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Words and Music | |
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Lobby card |
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Directed by | Norman Taurog |
Written by | Ben Feiner Jr. (adaptation) Fred F. Finklehoffe (writer) |
Story by | Guy Bolton Jean Holloway |
Produced by | Arthur Freed |
Starring | Tom Drake Mickey Rooney |
Cinematography | Charles Rosher Harry Stradling |
Edited by | Albert Akst Ferris Webster |
Music by | Richard Rodgers & Lorenz Hart |
Production |
Metro-Goldwyn-Mayer |
Distributed by | Loew’s Inc. |
Release date |
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Running time |
120 minutes |
Country | United States |
Language | English |
Budget | $3,048,000[1] |
Box office | $4,552,000[1] |
Words and Music is a 1948 American biographical musical film loosely based on the creative partnership of the composer Richard Rodgers and lyricist Lorenz Hart. The film stars Mickey Rooney as Hart and Tom Drake as Rodgers, along with Janet Leigh, Betty Garrett, Ann Sothern and numerous musical stars. It was the second in a series of MGM biopics about Broadway composers; it was preceded by Till the Clouds Roll By (Jerome Kern, 1946) and followed by Three Little Words (Kalmar and Ruby, 1950) and Deep in My Heart (Sigmund Romberg, 1954).
The film is best remembered for featuring the final screen pairing of Rooney and Judy Garland, and for the lavish showcasing of the Rodgers and Hart catalogue of songs. The script, as in many similar films of the era, was heavily fictionalized. It sanitized Hart’s complex psychological problems and self-destructive behavior, which led to the break-up of the writing partnership and contributed to Hart’s early death. In keeping with cultural taboos of the time, the film also completely ignored Hart’s homosexuality. (Thanks to the same taboos, The New York Times reviewer Bosley Crowther ridiculed the film’s inaccurate portrayal of Hart but did not specify what was inaccurate.)
The introduction to the film is staged as if composer Richard Rodgers were actually playing himself. Actor Tom Drake appears alone in character, identifies himself as Rodgers and tells the audience it is about to see the story of his collaboration with Lorenz Hart. (Contemporary posters from the film featured the faces of most major cast members, including Rooney, but did not show the face of Drake, and his name was in smaller type than those of the other main stars.)
Though the film performed very well at the box office, it proved to be quite an expensive production and, as a result, failed to recoup its cost in its first release.[2] The film was issued on DVD in 2007 by Warner Bros. and extras included video and audio outtakes.[3] Among these were two songs deleted from the film sung by Perry Como — «Lover» and «You’re Nearer».[4]
Plot[edit]
Aspiring lyricist Lorenz «Larry» Hart needs a composer for his music, so Herb Fields introduces him to Richard «Dick» Rodgers and a partnership is born in 1919. They struggle to achieve success, however, and Dick ultimately leaves the business to sell children’s apparel.
Larry becomes impressed with singer Peggy Lorgan McNeil, personally and professionally. But when a show by him and Dick is finally bound for Broadway, his promise to Peggy to play the starring role is ruined because Joyce Harmon is hired to play the part. Dick is attracted to Joyce, but is judged too young to be involved with her, then too old for another woman he meets, Dorothy Feiner. A string of hit songs and shows follows, but Larry seems unable to enjoy the success.
After fighting depression, things begin looking up for Larry as soon as Judy Garland agrees to do a movie with Rodgers and Hart music in it. Larry buys a home in California but can’t shake his sorrow, even after Dorothy marries Dick and invites Larry to share their home. Larry attends a last show of theirs in New York City, then collapses and dies outside the theater. Dick later leads a tribute to Larry’s career.
Cast[edit]
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Guest appearances:
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Songs[edit]
- «Manhattan»
- «There’s a Small Hotel»
- «Mountain Greenery»
- «Where’s that Rainbow?»
