.
  22. ^ «Mystery 9/11 rescuer reveals himself». msnbc.com. Associated Press. August 15, 2006. Retrieved January 8, 2018.
  23. ^ «The Lost Hero of 9/11 — Channel 4». www.channel4.com. Archived from the original on September 6, 2013.
  24. ^ Feran, Tim (June 16, 2007). «Whitehall family opens home for tours after ‘Extreme Makeover’«. The Columbus Dispatch. Archived from the original on July 19, 2018. Retrieved January 8, 2018.
  25. ^ Gant, Jenna (October 26, 2012). «9/11 Hero Speaks to Ohio’s Law Enforcement Officers». www.courtnewsohio.gov. Retrieved January 8, 2018.
  26. ^ «World Trade Center (2006)». Rotten Tomatoes. Fandango Media. Retrieved September 11, 2021.
  27. ^ «World Trade Center Reviews». Metacritic. CBS Interactive. Retrieved March 22, 2009.
  28. ^ «Find CinemaScore» (Type «World Trade Center» in the search box). CinemaScore. Retrieved July 26, 2020.

References[edit]

  • World Trade Center official site Archived April 8, 2006, at the Wayback Machine
  • Article in truTV Crime Library Archived August 31, 2006, at the Wayback Machine
  • Craig Armstrong – Movie Score Composer
  • World Trade Center’ Movie Leaves Real Heroes Awestruck Archived March 12, 2007, at the Wayback Machine
  • September 11th Remembered Archived September 2, 2006, at the Wayback Machine
  • Images from the film Archived August 10, 2006, at the Wayback Machine
  • Tribute to Will Jimeno Archived August 14, 2006, at the Wayback Machine

External links[edit]

  • World Trade Center at IMDb
  • World Trade Center at AllMovie
  • World Trade Center at Rotten Tomatoes
  • World Trade Center at Metacritic Edit this at Wikidata
  • World Trade Center at Box Office Mojo
  • Interview with Oliver Stone & the cast of World Trade Center

https://static.tvtropes.org/pmwiki/pub/images/world_trade_center_ver3_xlg.jpg

World Trade Center is a 2006 American docudrama disaster film directed by Oliver Stone that depicts two Port Authority officers, John McLoughlin and Will Jimeno, who become trapped in the rubble of the collapsed Twin Towers after the September 11 attacks and struggle to survive long enough to be rescued.

The film stars Nicolas Cage, Michael Pe�a, Maria Bello, and Maggie Gyllenhaal.

It was released on August 9, 2006, almost five years after the actual September 11 attacks.


World Trade Center provides examples of:

  • Based on a True Story: About two survivors rescued from the rubble of the World Trade Center.
  • From Bad to Worse: First, a plane hits the World Trade Center. Then a second one. Then the towers collapse. Then two port cops get trapped in the rubble of the World Trade Center, stuck beneath it. Then John’s knees get crushed. Then another cop’s gun starts going off. Then they get burned by jet fuel. Once John and Will are rescued from the rubble, it’s only then that they learn that the towers are gone.
  • Heroic Willpower: It’s only through this that John and Will survive. John credits his wife with giving him the will to go on in spite of being trapped, saying «You kept me alive» once he makes it to the hospital.
  • Historical Domain Character: Officers John McLoughlin and Will Jimeno are the names of two real port authority cops who were on duty during 9/11.
  • Oh, Crap!: When the rumbling of Tower 2’s collapse occurs, everyone starts panicking, but it isn’t until they can see flaming debris dropping outside does McLoughlin order everyone to the elevator shaft.
  • Honor Thy Parent: When McLoughlin’s wife Donna is informed that he is trapped somewhere within the site of WTC terrorist attacks, she is about to leave for somewhere closer to the scene. Donna tells her roughly 12-year-old son to stay put. He reacts with a resolute «No!» and demands to go with her. Donna is taken aback by his defiance, and attempts to make her son comply; however, he won’t back down and angrily protests. Finally, Donna reluctantly agrees to take him with her, but you can see that she is still angry at having been so blatantly contradicted by her son. This example shows how shocking an instance of outright defiance by a child can still seem even today to a 21st-century parent (and in this case, the son is just acting under duress due to his father being missing in action).
  • Present-Day Past: Since the film is set during the events of 9/11, there are a few post-2001 cars that appear such as a few Saturn Ions, Chevrolet Trailblazer and a 2004 Dodge Durango in one scene.
  • Poor Communication Kills: Just like the actual incident, a lot of the problems stem from people not believing what has happened. As well, communications were either down or very spotty, leading to the officers getting trapped in the collapsing tower.
  • Real Person Cameo: The actual Will Jimeno appeared as a Port Authority Police officer.
  • Spiritual Antithesis: To JFK. Both are Oliver Stone films about real-life tragedies that have since become fodder for conspiracy theories, and as a result, many critics feared that this film would become a platform for Stone to promote crackpot ideas about who was really behind 9/11. Instead of a Conspiracy Thriller, however, World Trade Center was a Based on a True Story Disaster Movie that stuck to the facts of what had happened that day.

