What is a word shape

Table of Contents

  1. What type of noun is shape?
  2. Is shaped a word?
  3. Is round a noun?
  4. What are the shape names?
  5. What is a antonym for shape?
  6. What is opposite of shape?
  7. What word describes the best of the best?
  8. What is a word for the absolute best?
  9. What is another word for birth?
  10. What is another name for friends?
  11. What are words for friends?
  12. What’s another name for friends?
  13. Who is called a friend?
  14. How do you call a friend in English?
  15. How do you address a friend?
  16. Can I say my dear to a man?
  17. What is group of friends called?
  18. Can we say dear for girl?

noun. the quality of a distinct object or body in having an external surface or outline of specific form or figure. something seen in outline, as in silhouette: A vague shape appeared through the mist.

What type of noun is shape?

shape. [countable, uncountable] the form of the outer edges or surfaces of something; an example of something that has a particular form a rectangular shape The pool was in the shape of a heart. The island was originally circular in shape. Squares, circles, and triangles are types of shapes.

Is shaped a word?

adjective. of a definite form, shape, or character (often used in combination): a U-shaped driveway. designed to fit a particular form, body, or contour: a shaped garment.

Is round a noun?

round (noun) round (verb) round (preposition) go–round (noun)

What are the shape names?

Basic Shape Names

  • Nonagon.
  • Octagon.
  • Heptagon.
  • Hexagon.
  • Triangle.
  • Scalene triangle.
  • Right triangle.
  • Parallelogram.

What is a antonym for shape?

Antonyms of SHAPE destroy, deform, material, raze, raw material, substance, neglect, stuff, ruin, difference, stop, lose, dismantle, demolish, matter, reality, composition, disorganize, disrepair.

What is opposite of shape?

Opposite of to give a particular shape or form to. deform. demolish. destroy. dismantle.

What word describes the best of the best?

best of the best

  • aristocracy.
  • beau monde.
  • beautiful people.
  • haut monde.
  • high society.
  • pick of the litter.
  • upper class.
  • upper crust.

What is a word for the absolute best?

  • prime,
  • superb,
  • superior,
  • superlative,
  • terrific,
  • top,
  • top-notch,
  • unsurpassed.

What is another word for birth?

What is another word for birth?

conception childbirth
nascence parturition
birthing delivery
accouchement travail
childbearing confinement

What is another name for friends?

SYNONYMS FOR friend

  • 1 comrade, chum, crony, confidant.
  • 2 backer, advocate.
  • 4 ally, associate, confrere, compatriot.

What are words for friends?

Synonyms & Antonyms of friend

  • alter ego,
  • amigo,
  • buddy,
  • chum,
  • compadre,
  • comrade,
  • confidant,
  • confidante,

What’s another name for friends?

What is another word for friend?

companion intimate
workmate ally
comrade associate
sister brother
pal buddy

Who is called a friend?

A friend is one who admires a person’s skill and helps or encourages them to make the right choices and do not get into any trouble at all. The strength of the bond of friendship between two people can vary. If the bond is very strong, they are called best friends.

How do you call a friend in English?

Fun ways to say “friend” in English

  1. Mate. The word “mate” is a very British word which means “friend”.
  2. Buddy. “Buddy” in the United Kingdom is a very popular boy dog’s name, however in the United States, it’s an endearing term for a close friend.
  3. Pal.
  4. Chum.
  5. Bezzie.

How do you address a friend?

Welcome to the Slangpedia entry on friends!

  1. Dawg: A friend, or perhaps a close friend.
  2. Amigo: Spanish for “friend”, but used as slang for friend in many English-speaking countried.
  3. Chum: A close friend.
  4. Bestie: Short for “best friend”.
  5. Biffle: Comes from the acronym “BFFL” meaning “best friends for life”.

Can I say my dear to a man?

1. Never, ever, refer to a work, superior, judge or other such person as “dear.” 2. Men do not address other men as “dear.”

What is group of friends called?

A group of friends can be called a band, a gang, team, family, community, crew, order, circle, brother/sisterhood, clique, league, party, posse, crowd or tribe.

Can we say dear for girl?

Dear can also called for friend ,close friend and also some times for gf/bf . so from this word cant judge too much… Its means casually. Writing “Dear Sir/Madam”, or saying something comparable is just polite usage.

Previous chapter: introduction

Next chapter: paragraphs and pixels

High-quality design can only happen if technology allows it, thus I make
a distinction between design for a language and support for a
language. The former deals with design quality while the latter
describes the technological requirements for even attempting to achieve
quality. In the digital context, language support means the software
ability to type, encode, and render texts on screens or printers.
Diverse scripts pose diverse and often complex requirements when it
comes to rendering. This chapter discusses digital texts at the level of
codes, moving from keys to characters and words. The next chapter will
deal with paragraph composition and rasterization, i.e. the conversion
of vector contours to pixels. Keeping with the spirit of this series, I
will try to generalise from the intricate specifics to provide an
introductory overview. See further reading and references for detailed descriptions of contemporary solutions.

From shapes to codes

Most modern software represents texts as sequences of numeric code
points that correspond to individual characters from a script. The code points are listed in a shared database called an encoding that serves as a key for interpreting those code points as characters. The most commonly used encoding today is probably
Unicode which covers a great
majority of the world’s scripts and is regularly updated (The Unicode
Standard, 2021).

Many pre-Unicode encodings for the Latin script represented characters
as 8-bit code points, i.e. one byte per character, and therefore could
not include more than 256 code points. Due to this limitation, encodings
were devised based on the needs of a particular script, language, or a
small group of languages. For example, the
ISO-8859-1
encoding has 224 code points which cater primarily for West-European
languages.

The use of a wrong 8-bit encoding would lead to a character mismatch
(see Table 1) or other text processing errors. Unicode solves this issue
by providing a singular database that can contain a multitude of
character code points (The Unicode Standard, 2021, p. 14). As a
consequence, Unicode allows for multilingual and multi-scriptural texts,
almost universally.

Encoding Text
Central European (ISO 8859–2) Vícejazyčná přednáška
Western European (ISO 8859–1) Vícejazyèná pøedná¹ka
Baltic (ISO 8859–4) Vícejazyčná pøednáška
Table 1: An illustration of a mismatch between the intended appearance of a Czech text that was originally encoded in the Central European ISO 8859–2 (first row, correct representation) and its interpretation using two other encodings (ISO 8859–1 and ISO 8859–4) that map the original code points to unexpected characters. All three example texts have been encoded using Unicode for reproducibility.

The ability to encode texts is an essential requirement for language use
on computers from typing and word processing to online search.
Therefore, due to Unicode’s dominance, the inclusion of all necessary
characters in its database is a de facto requirement for the languages’
survival in the digital environment.

