Star .45 (Star modelo-P) — оружие Far Cry 2, пистолет.
Описание[]
Оружие становится доступным в начале игры, после завершения первого Задания от торговца в Акте 1.
Появляется в руках врагов после первого задания от фракции, а после выполнения первого задания фракции в Акте 2 заменяется на Eagle.50.
Является самым распространённым и самым первым оружием в игре: впервые протагонист возьмёт его в руки в отеле в Пала после ухода Шакала.
Макс. боезапас[]
Уровень сложности | Без улучшения | С улучшением |
---|---|---|
Просто | 8 + 40 | 8 + 80 |
Обычно | 8 + 24 | 8 + 40 |
Опасно | 8 + 16 | 8 + 24 |
Ты герой | 8 + 16 | 8 + 24 |
Справка[]
Разработан в компании «Bonifacio Echeverria S.A.» под торговой маркой STAR в Испании на основе известного Colt M1911. Star .45 является пистолетом 45 калибра. Пистолет стоял на вооружении испанской армии до 1980-х годов. 9 мм вариант является официальным оружием Южно-Африканских национальных сил обороны (SANDF) и по сей день.
Характеристики[]
Этот пистолет идеально подходит для тех, кому нужно мощное вторичное оружие, пока нет возможности приобрести MAC-10, Uzi или Eagle.50. Однако это оружие менее точное, чем ПМ. Он более мощен на близких расстояниях, но требует частой перезарядки, очень быстро тратит свой небольшой магазин, а также имеет большую отдачу, требуя большой меткости при следующих выстрелах. Так же, как Макаров и его бесшумной аналог 6П9, он может убивать врагов одним точным выстрелом в голову.
Пистолет довольно прочный и надежный, особенно при улучшении надежности, поэтому его можно не менять на новый аналог долгое время.
Заметки[]
- В многопользовательском режиме Star .45 является вторичным оружием по умолчанию для класса коммандос. Для балансировки Star .45 имеет гораздо более низкую скорость огня в многопользовательском режиме.
- Иногда после того, как вас спасёт приятель, вы получите Star .45 в идеальном состоянии.
Галерея[]
Внешний вид
Прицел
Перезарядка
Сильно изношенный
Осечка
Осмотр оружия
Star .45, когда протагонист находится в демилитаризованной зоне
Оружие Far Cry 2 |
|
Пистолеты | Eagle.50 • Star .45 • ПМ • ПМ с глушителем 6П9 |
---|---|
Пистолеты-пулеметы | MAC-10 • Uzi |
Штурмовые | AR-16 • G3-KA4 • MP-5 с глушителем • АК-47 • FN FAL |
Дробовики | Homeland 37 • SPAS-12 • USAS-12 • Дробовик с глушителем (DLC) • Короткоствольный дробовик (DLC) |
Ручные пулеметы | M249 SAW • Пулемёт Калашникова |
Снайперские | AS50 • M1903 • Ружьё для дротиков • СВД |
Гранатометы | Carl G (реактивный) • MGL-140 • M-79 • РПГ-7 (реактивный) |
Особое | Type 63 (миномёт) • LPO-50 (огнемёт) • Арбалет (DLC) |
Станковое | M-249 • M2 калибра .50 • MK-19 |
Прочее | Взрывное устройство • Граната M-67 • Коктейль Молотова • Мачете • Ракетница |
Let’s do it!
Let’s do it, let’s do it!
You can boogie, love disco, love that disco sound?
Move up your body spinnin’ ’round and ’round!
But don’t, don’t, don’t, don’t, don’t forget! Oh, no!
Don’t, don’t, don’t, don’t, don’t forget! No, no, no!
The «Stars on forty five» keep on turning in your mind!
Like «We Can Work It Out»,
Remember «Twist and Shout»?
You still know «Tell Me Why» and «No Reply»?
You gotta beat the clock!
You gotta beat the clock!
This happened once before,
When I came to your door:
No reply…
They said it wasn’t you,
But I saw you peep through
Your window…
You know, if you break my heart I’ll go,
But I’ll be back again.