The Center of the World is a 2001 American drama film directed by Wayne Wang and shot on digital video. It stars Peter Sarsgaard as a dot-com millionaire who hires a drummer/stripper (Molly Parker) to stay with him in Las Vegas for three days for US$10,000. The film was screened out of competition at the 2001 Cannes Film Festival.[2]

The Center of the World
The Center of the World poster.jpg

Theatrical release poster

Directed by Wayne Wang
Written by Wayne Wang
Miranda July
Paul Auster
Siri Hustvedt
Produced by Wayne Wang
Peter Newman
Starring Peter Sarsgaard
Molly Parker
Carla Gugino
Balthazar Getty
Cinematography Mauro Fiore
Edited by Lee Percy

Production
company

Redeemable Features

Distributed by Artisan Entertainment

Release date

  • April 20, 2001

Running time

88 minutes
Country United States
Language English
Box office $1,460,687[1]

PlotEdit

A couple checks into a hotel suite in Las Vegas. Flashbacks show that he’s a computer whiz on the verge of becoming a dot-com millionaire. She’s a lap dancer at a club. He’s depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas. She accepts with conditions: four hours per night of erotic play, and no penetration.

During the days in Vegas, they get to know each other, have fun, and meet a friend of hers, casino dealer Jerri. After the first night, things get complicated. When the three days are over, the stripper makes it clear that she was only there for the money and that the man she spent the time with was just a client. Upset that his feelings aren’t reciprocated, he rapes her; she makes no attempt to stop him. She then masturbates for him, achieving orgasm, saying «you want to see real? I’ll show you real.» The next day he returns home heartbroken.

The movie ends with his return to the strip club to see the woman he fell in love with again. She greets him fondly but interacts with him the way she had when they first met: as a stripper and a client ordering a lap dance.

Because the film is shown in a non-linear format, it is left to the viewer to interpret the ending. One could believe that the film ends with the meeting at the strip club and a chance for the two characters to have a real relationship together, or one could believe that the strip club meeting occurred earlier in time and the film ends with the characters going their separate ways in life.

CastEdit

  • Peter Sarsgaard as Richard Longman
  • Molly Parker as Florence
  • Mel Gorham as Roxanne
  • Shane Edelman as Porter
  • Karry Brown as Lap dancer
  • Alisha Klass as Pandora stripper
  • Lisa Newlan as Porn site woman
  • Jason Calacanis as Pete
  • Travis Miljan as Dog owner
  • Jerry Sherman as Old man
  • Carla Gugino as Jerri
  • Pat Morita as Taxi driver
  • Balthazar Getty as Brian Pivano
  • Robert Lefkowitz as Motel manager
  • John Lombardo as Gondolier

ProductionEdit

DevelopmentEdit

In January 2000, Wayne Wang announced plans to direct The Center of the World for Artisan Entertainment.[3] Wang said he «wanted to make a really erotic film about sex and love, that could be like ‘The Last Tango in Paris’ for a younger generation. I wanted to do a movie about this young generation of guys who are dealing with the Internet, software and day-trading; this whole new world out there where they’re making shitloads of money fast, and not knowing what their lives are about yet besides that money and easy pleasures.»[3] Wang chose to shoot the film on digital video, saying «I’ve seen the way the stuff is shot and transferred, and it looks beautiful and interesting in its own way. It’s also flexible, fast and cheaper.»[3]

When Wang initially committed to the project, he was at a loss as to what to write for the script. He sought assistance from previous collaborator Paul Auster; Siri Hustvedt, Auster’s wife, and Miranda July.[3] Hustvedt had written extensively on the subjects of sex and feminism, while July had experience in striptease and dancing.[4] Wang drew inspiration from Nan Goldin’s photography when envisioning the look of the film.[4] The screenplay was credited to «Ellen Benjamin Wong», a joint pseudonym for Wang, Auster, and Hustvedt.[5][6] Internet executive Jason Calacanis appeared in and acted as an advisor for the film.[4]

