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Группой крупнейших российских правообладателей авторских и смежных прав, а именно: ООО «НЦА», ООО «ЛенГрад», ООО «Креатив Медиа», ООО «Новый мир», ООО «Медиалайн», ООО «Диджитал Прожект» и другими, в рамках заключенных с ООО «АдвМьюзик» лицензионных соглашений, вэб-сайту https://lightaudio.ru предоставлены разрешения на использование музыкального контента, принадлежащего данным Правообладателям, способом доведения до всеобщего сведения в цифровой форме через Интернет.
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- Тексты песен
- BBC Radio 3
- Word And Music, Untitled
Poetries read by Andrew Scott
1. They Flee From Me
They flee from me that sometime did me seek
With naked foot, stalking in my chamber.
I have seen them gentle, tame, and meek,
That now are wild and do not remember
That sometime they put themself in danger
To take bread at my hand; and now they range,
Busily seeking with a continual change.
Thanked be fortune it hath been otherwise
Twenty times better; but once in special,
In thin array after a pleasant guise,
When her loose gown from her shoulders did fall,
And she me caught in her arms long and small;
Therewithall sweetly did me kiss
And softly said, “Dear heart, how like you this?”
It was no dream: I lay broad waking.
But all is turned thorough my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness,
And she also, to use newfangleness.
But since that I so kindly am served
I would fain know what she hath deserved.
— Sir Thomas Wyatt (1503 — 1542), English ambassador and lyrical poet.
http://www.poetryfoundation.org/poem/174858
2.
The hollow of morning
Holds my soul still
As water in a jar
— Samuel Menashe (1925 — 2011), American poet.
http://www.economist.com/node/21528217
3.
All I want to do
is get drunk with my wife
An endless glass of wine
both of us on the floor
So what if squares
look down on us?
Boring and misguided
are their miserable lives
When my wife is in the city
and I’m home
I want to cry
The moonlight
on the cypress tree
is a bitter light
No book has ever kissed me
like she does
— Hafiz (1315? — 1390?), Iranian poet.
Translated by Matthew Rohrer
https://www.aprweb.org/poem/translations-hafiz
4. Please tell me — That’s if you don’t mind…
Please tell me — that’s if you don’t mind me asking
how am I to find the holes and corners where you hide?
I searched the Lesser Campus, tried the Circus Maximus and shrine of Jupiter on the Capitoline,
combed all the bookshops, then waylaid the girls in Pompey’s colonnade,
begging for you, but met wide-eyed, Innocent looks on every side.
Desperate, I asked, “What have you done, you bad girls, with Camerius?»
One, Teasing me, flaunted a bare breast: “Here he is, in this rosy nest!»
You keep such a stand-offish distance that one needs Hercules’ persistence to track you down these days, my friend.
Divulge, disclose where you intend to be in future; come, commit yourself, be reckless, out with it!
Is it that you’ve spent all day sleeping snug in those creamy girls’ safe-keeping?
If lips and tongue stay locked and chained,
you waste the whole crop love has gained: Venus likes speech to be loose-reined.
By all means be discreet — providing that I’m the one you confide in.
— Gaius Valerius Catullus (ca. 84 — 54 BC), Roman lyric poet.
Translated by James Michie
http://colecizj.easyvserver.com/pocatora.htm
5. A Slumber did my Spirit Seal
A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth’s diurnal course,
With rocks, and stones, and trees.
— William Wordsworth (1770 — 1850), English Romantic poet.
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On 9th February 2020, my arrangement for solo lyre of the traditional Egyptian folk song, «My Heart was Burnt by Love» (from my 2009 album, «An Ancient Lyre»), was featured in this episode of the BBC Radio 3 series, «Words and Music», in a programme entitled
«Welcome To Heartbreak»:
www.bbc.co.uk/programmes/m000f6xb
From the programme notes, «There cannot be a phenomenon in all the world that inspires poets and composers more than heartbreak. It is a universal experience, and yet at the same time feels utterly unique.
With Valentine’s Day approaching, why not indulge yourself in expressions of exquisite pain from the likes of Audre Lorde, Alice Meynell, Don Paterson and Derek Walcott, whose words take you through the stages of despair, denial, regret, acceptance and so on. All of it accompanied, of course, by lovelorn, lovesick music courtesy of Leoncavallo, Puccini, Tchaikovsky and Tom Waits.
Living through the operatic emotions of a broken heart alongside you are readers Zubin Varla and Katie West.»
My music featured after a reading of a translation of a passage from Ovid on the theme of the broken heart…
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World Music Radio (WMR) first went on the air more than 50 years ago — in 1967 from the Netherlands, and broadcast from there until 1973. Programmes were aired each Sunday morning and later also on Saturdays. The popular WMR frequency among many short wave enthusiasts in Europe at that time was 6250 kHz.
World Music Radio радиостанция, вещающая в стране Дания, вещает в формате Поп / 80-е / 90-е
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Текст песни «BBC Radio 3 — A Patriot for Me»
A Patriot for Me
2015 marks the 50th anniversary of John Osborne’s sensational and ground breaking epic play about Alfred Redl. Redl was an officer in the Austro Hungarian intelligence service in the 1890s. His homosexuality made him a target for blackmail and persecution. Perhaps surprisingly, Osborne’s play is not only a sweeping epic but also an angry plea for tolerance and a condemnation of hypocrisy that is as relevant now as it was to him in 1965.
The play has been credited with helping to bring an end to official censorship in the UK.
A Patriot for Me centres on an ambitious rising star in the Austrian army, in the decadent society of turn-of-the-century Austria, whose journey of self-discovery leads to blackmail, betrayal and murder. Redl is compromised by his newly realised sexual freedom and is compelled by the Russian army to spy on the country and countrymen he cares for.
THE HISTORY OF THE PLAY
Produced at the Royal Court with Maximilian Schell as Redl, the great famous set piece is an upper class drag ball, which put the nail in the coffin of the play’s licensing by the Lord Chamberlain, though it was a huge success when performed in a private members’ club, and revived brilliantly many years later at Chichester by Ronald Eyre, starring Alan Bates.
First broadcast: 08 Jun 2015 (b05xq4rq)