‘Cos I, told you once before goodbye,
But I came back again.
Asked a girl what she wanted to be,
She said: «Baby, can’t you see?
I wanna be famous, a star of the screen,
But you can do somethin’ in between!
Baby, you can drive my car,
Yes I’m gonna be a star!
Baby, you can drive my car,
And baby I love you!»
Listen, do you want to know a secret?
Do you promise not to tell? Woh-oh, oh.
Closer, let me whisper in your ear,
Say the words you long to hear:
I’m in love with you. Oow-ow, ow.
Try to see it my way,
Do I have to keep on talkin’
‘Til I can’t go on?
While you see it your way
Run the risk of knowin’
That our love may soon be gone!
We can work it out!
We can work it out!
I should’ve know better with a girl like you,
That I would love everythin’ that you do,
And I do, hey, hey, hey!
He’s a real nowhere man,
Sittin’ in his nowhere land.
You’re gonna lose that girl,
Yes-yes, you’re gonna lose that girl!
You’re gonna lose that girl,
Yes-yes, you’re gonna lose that girl!
You’re gonna lose that girl,
Yes-yes, you’re gonna lose that girl!
I think I’m gonna be sad,
I think it’s today, yeah!
The girl that’s drivin’ me mad
Is going away!
She’s got a ticket to ride,
She’s got a ticket to ride,
She’s got a ticket to ride,
And she don’t care!
Say the word and you’ll be free,
Say the word and be like me,
Say the word I’m thinkin’ of,
Have you heard the word is «Love»?
It’s so fine, it’s sunshine,
It’s the word.
Oh, look at all the lonely people!
Oh, look at all the lonely people!
When I’m walking beside her,
People tell me I’m lucky.
Yes, I know I’m a lucky guy,
I remember the first time:
I was lonely without her,
Can’t stop thinkin’ about her now!
Every little thing she does —
She does for me, yeah!
And you know the things she does —
She does for me, ooh!
Tell me that you’ve got everything you want,
And your bird can sing,
But you don’t get me,
You don’t get me!
When your prized possessions,
Start to wear you down,
Look in my direction:
I’ll be ’round, I’ll be ’round.
Jojo was a man who thought he was a loner,
But he knew it couldn’t last.
Jojo left his home in Tucson, Arizona,
For some California grass.
Get back, get back, get back to where you once belonged!
Get back, get back, get back to where you once belonged!
Ooh, I need your love babe,
Guess you know it’s true!
Hope you need my love babe,
Just like I need you!
Hold me, love me!
Hold me, love me!
Ain’t got nothin’ but love babe,
Eight days a week!
It won’t be long, yeah,
Yeah, yeah, yeah, yeah, yeah!
It won’t be long, yeah,
Yeah, yeah, yeah, yeah, yeah!
It won’t be long, yeah,
Yeah, till I belong to you!
Got a good reason,
For takin’ the easy way out!
Got a good reason,
For takin’ the easy way out now!
She was a day tripper,
One way ticket, yeah!
It took me so long to find out,
And I found out!
It’s been a long time,
Now I’m coming back home.
I’ve been away now,
Oh, how I’ve been alone.
Wait, till I come back to your side,
We’ll forget the tears we cried.
But if your heart breaks,
Don’t wait — turn me away.
And if your heart’s strong,
Hold on — I won’t delay!
The «Stars on forty five» keep on turning in your mind!
Like «We Can Work It Out»,
Remember «Twist and Shout»?
You still know «Tell Me Why» and «No Reply»?
Good day, sunshine!
Good day, sunshine!
Good day, sunshine!
Little darlin’, it’s been a long cold lonely winter!
Little darlin’, it feels like years since it’s been here!
Here comes the sun, doo-doo, doo-doo,
Here comes the sun, and I say:
«It’s all right!»
I look at you all, see: the love there that’s sleeping,
While my guitar gently weeps!