FilmingEdit

Wang chose to set the story in Las Vegas because it is a symbolic «fantasyland» of a place.[4] More traditional film cameras were used at the beginning and end of the story, while Wang used the grainier look of a Sony DRV-100 for the rest of the film to illustrate the «deterioration of [the characters’] relationship.»[4] Scenes requiring nudity from the characters were performed by body doubles.[4]

The film’s title may be an allusion to Courbet’s L’Origine du monde.[7]

ReceptionEdit

ReleaseEdit

The Center of the World was given a limited release in the U.S. on April 20, 2001.[8][9] It was released without a rating from the MPAA as the filmmakers did not want to edit the film’s graphic scenes of nudity and sexuality, which includes both female and male full frontal nudity.[10]

Censorship controversyEdit

A Cincinnati theater owner attracted media attention after allegedly ordering a member of his staff to edit a five-second scene from the film a day before its release. According to Cincinnati CityBeat, Esquire Theater owner Gary Goldman instructed his theater manager and projectionist to cut the scene in which a female stripper (portrayed by adult film actress Alisha Klass) inserts a lollipop into her vagina.[11][12][10]

The film’s website also generated controversy for featuring an interactive strip club, including a faux online sex chat hosted by Klass.[8]

Critical responseEdit

Rotten Tomatoes gives the film a negative rating of 34% based on 82 reviews. The site’s consensus reads: «For all its tease, the movie doesn’t have more to say than money can’t buy you love».[13] At Metacritic, which assigns a normalized rating to reviews, the film has an average weighted score of 44 out of 100, based on 24 critics, indicating «mixed or average reviews».[14]

Critics compared The Center of the World to films like Last Tango in Paris and 9½ Weeks.[5] Writing for Variety, Dennis Harvey said, «In contrast to most upscale sex drama efforts, Center expends considerable effort on viewing the ‘world’ from both sides of the usual gender equation.»[5] He added the «pic’s tension derives from the ambivalent nature of [Richard and Florence’s] relationship», and that Sarsgaard creates a «nuanced» character «as a manchild-ish introvert.»[5] Though Harvey commended Wang on drawing credible performances from his leads, he also said the story lacks drive and does not fully explore the characters’ psychology.[5]

Harvey also noted the film’s «most impressive aspect is its successful pitching of ‘the world’s oldest profession’ as a problematic but viable personal choice: No one is exploiting Florence, who is far from the usual doomed, drug-addled or airheaded prostie figure seen on screen.»[5] Of the film’s setting, Harvey said, «Arriving just when the dot-com boom has gone bust, Center’s high-tech nouveau riche angle may strike some viewers as already dated, but in the long run will add a creditable specificity of time/place.»[5]

Critic Roger Ebert gave the film a score of 3.5/4 stars and said the characters’ psychological mind games with each other are the film’s most fascinating aspect.[15] He wrote, «If you understand who the characters are and what they’re supposed to represent, the performances are right on the money. Flo is not supposed to be a sexy tart, and Richard is not supposed to be a lustful client. They’re sides of the same coin and very much alike.»[15]

Molly Parker was nominated for an Independent Spirit Award for Best Female Lead.[16]

NotesEdit

  1. ^ «The Center of the World». Box Office Mojo. Retrieved October 20, 2022.
  2. ^ «Festival de Cannes: The Center of the World». festival-cannes.com. Retrieved October 24, 2009.
  3. ^ a b c d Fleming, Michael (January 20, 2000). «Wang commits to ‘Center’ for Artisan». Variety. Retrieved October 20, 2022.
  4. ^ a b c d e f Kaufman, Anthony (April 20, 2001). «INTERVIEW: Wayne Wang Journeys to «The Center of the World»«. IndieWire. Retrieved October 20, 2022.
  5. ^ a b c d e f g Harvey, Dennis (April 17, 2001). «The Center of the World». Variety. Retrieved October 20, 2022.
  6. ^ «Being Ellen Benjamin Wong». Observer. May 28, 2001. Retrieved October 20, 2022.
  7. ^ «Le Centre du monde (The Center of the world) — Chro» (in French). July 22, 2001.
  8. ^ a b Kaufman, Anthony; Brooks, Brian (March 15, 2001). «DAILY NEWS : New Wang Film Unrated; Microcinema Continues; and Chediak Chats». IndieWire. Retrieved October 20, 2022.
  9. ^ «The Center of the World». AllMovie. Retrieved October 20, 2022.
  10. ^ a b Harris, Dana (June 8, 2001). «‘Center’ of a storm». Variety. Retrieved October 20, 2022.
  11. ^ «Censorship row hits Wayne Wang’s latest». theguardian.com. June 12, 2001. Retrieved January 1, 2016.
  12. ^ «Esquire Cuts Sex Scene from Center of the World». citybeat.com. June 7, 2001. Archived from the original on November 7, 2011. Retrieved January 1, 2016.
  13. ^ «The Center of the World». Rotten Tomatoes. Retrieved June 27, 2019.
  14. ^ The Center of the World Reviews, Metacritic, retrieved March 23, 2022
  15. ^ a b Ebert, Roger (May 4, 2001). «The Center of the World». Roger Ebert. Retrieved September 19, 2018.
  16. ^ «2002 IFP/West Independent Spirit Awaard Nominations». Film Threat. January 14, 2002. Retrieved October 20, 2022.