In order to assign code points to characters, researchers working with
Unicode deliberately look away from region-specific, language-specific,
and individual preferences regarding the character shapes and script use
(The Unicode Standard, 2021, p. 15). As these preferences can be
disputed and evolve, their inclusion in Unicode can be challenging.
Also, it may be hard or even impossible to establish who has authority
over the appearance of a particular script or language.

This leaves designers with yet another research challenge: when
designing for a specific audience, they need to become familiar with
various visual preferences that exist outside Unicode’s specification
and choose those appropriate for the job. Typically, this is a question
of choosing the right font or setting the font so it produces required
character shapes (see Table 2).

Language Characters
Code point 0414 041B 0432 0433 0434 0436 0437 0438
Ukrainian shape preference Д Л в г д ж з и
Bulgarian shape preference Д Л в г д ж з и
Code point 043A 043B 043F 0442 0446 0448 0449 044E
Ukrainian shape preference к л п т ц ш щ ю
Bulgarian shape preference к л п т ц ш щ ю
Table 2: The preferred character shapes differ between Ukrainian and Bulgarian languages (Karaivanov, 2021) although the Unicode code points used are identical. Note that Unicode uses the Ukrainian shapes as examples. These are also used for Central Asian languages, Belarusian, or Russian. The code points in the table are hexadecimal. The example character shapes are in the typeface Adapter PE Text Medium.

From keys to codes

In order to type digital texts using a keyboard, you need a keyboard
layout
that maps the keys on the keyboard to corresponding code points.
A language or script can have multiple keyboard layouts that correspond
to different conventions or encodings (see Figure 1). Contemporary operating systems allow users to switch between these layouts effortlessly and type texts in multiple scripts.

A screenshot of keyboard preferences from macOS

Figure 1: A screenshot of macOS keyboard preferences shows multiple keyboards for the French language.

Many languages require large repertoires of code points that cannot all
fit on a single keyboard. The keyboard layouts address this by providing
control keys, such as Shift or Alt, and a dead-key mechanism that
increase the number of code points accessible through a single keyboard.
Consequently, pressing multiple keys (at the same time or sequentially)
can result in an input of one or more code points. Alternatively, a
single key can input multiple code points (see Figure 2).

When using an on-screen keyboard (or similar input method) on
touch-screen devices, such as phones or tablets, the keyboard appearance
changes completely to show relevant characters.

When using a physical keyboard connected to a computer and originally
designed for a single language, you can still switch among multiple
layouts. However, the use of scripts that are not represented on the key
labels may feel like a blind man’s buff game. This can be helped with an
on-screen keyboard preview.

Notably, there are other input methods besides keyboards, such as
handwriting recognition, predictive completion, or speech-to-text
processing. However, in Unicode-based environments, each of these
methods produces a sequence of code points for further processing.

Image

Figure 2: Keystroke sequences and the resulting input in code points
(hexadecimal). The plus sign signifies that both keys need to be held
down together. Note that the number of keys struck does not necessarily
correspond to the number of code points input. The last column shows
examples of shapes that can be rendered from these code points. The
fonts used in the last column are (top to bottom): Adapter PE Text
Medium (the first three lines), Adobe Devanagari, and Tiro Bangla.

From codes to word shapes

Rendering a text into its visual representation is coordinated across an
operating system, fonts used, and a typesetting application. It is
important to note that specific software implementations may approach
text rendering differently which makes it challenging to ensure good
support and quality control. However, the goal stays the same:
converting sequences of code points into word shapes (clusters of
character shapes) following the orthographic principles of a given
script and combining these words into paragraphs.

These are the key software components involved in text rendering:

  • a digital font that controls the visual appearance of the individual
    characters. A font contains a collection of geometric shape descriptions
    (glyphs) that typically consist of contours constructed from beziér
    curves. Additionally, a font also includes instructions regarding the
    glyphs’ positioning and instructions for their combination. Some of the
    glyphs are mapped onto code points directly while others serve as
    alternatives or parts that are assigned through programmed instructions
    in the font. In order to support a language properly, a font needs to
    cover necessary code points and include instructions that help to
    represent the corresponding script correctly during shaping.
  • a shaping engine that combines the glyphs from a font to compose words
    while relying on the instructions in the font and following the script’s
    orthographic principles.
  • a paragraph composer that sets words one after the other and deals with line-breaking, paragraph alignment, justification, hyphenation, and other operations that relate to paragraph setting. Paragraph composition will be discussed in the next chapter.

To provide a simple example: rendering of an English word means that
a sequence of code points is converted into glyphs which are laid out
one by one, set from left to right following the writing direction (see
Figure 3). However, the orthographic principles of many world’s
scripts are more diverse which means that text rendering can get very
complex. The following will discuss some of the challenges that need to
be dealt with when rendering these scripts.

Simplified shaping process of an English word

Figure 3: Simplified shaping process of an English word “school” in
six steps. The input is a digital text (a string of code points) and a
font (a collection of glyphs mapped to code points). Each step consists
of finding a glyph from a font that corresponds to a given code point
and positioning this glyph (in grey) – in the writing direction –
right after the already positioned glyphs. The result is a word shape
“school” in a given font which can then be realised on screen or in
print. The Unicode code points are hexadecimal. Mapping of the code
point for the letter “l” is illustrated in red. The rectangles
illustrate the glyph boundaries. The font used is Adapter PE Display
Medium.

Note that while it is useful to discuss word shaping first, the shaping
engine and paragraph composition are linked and influence each other,
e.g. when hyphenating words at the end of a line.

Firstly, the shaping engine has to consider the directionality of a
script, i.e. the writing direction and the general order of the characters in a word (horizontal: left-to-right, right-to-left, or vertical: top-to-bottom). See Figure 4 for selected examples.

Examples of common contemporary writing directions

Figure 4: Examples of common contemporary writing directions (in
black, the general order of the characters in a word and on a line) and
paragraph directions (in red, the order of lines in a paragraph). 1.:
left-to-right line and top-to-bottom paragraph direction are used, for
example, for English and many languages using the Latin script or for
horizontal setting of Chinese. 2.: right-to-left line and top-to-bottom
paragraph direction are used for languages using the Arabic script or
Hebrew. 3.: top-to-bottom line and right-to-left paragraph direction are
used for vertical setting of Chinese or Japanese. 4.: top-to-bottom line
and left-to-right paragraph direction are used, for example, for
Mongolian. Rare and historical directionalities, such as boustrophedon,
are omitted.