I look at the floor, and I see: it need sweepin’,
Still my guitar gently weeps!
Let me tell you how it will be:
«Taxman Mister Wilson»,
There’s one for you, nineteen for me:
«Taxman Mister Heath»!
‘Cos I’m the Taxman,
Yeah, I’m the Taxman!
It’s been a hard day’s night,
And I’ve been workin’ like a dog!
It’s been a hard day’s night,
I should be sleepin’ like a log!
But when I get home to you,
I find the things that you do
Will make me feel all right!
You say you will love me if I have to go.
You’ll be thinkin’ of me, somehow I will know.
Someday, when I’m lonely, wishin’ you weren’t so far away,
Then I will remember things we said today.
If I gave my heart to you,
I must be sure from the very start
That you, would love me more than her,
‘Cause I couldn’t stand the pain
And I, would be sad
If our new love was in vain!
I got somethin’ to say,
That might cause you pain:
If I catch you talkin’
To that boy again,
I’m gonna let you down!
Let you down!
And leave you flat!
Gonna let you down and leave you flat!
Because I told you before, oh:
You can’t do that!
Last night I said these words to my girl:
«I know you never even try girl —
C’mon, c’mon, c’mon, c’mon,
C’mon, c’mon, c’mon, c’mon!
Please-please, me, whoa-yeah, like I please you!
Please, whoa-yeah, like I please you!
Please, whoa-yeah, like I please you!»
If there’s anythin’ that you want,
If there’s anythin’ I can do,
Just call on me — and I’ll send it along,
With love from me to you!
Oh, yeah, I’ll tell you something,
I think you’ll understand,
When I’ll say that something:
I want to hold your hand!
I want to hold your hand!
I want to hold your hand!
I want to hold your hand!
You can boogie, love disco, love that disco sound?
Move up your body spinnin’ ’round and ’round!
But don’t, don’t, don’t, don’t, don’t forget! Oh, no!
Don’t, don’t, don’t, don’t, don’t forget! No, no, no!
The «Stars on forty five» keep on turning in your mind!
Like «We Can Work It Out»,
Remember «Twist and Shout»?
You still know «Tell Me Why» and «No Reply»?
From Wikipedia, the free encyclopedia
Stars on 45 |
|
---|---|
Origin | South Holland, Netherlands |
Genres | Pop |
Years active | 1980–1987 |
Labels | Radio/Atlantic Records |
Past members |
|
Stars on 45 was a Dutch novelty pop act that was successful in Europe, the United States, and Australia in the early 1980s. The group later shortened its name to Stars On in the U.S., while in the United Kingdom and Ireland it was known as Starsound (or Star Sound). The band, which consisted solely of studio session musicians under the direction of Jaap Eggermont, formerly of Golden Earring, recorded medley recordings made by recreating hit songs as faithfully as possible and joining them together with a common tempo and underlying drum track.