External linksEdit

  • The Center of the World at IMDb
  • The Center of the World at AllMovie
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Башни-близнецы

Original title: World Trade Center

  • 2006
  • PG-13
  • 2h 9m

Башни-близнецы (2006)

Home Video Trailer from Paramount Home Entertainment

Two Port Authority police officers become trapped under the rubble of the World Trade Center.Two Port Authority police officers become trapped under the rubble of the World Trade Center.Two Port Authority police officers become trapped under the rubble of the World Trade Center.

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  • Videos1

    World Trade Center

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    Буш

    6.3

    Буш

    Review

    Stone Cold

    Stone cold, that’s what I call the new Oliver Stone film, World Trade Center. Taking the story of two Port Authority Police who survived, Stone manages to make the singular event of the last decade a boring made-for-TV story of two cops buried and waiting rescue, by the Marines no less. There are marks of an auteur to be sure such as the set design, just as authentic looking as when I visited ground zero after the attack. But the mark of the real Stone, one that carries the heft of his personal opinion about an event (Platoon) or his off-center look at history (JFK), is absent.

    Let’s face it: Two cops, John McLoughlin (Cage) and Will Jimeno (Michael Pena), buried beneath rubble with small talk to keep themselves alive is neither great drama nor riveting suspense when you know ahead of time they are 2 of the 20 to be saved and their dialog doesn’t come close to the bite of WWII film foxhole repartee. Cutting as often as he can to the dull families in New Jersey waiting for word about their lost loved ones, Stone still fails to make even this horrific event interesting.

    As a matter of fact, he fails to put the event into its larger context of a world crisis that changes the way we live forever. It’s a challenge to do so if you choose only a small part of the event, but a great director should be able to as Stone did, for instance, with Wall Street, where the shenanigans of one broker clearly represented a corrupt generation of self-centered consumers.

    It’s as if Oliver Stone promised Hollywood after his disastrous Alexander (which I liked) that he’d be a good boy and not editorialize about 9/11. Heck, point of view is Stone: Remember the conspiracy theory of JFK? Google «Loose Change» to get an introduction to 9/11 conspiracy theory and wonder why Oliver Stone couldn’t have gone there rather than the straight way. Or at least part of the way.

    «While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake, awake!» Shakespeare, the Tempest

    • JohnDeSando
    • Aug 4, 2006

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    What to know

    For all its tease, the movie doesn’t have more to say than money can’t buy you love.
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    The Center of the World

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    Movie Info

    Desire carries two young people into deep, uncharted emotional waters in Wayne Wang’s candid drama «The Center of the World.» A story of a straightforward sexual arrangement that disintegrates into emotional chaos, the film explores what happens when our fantasies of pleasure, power and love collide with the messy, unpredictable reality of human feelings.