Secondly, the shaping engine has to deal with code-point-to-glyph
mapping and glyph interactions. The mapping between code points and
glyphs is not direct: a single code point can be represented by one or
more glyphs and a single glyph can represent multiple code points.
Moreover, the way a code point is represented may depend on the context.
In Arabic, for example, the same code point may be translated into a
different glyph depending on the joining behaviour of the character the
code point represents and its immediately adjacent characters (see
Figure 5). This is a technical solution used to represent the natural
connecting behaviour of the Arabic script. Moreover, multiple code
points can be represented by a single glyph, a so-called ligature (see
Figure 6). These kinds of mappings are implemented using additional
instructions in the font. Note that
ligatures are a required orthographic principle of some scripts, such as
Arabic or Devanagari, while they are optional for others, such as Latin.

The mapping complexities are handled through the programmed instructions
in the font.

The shaping process of the Arabic words

Figure 5: The shaping process of the Arabic words توت, زعتر ,بنت
shows different glyphs used for the letter ت (in red). In the Arabic
script, each selected form depends on the joining behaviour of the
character and its immediately adjacent characters (The Unicode Standard,
2021, p. 381). Step 1.: code points are mapped to default glyphs from a
font. Step 2.: the font instructions are used to select the correct
glyph following the script principles. Step 3.: all glyphs are
positioned in a sequence following the writing direction which is
right-to-left for the Arabic script. The font used is Nassim Arabic
Medium.

The shaping process of Arabic and English words with
ligatures

Figure 6: The shaping process of Arabic and English words with
ligatures. Step 1.: the code points are mapped to default glyphs from a
font. Step 2.: the font instructions are used to select the correct
contextual glyph following the script principles. Step 3.: ligature
glyphs are selected following the instructions in a font. Step 4.: all
glyphs are positioned in a sequence following the writing direction
which is right-to-left for the Arabic script and left-to-right for the
Latin script. The Arabic ligature represents two code points while the
Latin ligature represents three. Note that the Latin-script font does
not use any contextual glyphs, thus step 2 is skipped. The font used is
Nassim Arabic Medium in both cases.

It is worth noting that code points might be in a different order to
what is useful for their visual representation. In this case, the
typesetting software performs glyph reordering to streamline the
organisation of glyphs based on their intended visual position rather
than on the phonetically-informed order of the input code points
(see Figure 7).

Example of glyph reordering in the shaping process

Figure 7: Example of glyph reordering in the shaping process for a
Gujarati word in the Gujarati script. Steps 1. and 3. were described in
the previous figures. Step 2.: reordering of the vowel mark which is
typed after the main syllable, but positioned before it. The reordering
is handled by the shaping engine. The font used is Rasa Medium.

Thirdly, the glyphs need to be positioned relative to each other. The
position of each glyph is defined by its boundaries, both vertical and
horizontal (see Figure 8). These are represented as rectangles in the figures in this chapter. The boundaries of adjacent glyphs are aligned in the writing direction by default. Glyphs’ positions can be further adjusted using three different concepts:

  • kerning (or conditional spacing adjustment) typically defines
    additional horizontal or vertical adjustment for a pair (or a larger
    group) of adjacent glyphs. See Figure 9.
  • mark positioning defines the position of a glyph (mark) relative to
    another glyph (base glyph such as a letter or even another mark). The
    boundaries of the mark glyph are ignored in this process. See Figure 10.
  • cursive attachment defines the position of adjacent glyphs by aligning
    predefined attachment points on each glyph. In this case the vertical
    and horizontal position of the glyphs can change and their boundaries
    are set to align with the attachment points. See Figure 11.

The application of these concepts may depend on the context formed by
the adjacent glyphs.

Glyph boundaries define the clearance around glyph
contours

Figure 8: Glyph boundaries define the clearance around glyph
contours. Note that the glyph contour can reach out of the boundaries
(example in the middle) and that typical boundaries of a Chinese
character (right) form a square. The fonts are (left to right): Rasa
Medium, Nassim Arabic Medium, Kozuka Mincho Pr6N Regular.

Kerning defines an offset for a pair of neighbouring
glyphs

Figure 9: Kerning defines an offset for a pair of neighbouring
glyphs. In the Latin script (left), the second glyph is moved closer to
reduce the space between the two glyphs. In the Gujarati script (right),
the objective is different: multiple glyphs create a single connected
shape representing a conjunct syllable. The font is Rasa Medium.

Examples of mark positioning

Figure 10: Mark positioning is used in the Devanagari script (left)
to position vowel and nasalisation marks. In the polytonic Greek
(right), it is used to position diacritical marks. The fonts are (left
to right): Adobe Devanagari Regular and Skolar PE Medium.

An example of cursive attachment

Figure 11: Cursive attachment is used in the Arabic script to ensure
joining and diagonal alignment. The font is Gulzar Regular. The
unpublished, about-to-be-released font, was supplied by Borna Izadpanah.

A discussion of language support would not be complete without an
overview of the requirements of paragraph composition and potential
pitfalls in the conversion of contours to pixels. These will be covered
in the next chapter.

I would like to thank John Hudson for his suggestions on an early draft
of this chapter.

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Further Reading

Allsorts : Font parser, shaping engine, and subsetter for OpenType,
WOFF, and WOFF2 implemented in Rust
. (2022). The most recent version
available from https://github.com/yeslogic/allsorts

Berry, J. (Ed.) (2002). Language culture type : international type
design in the age of Unicode
. ATypI and Graphis.

Esfahbod, B. et al. (2022). HarfBuzz manual. The most recent version
available from https://harfbuzz.github.io/index.html

Graphite : A free and open rendering engine for complex scripts.
(2013). SIL International. The most recent version available from
https://scripts.sil.org/cms/scripts/page.php?site_id=projects&item_id=graphite_home

TrueType Reference Manual. (n d.). Apple Inc. The most recent version
available from https://developer.apple.com/fonts/TrueType-Reference-Manual/

Vadgama, K. (2020) Rendering complex scripts in digital spaces : the
development of layout and shaping technologies for complex script and
language representation and consequent approaches to type design
.
University of Reading. Unpublished dissertation available on request
from the author (https://www.keyavadgama.com).

References

Hudson, J. (2000). Windows glyph processing. An OpenType primer.
Retrieved 22. 2. 2022, from http://www.microsoft.com/typography/developers/opentype/default.htm

Karaivanov, B. За българската форма на кирилица [On the Bulgarian form
of Cyrillic]
. Lecture at SoftUni Creative on 15 April 2021.

OpenType® Specification (Version 1.9.) (2021). Microsoft Corp. The
most recent version available from https://docs.microsoft.com/en-us/typography/opentype/spec/

The Unicode Standard (Version 14.0). (2021). The
Unicode Consortium. The most recent version is available from
http://unicode.org

Здравствуйте читатели блога scriptcoding.ru. Сегодня мы рассмотрим работу с классом Shape, который представляет фигуры для ворда.

Объекты Shape показывают как в ворде сделать фигуру заданного типа, например, как авто-фигуры, элементы WordArt, линии, выноски и так далее. Фактически, Shape является переходным звеном между коллекцией Shapes, которая предоставляет методы для вставки в документ графических фигур ворд, которые позволяют форматировать конкретный тип.