History[edit]
Mark Haley & Lawrence Haley originated the «Stars on 45» concept after Willem van Kooten, managing director of the Dutch publishing company Red Bullet Productions, visited a record store in the summer of 1979 and happened to hear a disco medley being played there. The medley combined original recordings of songs by the Beatles, the Buggles, the Archies and Madness with a number of recent American and British disco hits like Lipps Inc.’s «Funkytown,» Heatwave’s «Boogie Nights,» and The S.O.S. Band’s «Take Your Time (Do It Right),» as the rhythms of the various songs tended to complement and «dovetail» into each other. When van Kooten heard that the medley also used a segment of «Venus,» a 1970 US #1 hit by Dutch band Shocking Blue — a song for which he himself held the worldwide copyright — and knowing that neither he nor Red Bullet Productions had given the permission for the use of the recording, he realised that the medley in fact was a bootleg release.[1] The record turned out to be a 12-inch single called «Let’s Do It In The 80’s Great Hits,» credited to a nonexistent band called Passion and issued on a nonexistent record label called Alto. The medley had its origin in Montreal, Quebec, Canada, and it was later revealed that it was the work of one Michel Ali, together with two professional DJs, Michel Gendreau and Paul Richer. Gendreau and Richer both specialised in the art of «splicing,» stringing together snippets of music from different genres, in varying keys and BPMs and from different sound sources, at this time still predominantly from vinyl records. The first version of the medley was eight minutes long, and it included parts from some twenty tracks of which only three were by the Beatles: «No Reply,» «I’ll Be Back,» and «Drive My Car.» A later extended, 16-minute, 30-track mix of the same medley labeled «Bits and Pieces III» added another five Beatles titles: «*Do You Want to Know a Secret,» «We Can Work It Out,» «I Should Have Known Better,» «Nowhere Man,» and «You’re Gonna Lose That Girl.» With the bootleg recording obviously already circulating in dance clubs on both sides of the Atlantic, van Kooten decided to «bootleg the bootleg» and create a licensed version of the medley by using soundalike artists to replicate the original hits and therefore contacted his friend and colleague Jaap Eggermont.[2]
The Beatles soundalikes were established Dutch singers. John Lennon’s parts were sung by Bas Muys of the 1970s Dutch pop group Smyle. Paul McCartney’s and George Harrison’s parts were sung by Sandy Coast frontman Hans Vermeulen and Okkie Huijsdens, who had worked with Vermeulen in the band Rainbow Train. Apart from the recreated songs, an original chorus and hook written and composed by Eggermont and musical arranger Martin Duiser called «Stars on 45» was added at intervals to help string differing sections together. The ’45’ in the title refers to the playback speed of a vinyl record single — 45 rpm; such singles were often simply called «45s.» The female vocalist in the chorus was session singer Jody Pijper; later recordings also featured uncredited vocals by Dutch 1970s star Albert West and Arnie Treffers of the rock revival band Long Tall Ernie and the Shakers.[3] The Stars on 45 recordings were made before the birth of digital recording technology, which meant that each song was recorded separately and the different parts were subsequently manually pieced together with a pre-recorded drumloop, using analog master tapes, in order to create the segued medleys. The specific drumloop heard on most Stars on 45 recordings is often referred to as the «clap track,» due to its prominent and steady handclaps.[4]
The first such release was an 11:30 12″ single, issued in the aftermath of the so-called anti-disco backlash, and was released on the (at the time) minor label CNR Records in the Netherlands in December 1980. The single was simply entitled «Stars on 45″ by Stars on 45, with no credits on the label or the cover as to who actually sang on the recording. When Dutch radio stations began playing the four-minute, eight-track Beatles segment of the medley, placed in the middle of the original, 12″ mix, an edited 7» single with the Beatles part preceded by «Venus» and The Archies’s «Sugar Sugar» was released and hit the #1 spot of the Dutch singles charts in February 1981. A few months later it also reached #2 in the UK, where it was released by the British subsidiary of CBS Records and credited to ‘Starsound.’ Shortly thereafter Eggermont created the first Stars on 45 album, Long Play Album, issued with an equally anonymous album cover and featuring a 16-minute side-long medley of Beatles titles.
In June 1981 the «Stars on 45 Medley» single also went to #1 in the US where it was released by Radio Records, a sublabel of Atlantic Records. The track list for the 7″ edit of the «Stars on 45 Medley» in the US was the names of all the songs that make up the medley as it appears on the actual record label (see image at left):
- Medley: Intro «Venus»
- Sugar, Sugar
- No Reply
- I’ll Be Back
- Drive My Car
- Do You Want to Know a Secret
- We Can Work It Out
- I Should Have Known Better
- Nowhere Man
- You’re Going to Lose That Girl
- Stars on 45
This single with its 41-word title continues to hold the record for a #1 single with the longest name on the Billboard charts, due to the legalities requiring each song title be listed. The Stars on 45 Long Play Album (US title: Stars on Long Play, UK, Ireland, Australia and New Zealand: Stars on 45 — The Album) also became a massive seller worldwide, topping both the UK and Australian album charts, it was a Top 10 hit in most parts of Europe and also reached #9 on Billboard‘s album chart in the US.
