Word meaning joined with

соединил заподлицо; соединенный заподлицо

IDM

1. एकजुटjoin forces withहोना

All the political parties have joined forces to defeat the Congress.

2)

3)

1. I

1) these roads join эти дороги и т. д. сходятся /пересекаются/; these rivers join эти речки сливаются; where do the paths join7 где встречаются эти тропинки?; parallel lines never join параллельные линии никогда не пересекаются; their gardens join их сады и т. д. граничат [друг с другом] /примыкают друг к другу/

2. II

join in хате place the two roads join here эти две дороги сходятся /пересекаются/ здесь

3. III

1) join smth. join the river впадать в реку и т. д.; this brook joins the river этот ручей и т. д. впадает в реку; does this stream join the Danube? эта речка впадает в Дунай?; the two streams join each other эти ручейки сливаются [в один]; join the road примыкать к дороге и т. д.; the lane joins the high road дорожка выходит на шоссе; join a large estate граничить с большим поместьем и т. д., примыкать к большому поместью и т. д.; join hands’ взяться за руки

2) join smth. join two armies объединить две армии и т. д.; join battle вступать в бой; join two boards /two planks/ соединить /связать/ две доски и т. д.; the priest joined their hands священник соединил их руки

3) join smb., smth. join one’s friends присоединиться к друзьям и т. д.; will you join us ? не хотите ли присоединиться к нам и т. д.; join a Party вступить в партию и т. д.; he has joined our club он вступил в члены /стал членом/ нашего клуба; she has joined evening classes она записалась на вечерние курсы; when did you join the army? когда вы пошли в армию?

4) join smth. join one’s ship возвращаться на корабль и т. д.

4. IV

1) join smth. in some manner join smth. together соединять что-л. вместе и т. д., подогнать одно к другому и т. д.’, he joined together the broken ends of the cord он связал оборвавшиеся /лопнувшие/ концы шнурка; join these pipes together соединить концы этих труб

2) join smb., smth. in some manner join smb., smth. enthusiastically с энтузиазмом и т. д. присоединиться к кому-л., чему-л.; join smb. at some time I’ll join you later я присоединюсь к вам /я догоню вас/ позже и т. д.

5. XI

be joined by smth. be joined by the conjunction «and» соединяться при помощи союза /союзом/ «и»; these words are always joined together эти слова всегда употребляются вместе; be joined in holy matrimony быть связанным /соединённым/ священными узами брака

6. XVI

1) join at smth. join at the foot of the hill соединяться / пересекаться/ у подножья холма и т. д.; which two rivers join at Lyons? на слиянии каких рек стоит город Лион?; his garden joins on mine его сад граничит с моим /примыкает к моему/

2) join with smb. join with the enemy присоединиться к врагу и т. д., we joined with the rest мы присоединились к остальным; join with me in doing the work давайте вместе сделаем эту работу; join in smth. join in a contest принять участие в соревнованиях и т. д.; may I join in the game? можно мне поиграть с вами?, примите меня в свою игру; everybody join in the chorus пойте припев хором; he joined in the singing /in the song/ он запел вместе со всеми; we all joined in the fun мы все приняли участие в общем веселье, мы веселились вместе со всеми; we all joined in the work мы все включились в работу; join with smb. in smth. join with me in the work вместе со мной принять участие в работе и т. д.

7. XXI1

1) join smth. to smth. join his garden to mine соединять его сад с моим и т. д., join one piece on to another присоединять одну часть к другой; the road that joins Paris to Trouville дорога, которая связывает Париж с Трувилем; she was going to join her life to his она собиралась связать свою жизнь с ним; join smth. by smth. join two islands by a bridge соединить два острова мостом и т. д.; join smth. in smth. join the two ends of the rope together in a knot связать два конца веревки узлом; join smb. in smth. join two persons /one person with another/ in marriage сочетать двух людей браком

2) join smth. with smth. join theory with practice сочетать теорию с практикой и т. д.