В прошлой статье мы рассмотрели коллекцию Shapes и ее методы, теперь настало время разобраться с классами Shape. Данный класс содержит в своем составе много методов и свойств, которые позволяют или форматировать конкретную фигуру ворд (размер, положение и так далее), или получить ссылку на другой объект (коллекцию), который позволяет более тщательно обработать графическую ворд фигуру.

В этой статье мы рассмотрим только описание методов и свойств класса Shape, а самим программированием займемся в следующих статьях.

Содержание

  1. Shape – фигуры для word
  2. Свойства – как в ворде сделать фигуру
  3. Свойства-объекты и свойства-коллекции – как сгруппировать фигуры в ворде
  4. Методы – как вставить фигуру в ворде

Shape – фигуры для word

Свойства – как в ворде сделать фигуру

как сделать в ворде фигуру

AlternativeText— Вернет или задает альтернативный текст, связанный с фигурой в ворд.

AutoShapeType— Вернет или задает тип фигуры для указанного Shape, который должен представлять другие автофигуры. Значение константы MsoAutoShapeType.

BackgroundStyle— Устанавливает или возвращает стиль фона для заданной фигуры в ворд. Значения константы MsoBackgroundStyleIndex.

Child— True, если фигура является дочерней или, если все фигуры в диапазоне являются дочерними одного и того же родителя. Только чтение.

HasChart— True, если указанная фигура ворд является диаграммой. Только чтение.

HasSmartArt— True, если ворд фигура является схемой SmartArt. Только чтение.

Heightи Width— Вернет или задает высоту или ширину.

HeightRelativeи WidthRelativ— Возвращает или определяет процент относительной высоты или ширины.

HorizontalFlipи VerticalFlip– True – если форма переворачивалась вокруг горизонтальной или вертикальной оси. Только чтение.

RelativeHorizontalPosition– Задает или вернет относительное горизонтальное положение фигуры в ворд. Значение константы WdRelativeHorizontalPosition.

RelativeVerticalPosition— Определяет относительное вертикальное положение формы. Значение константы WdRelativeVerticalPosition.

ID— Идентификатор заданной ворд фигуры. Только чтение.

LayoutInCell— True — указывает, что заданная фигура для ворда отображается внутри таблицы. False — вне таблицы.

Left— Горизонтальное положение в пунктах, для заданной фигуры или диапазона фигур. Чтение и запись. Может также быть любым допустимым значением константы WdShapePosition.

Top— Вертикальное положение заданной фигуры для Word или диапазона фигур в пунктах. Чтение и запись.

TopRelativeи LeftRelative– Относительная верхняя или левая позиция. Запись и чтение.

Name— Имя фигуры для word. Запись и чтение.

RelativeHorizontalSize— Возвращает или задает значение константы WdRelativeHorizontalSize, представляющей объект, к которому относится диапазон фигур.

RelativeVerticalSize— Возвращает или задает значение константы WdRelativeVerticalSize, представляющей относительный вертикальный размер.

Rotation— Возвращает или устанавливает число градусов для поворота.

ShapeStyle— Возвращает или задает стиль. Значение константы MsoShapeStyleIndex.

Title— Возвращает или задает строку, содержащую название заголовка.

Type— Возвращает тип фигуры для Word. Только чтение, значение константы MsoShapeType.

Vertices— Возвращает координаты вершин и контрольные точки для кривых Безье в виде ряда координатных пар. Только чтение.

Visible– Включить (true) или отключить (false) видимость.

ZOrderPosition— Позиция заданной фигуры в ворд. Только чтение.

LockAspectRatio– True — если указанная фигура сохраняет свои исходные пропорции при изменении размеров. False — если вы можете изменить высоту и ширину независимо друг от друга. Чтение и запись.

Свойства-объекты и свойства-коллекции – как сгруппировать фигуры в ворде

как в ворде сгруппировать фигуры

Данные свойства возвращают коллекции или другие классы.

AdjustmentsAdjustments, который содержит значения, настроенные для всех корректировок заданной ворд фигуры, которая представляет собой авто-фигуру или WordArt.

Anchor— Range, представляющий диапазон для заданного элемента или диапазона элементов.

Application — Application, представляющий приложение Microsoft Word.

Callout— CalloutFormat, содержащий свойства форматирования выноски для заданной фигуры ворд.

CanvasItems— CanvasShapes, представляющий коллекцию фигур ворд в указанном полотне.

ChartChart, определяющий диаграмму.

Fill— FillFormat, содержащий свойства заполнения.

GlowGlowFormat, определяющий форматирование свечения.

GroupItemsGroupShapes, который представляет отдельные фигуры в указанной группе.

Hyperlink— Hyperlink, определяющий гиперссылку, связанную с объектом Shape.

Line— LineFormat, который содержит параметры форматирования для линии.

LinkFormatLinkFormat, представляющий параметры связи.

NodesShapeNodes, определяющую геометрическое описание заданной фигуры для Word.

OLEFormatOLEFormat, представляющий характеристики OLE.

ParentGroupShape, который определяет общую родительскую фигуру ворд дочернего элемента или диапазон дочерних элементов.

PictureFormat— PictureFormat, содержащий свойства форматирования изображения.

ReflectionReflectionFormat, определяющий форматирование отражения.

ScriptScript, который представляет собой блок скрипта или кода для изображения на веб-странице.

ShadowShadowFormat, представляющий форматирование тени.

SmartArtSmartArt, который позволяет работать со схемами SmartArt.

SoftEdgeSoftEdgeFormat, представляющий форматирование края.

TextEffect— TextEffectFormat, который содержит форматирование эффектов для текста WordArt.

TextFrameTextFrame, содержащий текст в фигуре Word.

ThreeDThreeDFormat, содержащий форматирование 3D свойств.

WrapFormatWrapFormat, содержащий параметры обтекания текста вокруг заданной фигуры ворд.

Методы – как вставить фигуру в ворде

как в ворде вставить фигуру

Apply() — Применяет форматирование, которое было скопировано с помощью метода PickUp.

ConvertToInlineShape() — Преобразует указанную фигуру для ворда, которая не зависит от текста, в элемент, который зависит от текста. Вы можете конвертировать только элементы, которые представляют фотографии, объекты OLE, или элементы управления ActiveX. Этот метод возвращает класс InlineShape, представляющий рисунок или объект OLE.

Delete(index) — Удаляет указанный узел (index) фигуры.

Duplicate() — Создает дубликат указанного объекта Shape, добавляет новую фигуру ворд в коллекцию Shapes на уровне смещения от оригинальной фигуры, а затем возвращает новый объект Shape.

