Word or phrase in a poem

In poetry, repetition is repeating words, phrases, lines, or stanzas. Repetition is used to emphasize a feeling or idea, create rhythm, and/or develop a sense of urgency.

What is a repetition in a poem?

Repetition is a literary device that involves using the same word or phrase over and over again in a piece of writing or speech.

What are repeating words?

Palilalia is defined as the repetition of the speaker’s words or phrases, often for a varying number of repeats. Repeated units are generally whole sections of words and are larger than a syllable, with words being repeated the most often, followed by phrases, and then syllables or sounds.

What is a repeated phrase?

Repeated phrases are groups of two, three, or four identical words used too close together, regardless of whether they have the same meaning. For example: He stood and began pacing the length of the office. Repeating the same phrase began pacing will annoy and bore your reader.

What are the 5 examples of repetition?

Examples of Repetition: Let it snow, let it snow, let it snow. “Oh, woeful, oh woeful, woeful, woeful day! “And miles to go before I sleep, and miles to go before I sleep.”

How do you identify repetition?

For repetition to be noticeable, the words or phrases should be repeated within close proximity of each other. Repeating the same words or phrases in a literary work of poetry or prose can bring clarity to an idea and/or make it memorable for the reader.

What is a good sentence for repetition?

Repetition sentence example. Life is too short to spend it with repetition of old dreams that never happened. The repetition of the process brought the same results. Constant repetition makes it easier to learn how to spell a word.

How do you use repetition in a poem?

Repeat the Beginnings of Lines. Probably the easiest way to include repetition in a poem is to repeat the first words of each line through most or all of the poem. Pick a few words that describe the main idea of your poem and use those words over and over again.

What is difference between anaphora and repetition?

As nouns the difference between repetition and anaphora is that repetition is the act or an instance of repeating or being repeated while anaphora is (rhetoric) the repetition of a phrase at the beginning of phrases, sentences, or verses, used for emphasis.

What literary device is the repetition of a word?

anaphora

What is a refrain example?

Even lines that are only repeated once in a poem may be called a refrain, as in the ending of this famous poem by Robert Frost. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

What is anaphora with example?

Anaphora is a figure of speech in which words repeat at the beginning of successive clauses, phrases, or sentences. For example, Martin Luther King’s famous “I Have a Dream” speech contains anaphora: “So let freedom ring from the prodigious hilltops of New Hampshire.

Anaphora is the repetition of one or more words at the beginning of sentences or successive phrases or clauses. The world’s most famous speeches and writings contain this technique. Dr. The anaphora lies in the repetition at the beginning of each phrase: go back.

What is an anaphora?

Anaphora is the repetition of words or phrases in a group of sentences, clauses, or poetic lines.

What is an example of Anastrophe?

Anastrophe (from the Greek: ἀναστροφή, anastrophē, “a turning back or about”) is a figure of speech in which the normal word order of the subject, the verb, and the object is changed. For example, subject–verb–object (“I like potatoes”) might be changed to object–subject–verb (“potatoes I like”).

What is an example of Anthimeria?

“Anthimeria” is a rhetorical term for the creation of a new word or expression by using one part of speech or word class in place of another. For example, in the slogan for Turner Classic Movies, “Let’s Movie,” the noun “movie” is used as a verb. The word comes from the Greek, meaning “one part for another.”

Why is Anastrophe used?

Anastrophe is a scheme in which the writer inverts the words in a sentence, saying, or idea. Poets often use anastrophe in order to help maintain rhythm or a rhyme scheme. Though the use of anastrophe is less common in prose, it is often used in order to create a sense of depth or wisdom to the words being written.

What is another word for Anastrophe?

inversion

What is an Anastrophe in literature?

Inversion, also called anastrophe, in literary style and rhetoric, the syntactic reversal of the normal order of the words and phrases in a sentence, as, in English, the placing of an adjective after the noun it modifies (“the form divine”), a verb before its subject (“Came the dawn”), or a noun preceding its …

What is the difference between Anastrophe and inversion?

As nouns the difference between anastrophe and inversion is that anastrophe is (rhetoric) unusual word order, often involving an inversion of the usual pattern of the sentence while inversion is the action of inverting.

Antimetabole is a literary and rhetorical device in which a phrase or sentence is repeated, but in reverse order. Writers or speakers use antimetabole for effect-calling attention to the words, or demonstrating that reality is not always what it seems by using the reversal of words.