3) join smb. in smth. join them in their search принять участие в их поисках и т. д., I’ll join you in your walk я пройдусь /погуляю/ с вами; would you care to join me for a cocktail? не выпьете ли вы со мной коктейль?; join smb. in some place join one’s friends in London встретиться с друзьями в Лондоне и т. д.; he joined us on our way он присоединился к нам по дороге; join smb. in some time join one’s friends in a few minutes присоединиться к друзьям и т. д. через несколько минут и т. д.

8. XXII

join smb. in doing smth. join smb. in looking for her присоединиться к кому-л. в поисках пропавшей и т. д.; my wife joins me in congratulating you моя жена присоединяется к поздравлениям

[ʤɔɪn] vt

to join sth [to sth] etw [mit etw dat] verbinden [o zusammenbringen] [o zusammenfügen]; battery etw [an etw dat] anschließen;

( add) etw [an etw akk] anfügen;

the River Neckar joins the Rhine at Mannheim der Neckar mündet bei Mannheim in den Rhein ein;

to join forces with sb sich akk mit jdm zusammentun;

to join hands sich dat die Hände geben [o form reichen];

to join sb sich akk zu jdm gesellen, jdm Gesellschaft f leisten;

would you like to join us for supper? möchtest du mit uns zu Abend essen?;

do you mind if I join you? darf ich mich zu Ihnen setzen?;

she travelled to Rome by herself and was joined by her husband a week later sie reiste alleine nach Rom, und eine Woche später kam ihr Mann nach

3) (become a member, employee of)

to join sth etw dat beitreten, in etw akk eintreten; club, party bei etw dat Mitglied werden;

to join the army Soldat werden;

to join the ranks of the unemployed sich akk in das Heer der Arbeitslosen einreihen

to join sth bei etw dat mitmachen;

let’s go and join the dancing lass uns mittanzen;

to join the line (Am) [or ( Brit) queue] sich akk in die Schlange stellen [o ( geh) einreihen];

to join sb in [doing] sth jdm bei [o in] [der Ausführung] einer S. gen zur Seite stehen, sich akk jdm [bei der Ausführung einer S. gen] anschließen;

I’m sure everyone will join me in wishing you a very happy birthday es schließen sich sicher alle meinen Glückwünschen zu Ihrem Geburtstag an

to join a plane/ train in ein Flugzeug/einen Zug zusteigen

PHRASES:

join the club! willkommen im Club! vi

to join [with sth] sich akk [mit etw dat] verbinden;

to join with sb in doing sth sich akk mit jdm dat zusammenschließen [o ( fam) zusammentun], [um] etw zu tun;

the police have joined with the drugs squad in trying to catch major traffickers die Polizei hat sich mit der Drogenfahndung zusammengetan, um die Großdealer zu schnappen

to join [together] in marriage [or ( form) holy matrimony] sich akk ehelich [miteinander] verbinden ( geh), in den heiligen Bund der Ehe f treten ( geh) n Verbindung[sstelle] f, Fuge f

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b. August 1860 Brittany, France

d. 28 September 1935 Twickenham, England

[br]

Scottish inventor and photographer.

[br]