Flip(FlipCmd) — Переворачивает фигуру для Word горизонтально или вертикально.

FlipCmd – Ориентация, значение константы MsoFlipCmd:

  • msoFlipHorizontal — 0 — Отразить горизонтально.
  • msoFlipVertical — 1 — Отразить вертикально.

IncrementLeft(Increment) и IncrementTop(Increment) — Перемещение элемента горизонтально или вертикально на указанное число пунктов. Направление регулируется знаком передаваемого числа, например, 5 или -5.

IncrementRotation(Increment) — Вращение заданного элемента вокруг оси на указанное количество градусов. Параметр принимает число градусов, направление зависит от знака.

PickUp() — Копирует форматирование заданной фигуры в ворд.

ScaleHeight(Factor, RelativeToOriginalSize, Scale) — Масштабирование высоты с помощью заданного коэффициента.

Factor — Указывает соотношение между высотой фигуры после изменения ее размера и текущей или исходной высотой. Например, чтобы сделать прямоугольник на 50 процентов больше, надо указать значение в 1,5.

RelativeToOriginalSize — True — масштабировать относительно первоначального размера. False — масштабировать по отношению к текущему размеру. Вы можете задать True для этого аргумента, только если указанный фигура является изображением или объектом OLE.

Scale — Часть фигуры, которая сохраняет свои позиции, когда фигура изменяет свои размеры. Значение константы MsoScaleFrom:

  • msoScaleFromTopLeft — 0 – Фигуры в левом верхнем углу сохраняют свои позиции.
  • msoScaleFromMiddle — 1 – Фигуры в середине сохраняют свои позиции.
  • msoScaleFromBottomRight — 2 — Фигуры в правом нижнем углу сохраняют свои позиции.

ScaleWidth(Factor, RelativeToOriginalSize, Scale) — Масштабирование ширины фигуры в ворд с помощью заданного коэффициента.

Select(Replace) – Выбор фигуры.

Replace — При добавлении фигуры, True — заменяет выбор, False — добавляет новую фигуру к выбору.

SetShapesDefaultProperties() — Применяет форматирование по умолчанию.

Ungroup() — Разгруппировать любые сгруппированные фигуры для Word в заданном объекте Shape.

ZOrder(ZOrderCmd) – Метод определяет порядок размещения.

ZorderCmd – Значения константы MsoZOrderCmd:

  • msoBringToFront — 0 — На передний план.
  • msoSendToBack — 1 — На задний план.
  • msoBringForward — 2 — Переместить вперед вперед.
  • msoSendBackward — 3 — Переместить назад.
  • msoBringInFrontOfText — 4 — Переместить перед текстом.
  • msoSendBehindText — 5 — Переместить за текстом.

CanvasCropBottom(Increment) и CanvasCropTop(Increment) — Обрезает процент от высоты полотна из нижней или верхней части холста.

CanvasCropLeft(Increment) и CanvasCropRight(Increment) — Обрезает процент от ширины полотна с левой или с правой стороны холста.

форма, вид, фигура, облик, формировать, фасонный, профильный

существительное

- форма, очертание

- определённая форма; порядок

to put /to get, to lick, to beat, to knock/ smth. into shape — приводить что-л. в порядок, придавать чему-л. определённый /сносный, приемлемый/ вид
to put one’s ideas into shape — привести мысли в систему
you may read your paper when you get it into shape — ты сможешь сделать доклад, когда приведёшь его в надлежащий вид
to take shape — а) принимать определённую форму, становиться более определённым /чётким/; when his ideas took shape
to settle into shape — установиться
things soon settled into shape — вскоре всё пришло в порядок /в норму/

- вид, образ, облик

a monster [a devil] in human shape — чудовище [дьявол] в образе человека /в человеческом облике/
an angel in the shape of a woman — воплощённый ангел (о женщине)
to take /to assume/ the shape of smb., smth. — принять вид кого-л., чего-л.
to be of as many shapes as Proteus — уметь перевоплощаться, как Протей

- вид, форма

a reward in the shape of £100 — вознаграждение в виде /в форме/ ста фунтов
he expressed his gratitude in the shape of a present — его благодарность выразилась в подарке
in no shape (or form) — никоим образом, ни под каким видом, ни в коем случае; ни в каком виде
I cannot help him in any shape or form — я ничем /никак/ не могу ему помочь
in any shape (or form) — в любом виде
help in any shape (or form) will be welcome — мы будем рады любой помощи

- призрак

strange shapes appeared from the shadows — из темноты появились какие-то странные призраки /тени/
a shape loomed through the mist — в тумане виднелись неясные очертания какой-то фигуры

ещё 7 вариантов

глагол

- придавать форму; делать по какому-л. образцу

to shape into a ball [into a cube] — придавать форму шара [куба]

- делать, создавать (из чего-л.)

to shape a vase out of clay — вылепить вазу из глины
to shape a figure out of wood — вырезать фигуру из дерева
to shape a song [a poem] — сложить песню [стихотворение]
to shape a legend into a song — сложить песню по легенде

- придавать чёткую форму; приводить в порядок

to shape a plan — разработать план
to shape an answer [a statement] — сформулировать ответ [заявление]
to shape one’s ideas — приводить мысли в систему
to shape one’s rough notes into a book — развернуть черновые заметки в книгу
to shape one’s course — а) наметить линию поведения; I have shaped my course

- принимать форму, вид; выходить, получаться

to shape well [badly] — принимать хороший [плохой] оборот; складываться удачно [неудачно]
the way things [events] are shaping — оборот, который принимают дела [события]
plans were shaping themselves into a systematic programme — планы превращались в чёткую программу

- формироваться

the boy [the girl] is shaping quickly — мальчик [девочка] быстро формируется

- (to) приспосабливать

to shape a hat [shoes] to one’s head [feet] — подбирать шляпу [обувь] по размеру
you must shape your plans to your abilities — ты должен строить планы в соответствии со своими способностями /возможностями/
the dress was shaped to her figure — платье сидело на ней как влитое
to shape a coat for the moon — ≅ заниматься прожектёрством

Мои примеры

Словосочетания

Примеры с переводом

What shape is the table?

Какой формы этот стол?

The dress was shaped to her figure.

Платье подогнали по её фигуре.

Our plans began to take shape.

Наши планы начали приобретать определённые очертания.

What does this shape suggest to you?

Это что-нибудь вам напоминает?

The house stuck out because of its unusual shape.

Дом выделялся своей необычной формой.

The house is in fine shape.

Дом находится в хорошем состоянии.

Any body affects some regular shape.

Любое физическое тело стремится принять какую-то определённую форму.

ещё 23 примера свернуть

Примеры, ожидающие перевода

Poke a hole in the dough, and then form it into a rounded shape.