- «On Your Toes»
- «We’ll Have A Blue Room»
- «Thou Swell»
- «Where or When»
- «The Lady Is a Tramp»
- «I Wish I Were in Love Again»
- «Johnny One Note»
- «Blue Moon»
- «Slaughter on Tenth Avenue»
- «With a Song in My Heart»
Production[edit]
The film was originally budgeted at $2,659,065.[5]
Reception[edit]
The film earned $3,453,000 in the US and Canada and $1,099,000 overseas but because of its high cost recorded a loss of $371,000.[1][6]
The film is recognized by American Film Institute in these lists:
- 2004: AFI’s 100 Years…100 Songs:
- «The Lady Is a Tramp» – Nominated[7]
- 2006: AFI’s Greatest Movie Musicals – Nominated[8]
References[edit]
- ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ H. Mark Glancy, ‘MGM Film Grosses, 1924–28: The Eddie Mannix Ledger’, Historical Journal of Film, Radio and Television, Vol 12 No. 2 1992 p127-144 at p140
- ^ «DVD Talk». dvdtalk.com. Retrieved October 1, 2018.
- ^ Macfarlane, Malcolm (2009). Perry Como — A Biography and Complete Career Record. Jefferson, North Carolina: McFarland & Company. pp. 43–44. ISBN 978-0-7864-3701-6.
- ^ Michael A. Hoey, Elvis’ Favorite Director: The Amazing 52-Film Career of Norman Taurog, Bear Manor Media 2013
- ^ «Top Grossers of 1949». Variety. 4 January 1950. p. 59.
- ^ «AFI’s 100 Years…100 Songs Nominees» (PDF). Retrieved 2016-08-13.
- ^ «AFI’s Greatest Movie Musicals Nominees» (PDF). Retrieved 2016-08-13.
External links[edit]
- Words and Music at IMDb
- Words and Music at AllMovie
- Words and Music at the TCM Movie Database
- Words and Music at the American Film Institute Catalog
- The Judy Garland Online Discography «Words And Music» pages.
- Cast & crew
- User reviews
- Trivia
- 1948
- Approved
- 2h 1m
Musical biography chronicling the songwriting partnership of Richard Rodgers and Lorenz Hart.Musical biography chronicling the songwriting partnership of Richard Rodgers and Lorenz Hart.Musical biography chronicling the songwriting partnership of Richard Rodgers and Lorenz Hart.
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THE BEST OF MGM’S ALL-STAR MUSICALS
During the 1940’s, MGM produced a number of All-Star musicals. The most notable being The Ziegfeld Follies, Till the Clouds Roll By, and Words and Music. The Ziegfeld film is most remembered for its comedy routines: Fanny Brice, Red Skelton, Victor Moore, and Judy Garland’s satirical «The Great Lady Gives an Interview». The other two films are idealized biographies of Jerome Kern («Clouds») and Rodgers and Hart («Words»), of which the latter is far and away the more entertaining. The Kern film followed closely on the death of the revered composer and is too respectful for its own good. «Words and Music», on the other hand, benefits greatly from the presence of Mickey Rooney (as Larry Hart) and the always delightful Betty Garrett. But, most of all, it’s the wide variety of songs that Rodgers and Hart produced that make it such a joy to watch. From June Allyson’s lively «Thou Swell» (a highlight in her career) to the dramatic «Slaughter on Tenth Avenue» ballet with Gene Kelly and Vera-Ellen (a forerunner of the sensual ballet’s that Kelly performed in «An American in Paris» and «Singing in the Rain». And of course, there’s the wonderful (and final) teaming of Rooney and Judy Garland (the amusing «I Wish I Were in Love Again»).
From beginning to end, this is the best of MGM. Don’t miss it.
- frasuer
- Sep 3, 1999
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Movie Info
In this fictionalized account of the partnership of songwriting legends Richard Rogers and Lorenz «Larry» Hart, Richard (Tom Drake), a well-mannered composer, teams up with eccentric but talented wordsmith Larry (Mickey Rooney). After years of failure, they finally manage to hit it big on Broadway. Meanwhile, Richard tries to win over the mature Joyce (Ann Sothern), and Larry, who is attempting to romance vocalist Peggy (Betty Garrett), struggles with depression and a debilitating illness.
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Genre:
Musical
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Original Language:
English -
Director:
Norman Taurog
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Producer:
Arthur Freed
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Writer:
Fred F. Finklehoffe
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Release Date (Theaters):
Dec 31, 1948
original
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Release Date (Streaming):
Jul 24, 2007
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Runtime:
1h 59m
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Distributor:
Metro-Goldwyn-Mayer
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Production Co:
Metro-Goldwyn-Mayer
Cast & Crew
Critic Reviews for Words and Music
Audience Reviews for Words and Music
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Apr 04, 2007
There’s some great stuff here, the music of course and the Slaughter on 10th Avenue ballet with Vera-Ellen and Gene Kelly is amazing. Janet Leigh is lovely and impossibly young but is given nothing to do but Drake is bland almost to the point of invisiblity and Rooney is frankly a major hambone here terrible and annoying beyond measure. The songs and dances are five star but the story, most of which is fiction, is one.