The original Dutch CNR Records edition of the first Stars on 45 album, Long Play Album.
The popularity of the album even resulted in it being given an official release in the Soviet Union, where it was issued by state-owned record label Melodiya under the title Discothèque Stars. The «Stars on 45 Medley» single was later awarded a platinum disc for one million copies sold in the US alone.[5]
A second Beatles medley went to #67 on the US charts. Another album followed later that same year, Longplay Album – Volume II (US title: Stars on Long Play II; UK, Ireland, South Africa, Australia and New Zealand: Stars on 45 — The Album — Volume 2) featuring medleys using the songs of ABBA, a #2 hit in the UK and Motown, US #55. The recordings of the «Stars on 45» medleys were also made before the advent of modern synthesizers with the possibility of sampling sounds. Consequently, for the recreation of tracks like the themes from «Star Wars» and «The War of the Worlds», included in the «Star Wars and Other Hits» medley on Longplay — Album II and released as the third European single under the title «Volume III,» a full symphony orchestra was used, including strings, brass, woodwind, harpsichord, orchestral percussion like timpani etc. — even if those particular parts were only ten or fifteen seconds long on the actual record released.
In late 1981 Eggermont and Martin Duiser were awarded the Conamus Export Prize in the Netherlands in recognition of their contributions to Dutch culture and economy.
A third album, The Superstars (US title: Stars on Long Play III, UK, Ireland, Australia and New Zealand: Stars Medley), featured medleys of The Rolling Stones and Stevie Wonder. The single «Stars on 45 III: A Tribute to Stevie Wonder» peaked at #28 in the US in 1982, where the act was now simply listed as Stars On. It also reached #14 in the UK where it was called «Stars Medley» — confusingly, exactly the same title as the third album in the British Isles and Australasia. In Continental Europe and most other parts of the world the Stevie Wonder medley was entitled «Stars on Stevie.» In late 1982, Eggermont and Duiser again won the Conamus Export Prize, this time together with Tony Sherman, who sang lead vocals on «Stars on Stevie.»
In 1982, there was a staged musical show at the Huntington Hartford Theater in Hollywood, California and a video of that show was released in 1983 by MCA Home Video.[6]
A spinoff group called The Star Sisters had a hit in Europe in 1983 with an Andrews Sisters medley. The albums were released under the moniker of Stars on 45 Presents the Star Sisters.[citation needed]
1985 saw the release of an album titled Stars on 45 — Soul Revue and a single called «The Sam & Dave Medley» credited to ‘Stars on 45 featuring Sam & Dave,’ and including the Stars on 45 logo on the album cover, but not produced by Jaap Eggermont. It featured David Prater and his new singing partner Sam Daniels. Original Sam & Dave member Sam Moore demanded that the album and single be recalled; they were later re-labelled and re-issued, but now credited to ‘The New Sam & Dave Revue.’[7][8]
Later European-only releases included Stars on Frankie released in 1987 and some ten years later Stars on 45: The Club Hits; the latter, however, was not produced by Eggermont. While none of the three original Stars on 45 albums have been reissued on CD in their entirety or in their original form, several CD compilations on European budget labels such as EMI’s subsidiary Music Club, Arcade, Edel Records, Falcon Neuen Media, Bunny Music, and ZYX Music have been released under the non-copyrighted ‘Stars on 45’ moniker all through the 1990s and 2000s (decade). These include The Best of Stars on 45, The Very Best of Stars of 45, The Magic of Stars on 45, Stars on 45 Presents the Mighty Megamix Album, The Greatest Stars on 45, The Non-Stop Party Album, Greatest Stars on 45 Vol. 1, and Greatest Stars on 45 Vol. 2. It should, however, be noted that some of these compilations also feature titles such as «The Carpenters Medley,» «Beach Boys Gold,» «The Spencer Davis Group Medley,» «Love Songs Are Forever,» and the like—again, recordings that were neither produced by Jaap Eggermont nor originally released as by Stars on 45 in the 1980s. (See below.)