…each army command unit flew a different color guidon, though they were all the same shape…

…a camp that was known as a place where unruly youths were given their last chance to shape up…

Для того чтобы добавить вариант перевода, кликните по иконке , напротив примера.

Фразовые глаголы

shape up — приспосабливаться, подчиняться, модель

Возможные однокоренные слова

reshape  — меняться, придавать новый вид, придавать иную форму, приобретать новый вид
shaped  — имеющий определенную форму
shapeless  — бесформенный
shapely  — стройный, хорошо сложенный, приятной формы
shapen  — расколовшийся, треснутый,
shaping  — шейпинг, придание формы, фасонирование, пластическая обработка
shaper  — формирователь, закройщик
misshape  — придавать неправильную, уродливую форму, деформировать

Формы слова

verb
I/you/we/they: shape
he/she/it: shapes
ing ф. (present participle): shaping
2-я ф. (past tense): shaped
3-я ф. (past participle): shaped

noun
ед. ч.(singular): shape
мн. ч.(plural): shapes

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it is the way some thing is what way like a square .circle

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Q: What does word shape mean?

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Princeton’s WordNetRate this definition:1.0 / 1 vote

  1. shape, form, configuration, contour, conformationnoun

    any spatial attributes (especially as defined by outline)

    «he could barely make out their shapes»

  2. shape, formnoun

    the spatial arrangement of something as distinct from its substance

    «geometry is the mathematical science of shape»

  3. human body, physical body, material body, soma, build, figure, physique, anatomy, shape, bod, chassis, frame, form, fleshnoun

    alternative names for the body of a human being

    «Leonardo studied the human body»; «he has a strong physique»; «the spirit is willing but the flesh is weak»

  4. shape, embodimentnoun

    a concrete representation of an otherwise nebulous concept

    «a circle was the embodiment of his concept of life»

  5. form, shape, castnoun

    the visual appearance of something or someone

    «the delicate cast of his features»

  6. condition, shapenoun

    the state of (good) health (especially in the phrases `in condition’ or `in shape’ or `out of condition’ or `out of shape’)

  7. Supreme Headquarters Allied Powers Europe, SHAPEnoun

    the supreme headquarters that advises NATO on military matters and oversees all aspects of the Allied Command Europe

  8. form, shape, patternverb

    a perceptual structure

    «the composition presents problems for students of musical form»; «a visual pattern must include not only objects but the spaces between them»

  9. determine, shape, mold, influence, regulateverb

    shape or influence; give direction to

    «experience often determines ability»; «mold public opinion»

  10. shape, form, work, mold, mould, forgeverb

    make something, usually for a specific function

    «She molded the rice balls carefully»; «Form cylinders from the dough»; «shape a figure»; «Work the metal into a sword»

  11. shape, formverb

    give shape or form to

    «shape the dough»; «form the young child’s character»

Samuel Johnson’s DictionaryRate this definition:0.0 / 0 votes

  1. Shapenoun

    Etymology: from the verb.

    1. Form; external appearance.

    He beat me grievously in the shape of a woman; for in the shape of a man, master Brook, I fear not Goliah with a weaver’s beam.
    William Shakespeare.

    The shapes of the locusts were like unto horses prepared for battle.
    Rev. ix. 7.

    The other shape,
    If shape it may be call’d that shape had none,
    Distinguishable in member, joint, or limb.
    John Milton.

    In vegetables and animals the shape we most fix on, and are most led by.
    John Locke.

    2. Make of the trunk of the body.

    First a charming shape enslav’d me,
    An eye then gave the fatal stroke;
    ’Till by her wit Corinna sav’d me,
    And all my former fetters broke.
    Addison.

    3. Being, as moulded into shape.

    Before the gates there sat
    On either side a formidable shape.
    John Milton, Paradise Lost.

    4. Idea; pattern.

    Thy heart
    Contains of good, wise, just, the perfect shape.
    John Milton.

    5. It is now used in low conversation for manner.

  2. To SHAPEverb

    preter. shaped; part. pass. shaped and shapen.

    Etymology: scyppan , Saxon; scheppen, Dutch.

    1. To form; to mould with respect to external dimensions.

    I that am not shap’d for sportive tricks,
    Nor made to court an am’rous looking-glass;
    I, that am rudely stampt, and want love’s majesty,
    To strut before a wanton ambling nymph.
    William Shakespeare, R. III.

    Those nature hath shaped with a great head, narrow breast, and shoulders sticking out, seem much inclined to a consumption.
    Gideon Harvey.

    Mature the virgin was, of Egypt’s race;
    Grace shap’d her limbs, and beauty deck’d her face.
    Matthew Prior.

    The faultless form,
    Shap’d by the hand of harmony.
    James Thomson.

    2. To mould; to cast; to regulate; to adjust.

    Drag the villain hither by the hair,
    Nor age nor honour shall shape privilege.
    William Shakespeare, Tit. And.

    Mr. Candish, when without hope, and ready to shape his course by the East homewards, met a ship which came from the Philippines.
    Walter Raleigh.

    To the stream, when neither friends nor force,
    Nor speed nor art avail, he shapes his course.
    John Denham.

    Charm’d by their eyes, their manners I acquire,
    And shape my foolishness to their desire.
    Matthew Prior.

    3. To image; to conceive.

    Lovers and madmen have their seething brains,
    Such shaping fantasies that apprehend
    More than cool reason ever apprehends.
    William Shakespeare.

    It is my nature’s plague
    To spy into abuse, and oft my jealousy
    Shapes faults that are not.
    William Shakespeare, Othello.

    When fancy hath formed and shaped the perfectest ideas of blessedness, our own more happy experiences of greater must disabuse us.
    Boyle.

    4. To make; to create. Obsolete.

    I was shapen in iniquity, and in sin did my mother conceive me.
    Ps. li. 5.

WikipediaRate this definition:0.0 / 0 votes

  1. shape

    Supreme Headquarters Allied Powers Europe (SHAPE) is the military headquarters of the North Atlantic Treaty Organization’s (NATO) Allied Command Operations (ACO) that commands all NATO operations worldwide. ACO’s and SHAPE’s commander is titled Supreme Allied Commander Europe (SACEUR), a U.S. four-star general officer or flag officer who also serves as Commander, U.S. European Command. SHAPE is situated in Mons, Belgium.
    Under the 2002 Berlin Plus agreement, SHAPE may also take part in the European Union’s (EU) command and control structure as an operational headquarters (OHQ) for EU missions. In such an instance, the Deputy Supreme Allied Commander Europe (DSACEUR), who is always a European, would serve as Operation Commander (OpCdr). This use of SHAPE by the EU is however subject to a «right of first refusal», i.e. NATO must first decline to intervene in a given crisis, and contingent on unanimous approval among NATO states, including those outside of the EU.