What does Epistrophe mean?

: repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect (such as Lincoln’s “of the people, by the people, for the people”) — compare anaphora.

How do you use Hyperbaton?

Using hyperbaton is a lot like turning on a blender and throwing the sentence in. In order to use hyperbaton, Begin with a normal sentence. Thoughtfully rearrange the words in that sentence.

What does Hyperbaton mean?

: a transposition or inversion of idiomatic word order (as “echoed the hills” for “the hills echoed”)

What is an example of Hyperbaton?

Hyperbaton is when an author plays with the conventional order of words in a sentence. Hyperbaton can also be used to add interest and complexity to the writing. Examples of Hyberbaton: Off of the horse, Katie did fall.

What does Hyperbaton mean in writing?

Hyperbaton /haɪˈpɜːrbətɒn/, in its original meaning, is a figure of speech in which a phrase is made discontinuous by the insertion of other words. In modern usage, the term is also used more generally for figures of speech that transpose sentences’ natural word order, and it is also called an anastrophe.

What is an example of chiasmus?

What is chiasmus? Chiasmus is a figure of speech in which the grammar of one phrase is inverted in the following phrase, such that two key concepts from the original phrase reappear in the second phrase in inverted order. The sentence “She has all my love; my heart belongs to her,” is an example of chiasmus.

Why is Hyperbaton used?

The Importance of Using Hyperbaton. Hyperbaton is unique because it is a device that allows writers to bypass typical grammatical expectations and rules in order to create sentences and phrases that are more complex, intriguing, and challenging for the reader.

What is an example of Hypophora?

Hypophora is where you raise a question and then answer it. Therefore, those two sentences are an example of hypophora. A question was raised and immediately answered. A question was raised, then it was immediately answered.

In many forms of media, typography is commonly used in designs and other visuals to draw the public’s attention. Yet have you realized that poets also employ typography in their work? Is it only to capture the audience’s interest like the way designs and visuals do?

Let’s read on for more detailed information regarding typography in poetry including:

• What is typography in poetry?
• Elements of typography and their effects in poetry
• Examples of typography in poetry

What is typography in poetry?

Definition

Typography in poetry, also known as graphic elements in poems, refers to the sort of punctuation and capitalization, the length of verses, the placement of phrases, and even blank space.

These components contribute to a poem’s “shape” or “image”, making a visual concrete poem. In this type of poetry, the author intends to communicate through both graphic patterns of verses and the interpretation of words in a traditional order.

Influences of typography in poems

Typography not only affects the visuals of poems but also emphasizes their messages. For the audience, not only are they readers of the poems but also viewers of the pictures.

• Viewing the evocative picture created by how the words and lines are organized on the page, the audience would see a classic poem of higher aesthetic value. They can also perceive a bit of the verse’s conceptual idea even without reading a single word.

• Besides, when composing, poets frequently employ typographical clues to modify or strengthen meanings of words or other literary components such as meter or rhythm. As a result, readers can better comprehend the ideas they aim to communicate.

Elements of typography and their effects in poetry

Line length

A line is a very basic unit forming a poem. The design of verses in books is related to the length of their lines: lengthy and slender, brief and broad, or a shape all its own. As a matter of fact, line length would impact the meaning of words within them, as well as the sound and rhythm when the piece of poetry is read.  

• A brief line keeps the reader reading slowly and adds tension.
• A long line shortens the time for reading and heightens the senses.
• On the other hand, standard size lines (6–8 phrases) are more balanced and effective when emotion or sentiment isn’t the primary impression authors want to achieve.

A typical illustration of this is Haiku poems. There are 3 lines in those works, each of which comprises a specific number of syllables (5-7-5). Being short and concise, they contain tension and enhance readers’ imagination.

Punctuation

The rhythm and content of a verse can also be affected by how a poet employs typographic elements such as commas, periods, and capitalization.

The most frequent way for a writer to close a line is to punctuate solely at its end. Authors of visual concrete poems, however, might disrupt the flow of a line by moving the breaks.

Take Caesura as an example technique; it happens when a writer inserts punctuation in the middle of a sentence rather than at the closing point. This exerts the greatest influence on rhythm and content as it can put a different emphasis on the line. Let’s compare:

“The man slept again.”

versus “The man slept. Again.”

Previously, the man might simply go to bed. But by introducing the caesura, the focus is given on his laziness or tiredness.