Dickson was born in France of English and Scottish parents. As a young man of almost 19 years, he wrote in 1879 to Thomas Edison in America, asking for a job. Edison replied that he was not taking on new staff at that time, but Dickson, with his mother and sisters, decided to emigrate anyway. In 1883 he contacted Edison again, and was given a job at the Goerk Street laboratory of the Edison Electric Works in New York. He soon assumed a position of responsibility as Superintendent, working on the development of electric light and power systems, and also carried out most of the photography Edison required. In 1888 he moved to the Edison West Orange laboratory, becoming Head of the ore-milling department. When Edison, inspired by Muybridge’s sequence photographs of humans and animals in motion, decided to develop a motion picture apparatus, he gave the task to Dickson, whose considerable skills in mechanics, photography and electrical work made him the obvious choice. The first experiments, in 1888, were on a cylinder machine like the phonograph, in which the sequence pictures were to be taken in a spiral. This soon proved to be impractical, and work was delayed for a time while Dickson developed a new ore-milling machine. Little progress with the movie project was made until George Eastman’s introduction in July 1889 of celluloid roll film, which was thin, tough, transparent and very flexible. Dickson returned to his experiments in the spring of 1891 and soon had working models of a film camera and viewer, the latter being demonstrated at the West Orange laboratory on 20 May 1891. By the early summer of 1892 the project had advanced sufficiently for commercial exploitation to begin. The Kinetograph camera used perforated 35 mm film (essentially the same as that still in use in the late twentieth century), and the kinetoscope, a peep-show viewer, took fifty feet of film running in an endless loop. Full-scale manufacture of the viewers started in 1893, and they were demonstrated on a number of occasions during that year. On 14 April 1894 the first kinetoscope parlour, with ten viewers, was opened to the public in New York. By the end of that year, the kinetoscope was seen by the public all over America and in Europe. Dickson had created the first commercially successful cinematograph system. Dickson left Edison’s employment on 2 April 1895, and for a time worked with Woodville Latham on the development of his Panoptikon projector, a projection version of the kinetoscope. In December 1895 he joined with Herman Casier, Henry N.Marvin and Elias Koopman to form the American Mutoscope Company. Casier had designed the Mutoscope, an animated-picture viewer in which the sequences of pictures were printed on cards fixed radially to a drum and were flipped past the eye as the drum rotated. Dickson designed the Biograph wide-film camera to produce the picture sequences, and also a projector to show the films directly onto a screen. The large-format images gave pictures of high quality for the period; the Biograph went on public show in America in September 1896, and subsequently throughout the world, operating until around 1905. In May 1897 Dickson returned to England and set up as a producer of Biograph films, recording, among other subjects, Queen Victoria’s Diamond Jubilee celebrations in 1897, Pope Leo XIII in 1898, and scenes of the Boer War in 1899 and 1900. Many of the Biograph subjects were printed as reels for the Mutoscope to produce the «what the butler saw» machines which were a feature of fairgrounds and seaside arcades until modern times. Dickson’s contact with the Biograph Company, and with it his involvement in cinematography, ceased in 1911.

[br]

Further Reading

Gordon Hendricks, 1961, The Edison Motion Picture Myth.

—1966, The Kinetoscope.

—1964, The Beginnings of the Biograph.

BC

[br]

b. 1765 France

d. 5 July 1833 Chalon, France

[br]

French inventor who was the first to produce permanent photographic images with the aid of a camera.

[br]

Coming from a prosperous family, Niepce was educated in a Catholic seminary and destined for the priesthood. The French Revolution intervened and Niepce became an officer in an infantry regiment. An attack of typhoid fever in Italy ended his military career, and he returned to France and was married. Returning to his paternal home in Chalon in 1801, he joined with his brother Claude to construct an ingenious engine called the pyréolophore, which they patented in 1807. The French Government also encouraged the brothers in their attempts to produce large quantities of indigo-blue dye from wood, a venture that was ultimately unsuccessful.

Nicéphore began to experiment with lithography, which led him to take an interest in the properties of light-sensitive materials. He pursued this interest after Claude moved to Paris in 1816 and is reported to have made negative images in a camera obscura using paper soaked in silver chloride. Niepce went on to experiment with bitumen of judea, a substance that hardened on exposure to light. In 1822, using bitumen of judea on glass, he produced a heliograph from an engraving. The first images from nature may have been made as early as 1824, but the world’s earliest surviving photographic image was made in 1826. A view of the courtyard of Niepce’s home in Chalon was captured on a pewter plate coated with bitumen of judea; an exposure of several hours was required, the softer parts of the bitumen being dissolved away by a solvent to reveal the image.