Webster DictionaryRate this definition:4.0 / 3 votes

  1. Shapenoun

    to form or create; especially, to mold or make into a particular form; to give proper form or figure to

  2. Shapenoun

    to adapt to a purpose; to regulate; to adjust; to direct; as, to shape the course of a vessel

  3. Shapenoun

    to image; to conceive; to body forth

  4. Shapenoun

    to design; to prepare; to plan; to arrange

  5. Shapeverb

    to suit; to be adjusted or conformable

  6. Shapenoun

    character or construction of a thing as determining its external appearance; outward aspect; make; figure; form; guise; as, the shape of a tree; the shape of the head; an elegant shape

  7. Shapenoun

    that which has form or figure; a figure; an appearance; a being

  8. Shapenoun

    a model; a pattern; a mold

  9. Shapenoun

    form of embodiment, as in words; form, as of thought or conception; concrete embodiment or example, as of some quality

  10. Shapenoun

    dress for disguise; guise

  11. Shapenoun

    a rolled or hammered piece, as a bar, beam, angle iron, etc., having a cross section different from merchant bar

  12. Shapenoun

    a piece which has been roughly forged nearly to the form it will receive when completely forged or fitted

  13. Etymology: [OE. shapen, schapen, AS. sceapian. The p. p. shapen is from the strong verb, AS. scieppan, scyppan, sceppan, p. p. sceapen. See Shape, n.]

FreebaseRate this definition:3.7 / 3 votes

  1. Shape

    The shape of an object located in some space is a geometrical description of the part of that space occupied by the object, as determined by its external boundary – abstracting from location and orientation in space, size, and other properties such as colour, content, and material composition.
    Mathematician and statistician David George Kendall writes:
    In this paper ‘shape’ is used in the vulgar sense, and means what one would normally expect it to mean. […] We here define ‘shape’ informally as ‘all the geometrical information that remains when location, scale and rotational effects are filtered out from an object.’
    Simple shapes can be described by basic geometry objects such as a set of two or more points, a line, a curve, a plane, a plane figure, or a solid figure. Most shapes occurring in the physical world are complex. Some, such as plant structures and coastlines, may be so arbitrary as to defy traditional mathematical description – in which case they may be analyzed by differential geometry, or as fractals.

Chambers 20th Century DictionaryRate this definition:0.0 / 0 votes

  1. Shape

    shāp, v.t. to form: to fashion: to adapt to a purpose: to regulate: to direct: to conceive.—v.i. (Shak.) to take shape, to become fit:—pa.p. shāped, (B.) shāp′en.n. form or figure: external appearance: that which has form or figure: an appearance: particular nature: expression, as in words: a pattern: (cook.) a dish of rice, jelly, or the like cast in a mould and turned out when it has grown firm.—adjs. Shā′pable, Shape′able; Shaped, having a varied ornamental form; Shape′less, having no shape or regular form: (Shak.) effecting nothing.—ns. Shape′lessness; Shape′liness.—adj. Shape′ly, having shape or regular form: symmetrical.—ns. Shā′per, a metal planing machine, the tool with reciprocating motion; Shā′ping, representation, imagination.—Take shape, to assume a definite form or plan. [A.S. sceapan, scapan, to form, make; Ice. skapa, Ger. schaffen.]

Dictionary of Nautical TermsRate this definition:0.0 / 0 votes

  1. shape

    The lines and form of a vessel.—To shape a course. To assign
    the route to be steered in order to prosecute a voyage.

Editors ContributionRate this definition:0.0 / 0 votes

  1. shape

    A perceived visual form.

    She loved her body shape and it was part of her natural confidence.

    Submitted by MaryC on February 5, 2020  

Suggested ResourcesRate this definition:0.0 / 0 votes

  1. shape

    Song lyrics by shape — Explore a large variety of song lyrics performed by shape on the Lyrics.com website.

Surnames Frequency by Census RecordsRate this definition:0.0 / 0 votes

  1. SHAPE

    According to the U.S. Census Bureau, Shape is ranked #69170 in terms of the most common surnames in America.

    The Shape surname appeared 284 times in the 2010 census and if you were to sample 100,000 people in the United States, approximately 0 would have the surname Shape.

    89.4% or 254 total occurrences were White.
    4.9% or 14 total occurrences were Black.
    3.1% or 9 total occurrences were of Hispanic origin.
    1.7% or 5 total occurrences were of two or more races.

Matched Categories

    • Body
    • Change
    • Concrete Representation
    • Good Health
    • High Command

British National Corpus

  1. Spoken Corpus Frequency

    Rank popularity for the word ‘shape’ in Spoken Corpus Frequency: #1656

  2. Written Corpus Frequency

    Rank popularity for the word ‘shape’ in Written Corpus Frequency: #2243

  3. Nouns Frequency

    Rank popularity for the word ‘shape’ in Nouns Frequency: #583

  4. Verbs Frequency

    Rank popularity for the word ‘shape’ in Verbs Frequency: #693

How to pronounce shape?

How to say shape in sign language?

Numerology

  1. Chaldean Numerology

    The numerical value of shape in Chaldean Numerology is: 4

  2. Pythagorean Numerology

    The numerical value of shape in Pythagorean Numerology is: 4

Examples of shape in a Sentence

  1. Shen Weizheng:

    I think the rebound will be short-lived, and China’s stock market hasn’t bottomed out yet, china’s economy is still in bad shape. Under such circumstances, the best strategy is to keep equity exposure very low.

  2. Rebecca Todd Peters:

    There are a whole lot more who support bodily autonomy for mothers to make decisions about life and how many children they have and who they have them with and how to shape their future with or without partners, we’ve allowed a minority religious belief to curtail the rights of the majority of women in the country. I feel like I’m in the middle of a dystopian novel.

  3. Lafe Langford:

    I got ta go find Lafe Langford, she had a bullet through her wrist, but nevertheless, she was probably in the best shape to walk at that point. And so away she went.

  4. Heinrich Heine:

    Great genius takes shape by contact with another great genius, but, less by assimilation than by fiction.

  5. Clarence Thomas:

    If we could use the word honorable more often, think about the difference it’ll make, then, you’ll have a legacy. We will have left the country in better shape, morally, structurally than we found it.