Similar acts and parodies[edit]
Before Stars on 45[edit]
In 1976, the Ritchie Family had scored their biggest U.S. hit with a similar medley named «The Best Disco in Town». This had incorporated various pop hits of the day, such as Silver Convention’s «Fly, Robin, Fly» and Donna Summer’s «Love to Love You Baby», recreated in an order, and segued by the title theme.
Four years before the release of the «Stars on 45», a similar medley named Rockollection was produced by the Frenchman Laurent Voulzy. Around the same time, Shalamar debuted with their single Uptown Festival, featuring a medley of Motown hits from the 60’s. Dutch band Veronica Unlimited scored a big hit in 1977 in the Benelux countries and at home with the disco medley What Kind of Dance Is This. The band Café Crème played its Unlimited Citations (1977) by taking the original Beatles recordings, editing them into a sequence, overdubbing identical drum and bass parts, singing hit songs as faithfully as possible, and stringing them together, with a common tempo and relentless underlying drum track. The single, with its 45-word title,[9] was a hit throughout Europe (including Netherlands) and North Africa. The band acted playback on TV but played the medley live in a different place every night over more than 500 nights (almost two years) in multiple countries.[10]
After Stars on 45[edit]
Beginning in the late 1980s, a British novelty group, Jive Bunny and the Mastermixers, had several hit singles using the same format as Stars on 45, only using primarily big band and 1950s-60s rock and roll songs. Initially, the group utilized remixes of original recordings by artists such as Bill Haley and His Comets, Little Richard and the Everly Brothers, but later used singer-impersonators in similar form to Stars on 45. Among their best known releases were «Swing the Mood» and «That’s What I Like».
Discography[edit]
- Long Play Album (1981)
- Longplay Album – Volume II (1981)
- The Superstars (1982)
- Stars on Frankie (1987)
See also[edit]
- Stars on 54
References[edit]
- ^ «Red Bullet Productions, Willem van Kooten biography». Redbullet.nl. Retrieved 3 March 2020.
- ^ «Ben Liebrand «In The Mix»«. Liebrand.nl. Retrieved 2018-03-21.
- ^ «Stars on 45 discography». RateYourMusic.com. Retrieved 2018-03-21.
- ^ «SHADES OF SEVENTIES — RESTRUCTURE MIXES». Shadesofseventies.com.
- ^ Below, Chr. «Ovations — Stars On 45, Star Sisters, Peter Douglas, Jive Bunny & The Mastermixers, Max Mix, Hooked On». Ovations.de. Retrieved 2018-03-21.
- ^ Ehrlich, Ken, Stars on 45, George Solomon, retrieved 2018-03-21
- ^ Congressional Testimony 5/21/1998 «Protection Against Artistic Knock-Off’s: Sam Moore»
- ^ San Diego Union Tribune 9/25/85 «Singer Finds Sour Note in New Duo’s Name» PP B1
- ^ Café Crème single, UK release, 1978 (Archived 1 February 2014 at the Wayback Machine)
- ^ Unlimited Citations playlist Part 1 (slow) Part 2 (Disco) and Part 3 (Rock, Twist), Youtube
External links[edit]
- Stars on 45 at AllMusic
- Rateyourmusic.com biography and discography
- Dutch biography and discography
- Billboard.com biography and chart history
- Official Charts, UK chart history
- Dutch chart history
- Liner notes, The Very Best of Stars on 45
You can boogie like disco, love that disco sound Turn up the volume and move it all around But don't, don't, don't, don't, don't forget Don't, don't, don't, don't, don't forget The Stars on '45 keep on turning in your mind Like We Can Work it Out Remember Twist and Shout You still don't Tell Me Why and No Reply 1, 2, 3, 4.... This happened once before when I came to your door No reply They said it wasn't you but I saw you peep through your window You know if you break my heart I'll go But I'll come back again 'Cause I told you once before goodbye But I came back again Asked a girl what she wanted to be And she said, Baby, can't you see? I wanna be famous, a star on the screen. But you can do something in between! Baby, you can drive my car. Yes, I'm gonna be a star. Baby, you can drive my car. And Baby, I love you! Listen, do you want to know a secret? Do you promise not to tell? Oh, oh-a-oh, oh Closer, let