    • Genre:

      Drama

    • Original Language:
      English

    • Director:

      Wayne Wang

    • Producer:

      Peter Newman,

      Wayne Wang

    • Writer:

      Ellen Benjamin Wong,

      Wayne Wang,

      Miranda July,

      Paul Auster,

      Siri Hustvedt

    • Release Date (Theaters):

      Apr 20, 2001
       wide

    • Release Date (Streaming):

      Dec 18, 2001

    • Box Office (Gross USA):
      $1.1M

    • Runtime:

      1h 26m

    • Distributor:

      Artisan Entertainment

    • Production Co:

      Artisan Entertainment

    • Sound Mix:

      Surround

    • Aspect Ratio:

      Scope (2.35:1)

    Cast & Crew

    Critic Reviews for The Center of the World

    Audience Reviews for The Center of the World

    • Dec 03, 2012

      A rich computer nerd brings a stripper to Vegas and tries to get her to fall in love with him.
      I’m surprised by this film’s weak story and slowly moving plot. At the helm is Wayne Wang, and among the film’s four writers are Paul Auster and Miranda July. These are all strong talents; perhaps there were too many cooks in the kitchen.
      What’s troubling about the film is that we get such a concentration on character, but none of the real questions are answered. Why does Richard become so obsessive? Why does Florence break the rules? Where is the line between sexual obsession and love for these characters, and how do they determine it? These aren’t minor issues; rather, they’re at the heart of whatever the hell the film is saying. Additionally, Jerri wanders into the story on her way to another film.
      Overall, despite the wealth of talent that went into the film, it’s unfortunate that the result is not a sum of its parts.

      Super Reviewer

    • Apr 01, 2010

      Wayne Wang’s «The Center of the World» is a real, painful story about two lost souls. A guy who is a wealthy in the dot com era and a female stripper.(they’re really called business women because they never mix real emotional love with work, same applies for webcam ladies, the product is their bodies. Take it or leave it)

      They go to Vegas for three days together where the female has listed certain rules to the deal. No intercourse, sexual contact between 10pm to 2am, no touching, etc…etc

      The man is fine by that but how long will those rules last until? They sort of try to get to know each other and she can see that he isn’t a creep, when 10pm hits she transforms into an erotic attractive woman.

      TCOTW is not pornography, sex isn;t even the main subject but it’s about the deal and of course cash. They are both the same, no one is greater then the other, at first I started to resent the female because she managed to get the upper hand but did we not forget the wealthy guy? he still manages to make money while he leaves his investors in the wind, and what about a third party who enters the scene? She happens to be the stripper’s girlfriend and shows up at their hotel beaten to a pulp.(she explains what happend but im too lazy to give details)

      At first I started to cringe because surely this felt like a setup while somehow the third girl was gonna run away with his money(he gives her the money anyway out of curtesy)ugh…I don’t know sure seems like it, either that or the beat up chick is a very good actress.

      Their is a lot of suspence in this film and I was desperately waiting for the two to drop the deal and start to really like each other, when the suspense ended I manage to escape the headlock. The ending fits so well as to believe did these two business souls meet again? or was this the past? Molly Parker, Peter Sarsgaard, Carla Gugino turn in strong performances.

      Super Reviewer

    • Sep 04, 2008

      Depressing as hell and rather self-contained, <I>The Center of the World</I> is a dull, dreary story, shot on the cheap with an ugly, hyper-real aesthetic but a somewhat unbelievable starting point. Richard, a successful but socially inadequate computer engineer, meets Molly, a drummer in an aspiring rock group, iand decides to talk to her. Molly (very) soon tells him that for money, she works in a strip club, and one night he goes there to meet her and gets a lap dance. Apparently under pressure from his friends to ‘get laid’ (well, there’s one scene anyway), he offers Molly a substantial amount of money if she spends a three-day weekend with him in Las Vegas. Of course, eventually she agrees, though inevitably there are conditions: she’s only ‘his’ from 10 PM until 2 AM, there’s no kissing on the mouth, and definitely no penetration. Guess what happens? The bleak ending is a bit disrespectful to one of the characters, but is certainly powerful, and the strong sex scenes are far more effective than say, those in <I>9 Songs</I>. <p>Though there’s really no new ground covered here, writer Ellen Benjamin Wong and director Wayn Wang clearly have good intentions, and what elevates this into watchable, sometimes perceptive territory is the stunning lead performance from Peter Sarsgaard (and to a lesser extent, the performance by Molly Parker). Whenever films are shot on hand-held camcorders/home-video equipment, something about the way it looks highlights that people are acting. It all looks too ‘fake’ and static, mannerisms become exaggerated and it becomes quickly obvious that the whole thing is, well, fictitious. But Sarsgaard is never anything less than utterly believable; he is supernaturally talented here — there’s no artifice, and though the entire film is really quite underwritten, his is the only character here who feels like he has lived before the film starts and will continue to live after it is over.

      Super Reviewer

    • Sep 23, 2006

      A very modern, somewhat disquieting look at sex and relationships in the modern world.

      Super Reviewer

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