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Translations for shape

From our Multilingual Translation Dictionary

  • شكل, أشكالArabic
  • আকৃতি, আকারBengali
  • formarCatalan, Valencian
  • forma, formovat, tvar, utvářet, tvarovat, stavCzech
  • Zustand, formen, FormGerman
  • formiEsperanto
  • formaSpanish
  • شکلPersian
  • muovata, muoto, kunto, muotoillaFinnish
  • forme, donner une forme, formerFrench
  • cumIrish
  • cumadh, cruthScottish Gaelic
  • מצב, עיצב, צורהHebrew
  • आकारHindi
  • forma, alakHungarian
  • վիճակ, ձեւArmenian
  • formacarIdo
  • modellare, sagoma, formaItalian
  • 様子, ようす, 形態, 形状, 形作る, 型, 形Japanese
  • 모양Korean
  • figura, formaLatin
  • bentukMalay
  • toestand, status, staat, conditie, vorm, fysiekDutch
  • formNorwegian
  • kształtPolish
  • estado, forma, modelar, condiçãoPortuguese
  • formă, stareRomanian
  • состояние, фигура, формаRussian
  • oblikovati, oblikaSlovene
  • form, tillstånd, formaSwedish
  • umboSwahili
  • ఆకృతి, స్థితి, ఆకారం, ఆకారము, రూపుదిద్దుTelugu
  • hình dángVietnamese
  • פאָרעםYiddish

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Are we missing a good definition for shape? Don’t keep it to yourself…

What Is the Shape of This Word?
Artist’s three-dimensional interpretation of the pair of shapes that researchers asked speakers of 25 different languages to assign as either “bouba” or “kiki,” depending on whether each word sounded spiky or bulbous to them. Credit: Jeffery DelViscio

What shape do you see when you hear “bouba”? What about “kiki”? It turns out that nonsense words that evoke certain shapes have something to say about the origins of language.

Karen Hopkin: This is Scientific American’s 60-Second Science. I’m Karen Hopkin.

Some words imitate the sounds made by the things they describe, like “buzz” or “hiss” or “zip.” For you language lovers, that’s called onomatopoeia. But what if the the way a word sounds could evoke some other feature of an object, like its shape? Well, a new study suggests not only that it can but that the same word can do so across multiple languages. The findings are in the journal Philosophical Transactions of the Royal Society B. [Aleksandra Ćwiek et al., The bouba/kiki effect is robust across cultures and writing systems.]

The researchers were interested in studying the evolution of language …

Marcus Perlman: Both the ancient origins of language going back hundreds of thousands of years ago or even millions of years ago and also the ongoing evolution of modern languages.

Hopkin: Marcus Perlman, a lecturer at the University of Birmingham in the U.K. He says that, a century ago, linguists insisted that the words we assign to various objects and actions are essentially arbitrary and that words don’t necessarily resemble or sound like the things to which they refer.

Perlman: There’s nothing doggy-sounding about the word dog or feline-sounding about the word cat.

Hopkin: That makes sense because different languages have different words for the same thing. One person’s pup is another one’s perro.

Perlman: But there’s a lot of evidence now suggesting that the arbitrariness doctrine is proving to be false.

Hopkin: Onomatopoeia is a case in point and so is sign language, which makes frequent use of gestures that resemble their referents, like tracing the tracks of tears as a symbol for crying. To further explore this connection between words and their meanings, Perlman and his colleagues turned to something called the bouba/kiki effect.

Aleksandra Ćwiek: What it is about is that when you see two shapes—one looks like a cloud or like a flower, kind of roundish, and the other one is more spiky, maybe looks more like a star—and when you’re asked to say which one is bouba, you will be more likely to point to a rounded one and, for kiki, to a spiky one.

Hopkin: Aleksandra Ćwiek of the Leibniz-Center General Linguistics in Berlin. She says that if you were to look at the words bouba and kiki, which are totally made up, one possible explanation for the effect could be the appearance of the letters.

Ćwiek: The shape of b-o-u-b-a, the shapes of those letters kind of evoke the sense of roundness. These letters are round.

Hopkin: But what happens when you don’t see the words but hear them? And does it matter what language the listener speaks?

Ćwiek: So we thought it would be a wonderful idea to just study bouba/kiki across the world.

Hopkin: With the help of 22 different collaborators, the researchers tested the bouba/kiki effect in 25 different languages from Albanian and Armenian all the way to Zulu—with Farsi, French and Finnish in between. Participants were told to look at the two shapes and then listen to the sound: either …

[CLIP: Bouba sound]

Hopkin: Or …

[CLIP: Kiki sound]

Hopkin: Then they were asked, “Which shape corresponds to the sound?” Whether they were German …

Valerie Greger: Welche Form gehört zu welchem Klang? [Which shape corresponds to the sound?]

Hopkin: or Spanish …

Dennise Dalma: ¿Cual figura corresponde al sonido? [Which shape corresponds to the sound?]

Hopkin: Russian …

Yuri Lazebnik: Для каждого слова которое вы сейчас услышите, укажите с какой из картинок оно у вас ассоциируется? [For each of the words that you are about to hear, indicate with which of the pictures you associate it.]

Hopkin: or Thai …

Supatchaya Tongtheng: รูปร่างอันไหนสอดคล้องกับเสียงนี้? [Which shape corresponds to the sound?]

Hopkin: Most participants said the rounder shape was bouba and the pointy one was kiki.

Perlman: This suggests that the effect is legit and does seem to be driven by some widely observed correspondence between the spoken words and the visual features of the shapes.

Hopkin: There were some exceptions. Perlman says that speakers of Romanian, Turkish and Mandarin Chinese were more likely to make the reverse call (although my Turkish friend and her family fell squarely in the classic bouba/kiki camp).

Beria Sunar: That blob looks like a bouba. Kiki has a sharp and spiky sound—like the spiky shape.

Hopkin: As to what that could mean about the evolution of language: imagine our early ancestors when they started using spoken words to refer to things.

Ćwiek: They couldn’t say, “Listen, my friend, now we’re gonna call this new object a table.”

Hopkin: So to get the conversation off the ground, they probably tried to come up with sounds that somehow evoked the object at hand.

Perlman: As a general principle, it might be that new words that are heard to resemble their referents in some way or another would have been more likely to be understood and adopted by a wider community of speakers.

Hopkin: So if folks from far-flung cultures generally agree that bouba is bulbous while kiki is sharp …

Ćwiek: It shows us the potential of those correspondences to be to have been relevant at the very dawn of language—that, in fact, our ancestors could have relied upon those when establishing the first word forms.

Hopkin: Ćwiek says she’d like to explore the effects of other nonsense words—ones that use different consonants and vowel sounds …

Ćwiek: But also testing real vocabularies of languages across these possible dimensions that evoke the sense of roundness or sharpness or maybe other sensations in us because that might bring us closer to how the first words came to be …

Hopkin: Which means that bouba and kiki will not be the last word.

Special thanks to my friends: [Valerie Greger, Dennise Dalma, Yuri Lazebnik, Supatchaya Tongtheng and Beria Sunar].

For Scientific American’s 60-Second Science, I’m Karen Hopkin.

[The above text is a transcript of this podcast.]

ABOUT THE AUTHOR(S)

    Karen Hopkin is a freelance science writer in Somerville, Mass. She holds a doctorate in biochemistry and is a contributor to Scientific American‘s 60-Second Science podcasts.

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