Another typical technique of this is Enjambment, in which the poet keeps verses going on without pausing; rather than end-stopping any line. This is to narrow the gap between the sounds of verse and prose, resulting in a work that flows freely and highlights unanticipated rhythms and phrases, like in this example:

“And then hopped sidewise to the Wall

To let a Beetle pass.”

(“A Bird Came Down the Walk” by Emily Dickinson)

Capital letter

Usually, capitalization in writing follows specific sets of rules. However, this is not always the case. A capital letter is also a typographic unit that can be used with creativity for other purposes.

Thanks to capital letters, poets can draw focus on a particular theme for symbolic impact, or they can call attention to a subject that recurs throughout the writing. Capitalizing a word or phrase in a poem may lend it an enhanced source of strength, causing the reader’s interest to be directed to it.

Let’s take a look at:

“And then he drank a Dew

From a convenient Grass

And then hopped sidewise to the Wall

To let a Beetle pass”

(“A Bird Came Down the Walk” by Emily Dickinson)

As can be clearly seen in the midst or at the end of the above lines, “Grass,” “Dew,” and “Beetle” typically commence using upper case letters. Thus, the poet emphasizes the value of nature. To put it in other words, nature is held in high regard in this work.

Word position and spacing

Usually, when composing verses, poets need to choose carefully which words to use and when to use them. This is because not only the phrases themselves but also the particular spots they are arranged in would impact the rhythm of poems.

Word position, which shows the relationship between words and ideas, is another typical typographical pattern. In many cases, changing word placement helps develop curiosity or alter the focus.

Let’s consider these examples:

“He arrived home and went to bed”

versus “Arriving home, he went to bed”  

Take note of how the changing word placement improves the line’s rhythm. Obviously, because we don’t know what’s coming until further in the line, placing “arriving” just at the top of the verse develops our curiosity.

Word position would also show different shapes of the line and structures of poems.

A good example of this is a work of George Herbert named “Easter Wings”. The piece’s typography is designed to resemble wings and the verse represents an image of birds. The stanzas were printed sideways on two pages, showing that the creature is soaring upward with its organ of flight spread out.

There is no denying that this looks just like a photograph. Therefore, not even reading a single word, readers might grasp the imagery of physical and spiritual rebirth.

Examples of typography in poetry

E.E. Cummings poems

E.E. Cummings is a notable author who is famous for visual concrete works. He employs most typographical elements including line length, space and punctuation, and poem shape. The poet is described to “free the word from its grapheme, and put its formal, visual, and phonetic elements into focus.”

Some examples of typography in E.E. Cumming poems are:

• “Me up at does”

Each sentence is only four lines long, giving the poetry a jagged appearance that conveys the subject’s sentiments about what he did. Though no phrases in the verse express his sense of guilt directly, the idea is conveyed clearly based on how the poem is written. Since his thinking is fragmented and inconsistent, the rhyme is broken up.

• “I have found what you are like”

Our mind sees this poetry through a whole different lens because of the way it was written. We can almost grasp the concept of the woods stumbling and singing. Even if it isn’t portraying a genuine scenario, we get the impression that we can see it and that it is real.

“In a Station of the Metro” by Ezra Pound

Poet Ezra Pound was an advocate in the movement of imagist poetry. Many believe “In a Metro Station” to be a typical illustration of typography in poetry. The poem is brief, has no verbs but emphasizes graphic spacing instead, providing the reader with an image of a passing train.

“The apparition of these faces in the crowd:

Petals on a wet, black bough.”

The poem was initially printed with spaces between the two lines to simulate train tracks and highlight the verse’s flow. Pound makes an implied comparison between the scene of faces going through the station and a lovely vision of nature, underlining the beauty of even the most inconsequential of events.

The Altar by George Herbert

George Herbert is another poet known for metaphysical writings. The poem is shaped like an altar, depicting the metaphorical process of making an altar out of one’s own heart.

Final thoughts

All in all, it goes without saying that typography in poetry such as line length, punctuation, capitalization as well as word and space position, is a beautiful mixture of visuals and words. This, in the end, levels up both aesthetic and literary values among written artistic works.  

More interesting poetry articles:

• Top 10 Best Fonts To Use In Your Poetry
• Dissonance In Poetry: Everything You Need To Know
• Neal Cassady: Life, The Beat Generation And Poetry
• Top 20 Best Poetry Books That Make The Perfect Gift