In 1827 he took examples of his work to London where he met Francis Bauer, Secretary of the Royal Society. Nothing came of this meeting, but on returning to France Niepce continued his work and in 1829 entered into a formal partnership with L.J.M. Daguerre with a view to developing their mutual interest in capturing images formed by the camera obscura. However, the partnership made only limited progress and was terminated by Niepce’s death in 1833. It was another six years before the announcement of the first practicable photographic processes was made.

[br]

Bibliography

1973. Joseph Nicéphore Niepce lettres 1816–7, Pavillon de Photographie du Parc Naturel, Régional de Brotonne.

1974, Joseph Nicéphore Niepce correspondences 1825–1829, Pavillon de Photographie du Parc Naturel, Régional de Brotonne.

Further Reading

J.M.Eder, 1945, History of Photography, trans. E. Epstean, New York (provides a full account of Niepce’s life and work).

H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London (provides a full account of Niepce’s life and work).

JW

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b. 22 April 1925 Auchtermuchty, Fife, Scotland

[br]

Scottish naval architect and leading twentieth-century exponent of advanced maritime technology.

[br]

After early education at Cupar in Fife, Meek commenced training as a naval architect, taking the then popular sandwich apprenticeship of alternate half years at the University of Glasgow (with a Caird Scholarship) and at a shipyard, in his case the Caledon of Dundee. On leaving Dundee he worked for five years with the British Ship Research Association before joining Alfred Holt & Co., owners of the Blue Funnel Line. During his twenty-five years at Liverpool, he rose to Chief Naval Architect and Director and was responsible for bringing the cargo-liner concept to its ultimate in design. When the company had become Ocean Fleets, it joined with other British shipowners and looked to Meek for the first purpose-built containership fleet in the world. This required new ship designs, massive worldwide investment in port facilities and marketing to win public acceptance of freight containers, thereby revolutionizing dry-cargo shipping. Under the houseflag of OCL (now POCL), this pioneer service set the highest standards of service and safety and continues to operate on almost every ocean.

In 1979 Meek returned to the shipbuilding industry when he became Head of Technology at British Shipbuilders. Closely involved in contemporary problems of fuel economy and reduced staffing, he held the post for five years before his appointment as Managing Director of the National Maritime Institute. He was deeply involved in the merger with the British Ship Research Association to form British Maritime Technology (BMT), an organization of which he became Deputy Chairman.

Marshall Meek has held many public offices, and is one of the few to have been President of two of the United Kingdom’s maritime institutions. He has contributed over forty papers to learned societies, has acted as Visiting Professor to Strathclyde University and University College London, and serves on advisory committees to the Ministry of Defence, the Department of Transport and Lloyd’s Register of Shipping. While in Liverpool he served as a Justice of the Peace.

[br]

Principal Honours and Distinctions

CBE 1989. Fellow of the Royal Academy of Engineering 1990. President, Royal Institution of Naval Architects 1990–3; North East Coast Institution of Engineers and Shipbuilders 1984–6. Royal Designer for Industry (RDI) 1986. Royal Institution of Naval Architects Silver Medal (on two occasions).

Bibliography

1970, «The first OCL containerships», Transactions of the Royal Institution of Naval Architects.

FMW

ради, для, за, в пользу, в интересах кого-л. ; тж. on behalf of smb. 2)

යුඤ්ජි
yuयुञ्जिnji
yuñji

යුඤ්ජිතබ්බ
yuयुञ्जितब्बnjitabba
yuñjitabba

යුඤ්ජිත්වා
yuयुञ्जित्वाnjitvaa
yuñjitvā

Guipure needlepoint lace made in Venice, reticella being the first variety. Later, Punto in Asia » stitches in the air » was the beginning of Point Venice. It consists of needlepoint motifs and designs joined with an irregular network of brides. It is used for dress trimmings and curtains.

festus, a, um, festal, belonging to the feast, Mk. 14:2; J. 2:23 (always joined with dies).