me whisper in your ear Say the words you long to hear I'm in love with you (oh-a-ooh-ooh) Try to see it my way Do I have to keep on talking 'til I can't go on? While you see it your way Run the risk of knowing that our love may soon be gone We can work it out We can work it out I should've know better with a girl like you That I would love everything that you do And I do, hey, hey, hey He's a real nowhere man, sitting in his nowhere land You're gonna lose that girl You're gonna lose that girl You're gonna lose that girl I think I'm gonna be sad, I think it's today, yeah The girl that's driving me mad is going away She's got a ticket to ride, she's got a ticket to ride She's got a ticket to ride and she don't care Say the word and you'll be free Say the word and be like me Say the word I'm thinking of Have you heard the word is love? It's so fine, it's sunshine It's the word, love Ahh, look at all the lonely people Ahh, look at all the lonely people When I'm walking beside her people tell me I'm lucky Yes, I know I'm a lucky guy I remember the first time I was lonely without her Can't stop thinking about her now Every little thing she does, she does for me, yeah And you know the things she does, she does for me, oooh You tell me that you've got everything you want And your bird can sing But you don't get me, you don't get me When your prized possessions start to wear you down Look in my direction, I'll be around, I'll be around Jo jo was a man who thought he was a loner But he knew it wouldn't last Jo jo left his home in Tucson, Arizona For some California grass Get back, get back, get back to where you once belonged Get back, get back, get back to where you once belonged Got a good reason for takin' the easy way out Got a good reason for takin' the easy way out now She was a day tripper, one way ticket, yeah It took me so long to find out and I found out It's been a long time Now I'm coming back home I've been away now Oh, how I've been alone Wait 'til I come back to your side We'll forget the tears we've cried But if your heart breaks Don't wait, turn me away And if your heart's strong Hold on, I won't delay The Stars on '45 keep on turning in your mind Like We Can Work it Out Remember Twist and Shout You still don't Tell Me Why and No Reply
“Stars On 45 Medley” was the product of former Golden Earring drummer/Dutch producer Jaap Eggermont being contacted by a record label asking him to recreate a spliced medley of old songs over a disco beat named “Let’s Do It In The 80s” from Canada that had become popular in European clubs.
Eggermont recruited several Dutch musicians to recreate several of the same 1960s hits that were combined on the original spliced medley, including a large number of Beatles songs. The final product was a 16 minute medley, but when radio DJs began playing their own shortened versions of the song, the record label made their own 4 minute edit consisting mostly of the Beatles songs.
“Stars On 45 Medley” topped the charts around the world, reaching #1 in the Netherlands and Belgium in early 1981, followed by the UK, Switzerland, Austria and Germany in the spring, then the US and New Zealand that summer.
This spurred an early 80’s medley craze with releases like “Hooked on Classics” (by the Royal Philharmonic Orchestra), “The Beach Boys Medley”, “The Beatles Movie Medley” and “Empire Strikes Back (Medley)” & “Pop Goes the Movies Part I” (both by Meco), to name only a few acts who jumped on the bandwagon. In 1984, Weird Al parodied the entire concept with his accordion-driven medley of hits “Polkas On 45”.
Eggermont (under the names Stars On 45, Stars On and Starsound) also released several follow-up medleys over the next few years. While many found continued success overseas, only one of his later medleys reached the top 40 in the US.
Fun fact: The song holds the record in the US being the longest named song to reach #1. It’s official title there is “Medley: Intro Venus Sugar, Sugar No Reply I’ll Be Back Drive My Car Do You Want to Know a Secret We Can Work It Out I Should Have Known Better Nowhere Man You’re Going to Lose That Girl Stars on 45”.