Super Reviewer
Encomium into Larry Hart (1895-1943), found through the fictive eyes of his own songwriting partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes Broadway, London, and Hollywood. We view that the fruits of Hart and Rodgers’ collaboration — elaborately staged amounts in their plays, characters’ visits to golf clubs, and even impromptu performances at parties. In addition, we see Larry’s dotted way of lifetime, his unhappiness, his love with Peggy McNeil, and the successful wooing of Dorothy Feiner of Richard.
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Synopsis
The BIGGEST musical!
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers’ collaboration — elaborately staged numbers from their plays, characters’ visits to night clubs, and impromptu performances at parties. We also see Larry’s scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard’s successful wooing of Dorothy Feiner.
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Stop. Just stop. Please, for the love of God, stop. Stop everything. Stop whatever the fuck it is you’re doing. STOP!
The more I am forced to watch Mickey Rooney the more my hatred for him burns. Before I started this I thought he was perfectly fine, even great in a couple of movies, but I have been subjected to his……..whatever the fuck you’d call it too many times. It taunts me. It tortures me. It terrorizes me. I can’t fucking take it anymore. If I have to look at Mickey Rooney’s smug dumbass face ever again I might just finish that time machine I’ve been working on and go back in time just to kill Mickey Rooney. Then I’d…
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I liked everything about this movie except for Mickey Rooney.
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Words and Music, a fictionalized biopic of lyricist Lorenz Hart (Mickey Rooney), is an above-average MGM musical from director Norman Taurog. As a biopic focused on the songwriting duo of Hart and composer Richard Rodgers (Tom Drake), the musical numbers play like a greatest hits collection, and the strength of the tunes is a clear strength of the film overall.
Mickey Rooney gives a solid performance—one of his best (although, given my opinion of Rooney, that is a rather low hurdle)—at the center of the film, but the real allure of Words and Music are the supporting cast of MGM stars that pop in-and-out for a cameo song or two. Because the film deals with a real-life Broadway/Hollywood songwriting team,…
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MGM with another excuse to put all their musical stars in one big extravaganza, using the the musical library of songwriter-duo Richard Rodgers and Lorenz Hart with Tom Drake & Mickey Rooney playing the roles, while rest of the star-studded cast playing themselves performing the numbers in true classic Hollywood style! You get Judy Garland, Lena Horne, Gene Kelly, Perry Como, June Allyson and a ton more! This is fine for what it was, but not exactly a true-to-life biopic, as if these kinds of films ever was.
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Bio-pic/retrospective of Rodgers & Hart, this movie is enjoyable, if a bit weird. It’s almost extra conspicuous the way they avoid dealing with Hart’s alcoholism and homosexuality. There are some pretty good tunes, but there are also a lot of forgettable numbers. Plenty of talented singers and dancers show up to do their thing. Some of the choreography is interesting, some is just bizarre (Gene Kelly & Vera-Ellen…I’m looking at you). It reminded me a lot of «Till the Clouds Roll By,» the Jerome Kern musical bio-pic retrospective from two years earlier.
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More than willingly admit that I skipped around this one. I’m not about to sit down and watch a two-hour biopic about Lorenz Hart that refuses to acknowledge his queerness while being portrayed by Mickey Rooney of all people. Lena Horne was stunning! So glad she got “The Lady is a Tramp”! I’m pretty sure I remember seeing that Judy said that “Johnny One Note” was her least favorite song she’d performed? Or maybe I misremember? Anyway, she looks less than thrilled here, which — she was going through a lot, it makes sense.
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Shortness as a euphemism for homosexuality, the movie.
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I enjoyed the numbers but they couldn’t save my general opinion on this. I really don’t understand how Mickey Rooney got to have a career in pictures, he’s so boring.
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i only watched that one scene with gene kelly and vera ellen and that was pretty good! is it cheating for me to log it? maybe! but it’s my account and i’ll do what i want.
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there sure were a lot of words and music
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Only watched the Gene Kelly/Vera-Ellen number, god shit.