Sometimes, spoken word is all you need.
1) The Revolution Will Not be Televised — Gil Scott-Heron
This powerful song has influenced a huge number of musicians since it was recorded in 1971. The brilliantly defiant lyrics were hugely important in the black power movement and continues to hold a haunting relevance today.
2) Car Radio — Twenty One Pilots
Love them or not, these guys are leading a revolutionary movement in music. There is something truly captivating about this melodic marriage of raw honesty in the lyrics and a simultaneously dreamy and dance-y instrumentals, climaxing with hard hitting screams of “silence”.
3) Chapter Twelve: Shores, and The New World — Levi the Poet
Lyrics weaved effortlessly into beautiful narrative, Levi is a true story teller. He transports you into his world, immersing you in the layers of his voice. A painter with his words and his voice.
4) Body Love Part 1 — Mary Lambert
The brutal honesty of this track will haunt you for a long time after listening. The message of this song is conveyed almost painfully in the tone of her voice. Not easy listening, but necessary listening.
5) Tiny Glowing Screens Part 2 — Watsky
Simplistic piano chords layered with cathartic rap. There is something deeply honest about this song that all seven billion and forty seven million of us can connect with. Sobering and poignant, George Watsky uses his voice to evoke emotion like no one else.
| «Spoken Word» | |||
|---|---|---|---|
| Single by Chase & Status featuring George the Poet | |||
| Released | 17 June 2016 | ||
| Recorded | 2014 | ||
| Length | 3:23 | ||
| Label |
|
||
| Songwriter(s) |
|
||
| Producer(s) | Chase & Status | ||
| Chase & Status singles chronology | |||
|
«Spoken Word» is a song by British record production duo Chase & Status, featuring vocals from British rapper George the Poet. The song was released as a digital download on 17 June 2016 through MTA Records and Mercury Records.[1] The song peaked at number 78 on the UK Singles Chart. The song was written by Nigel Swanston, Tim Cox, Saul Milton, William Kennard, Nathaniel Ledwidge, George Mpanga and produced by Chase & Status.
Music video[edit]
A music video to accompany the release of «Spoken Word» was first released onto YouTube on 12 July 2016 at a total length of three minutes and twenty-four seconds.[2]
Track listing[edit]
| No. | Title | Length |
|---|---|---|
| 1. | «Spoken Word» (featuring George the Poet) | 3:23 |
Chart performance[edit]
Weekly charts[edit]
| Chart (2016) | Peak position |
|---|---|
| UK Singles (OCC)[3] | 78 |
Release history[edit]
| Region | Date | Format | Label |
|---|---|---|---|
| United Kingdom | 27 November 2015[1] | Digital download |
|
References[edit]
- ^ a b c Spoken Word (feat. George the Poet) — Single by Chase & Status on Apple Music
- ^ Chase & Status — Spoken Word ft. George The Poet — YouTube
- ^ «Official Singles Chart Top 100». Official Charts Company. Retrieved 27 October 2016.
Chase & Status |
|
|---|---|
|
Discography |
|
| Studio albums |
|
| Singles |
|
| Promotional singles |
|
|
|
CategoryListener
Фото —
Иван Балашов
Listener стартовали в далеком 2002-м как хип-хоп-проект Дэна Смита. Со временем звучание ужесточилось до такой степени, что Смита позвали записывать гостевой вокал для металкорщиков The Chariot, а сама группа выступала на разогреве у The Dillinger Escape Plan на недавно прошедших в России концертах.
Инструментал у Listener довольно агрессивный, отдаёт кантри-мотивами, а безумные участники делают каждую песню не слёзным рассказом о несчастной любви, а эмоциональной декларацией лучшего друга в баре под очередную пинту пива.
Лу Рид
Фото —
The Daily Beast
→
Лу Рид и его группа The Velvet Underground в своё время вдохновили невероятное количество музыкантов и тем самым повлияли на развитие рока. Например, о сильном влиянии Лу Рида на своё творчество говорил Дэвид Боуи.
Лу был в составе The Velvet Underground с 1964 по 1970 год, а после ухода из группы начал сольную карьеру. Он принял участие в песне Tranquilize группы The Killers, записал вместе с Gorillaz песню Plastic Beach и даже выпустил совместный альбом с Metallica!
Конечно, он выпускал и собственные альбомы. Наиболее необычный и несомненно заслуживающий внимания — The Raven, записанный в жанре spoken word. Главное в нём то, что он основан на рассказах Эдгара Аллана По. Так что скачивайте все 36 (!) песен, закрывайте глаза и погружайтесь в атмосферу.
Hotel Books
Фото —
Егор Зорин
→
Hotel Books обязательно понравятся любителям концептуализма. Кемерон Смит – единственный бессменный участник группы и её лицо – знает в этом толк. Например, песни July и August объединяет один общий клип, а для песни Lose One Friend существует своего рода парная композиция — Lose All Friends.
«Люди приходят и люди уходят. Некоторые приходят навестить, а другие просто потусить. И это моя книга поэм», — объясняет Кемерон название группы. Однако «люди приходят и люди уходят» — это не только про жизнь Смита, но и про саму группу. В последнем туре Hotel Books, например, за инструментал отвечали участники металкор-группы Convictions.
Дискография Hotel Books насчитывает уже 4 альбома, поэтому каждый сможет найти для себя новую любимую песню среди всего их разнообразия.
ДК
Фото —
Сергей Бабенко
→
ДК – советская группа, созданная в 1980 году. Название ей дал Сергей Жариков – создатель, идеолог и руководитель группы. ДК не стеснялись экспериментировать со звучанием и жанрами. Они первопроходцы российской экспериментальной музыки, творившие не только в жанре spoken word, но и авангарде, психоделическом роке, арт-панке, блюз-роке и еще множестве интересных жанров.
В 1984 году на Жарикова завели уголовное дело, а его группе, соответственно, запретили любые публичные выступления. Несомненно, это серьёзно сказалось на популярности ДК среди широких масс. Но всё же в музыкальных кругах они были группой известной и даже оказали сильное влияние на творчество Егора Летова (как на Гражданскую оборону, так и на проект Коммунизм), а также на группу Сектор Газа.
Canadian Softball
Фото —
Jarrod-Alonge
→
Canadian Softball – это вымышленная группа комика и музыканта Джаррода Алонжа, известного своими пародиями на рокеров и рок-группы. В 2015 году он выпустил альбом Beating a Dead Horse, в записи которого «участвовали» семь различных групп. На самом деле все семь групп были выдуманы комиком. Каждая группа пародировала определённый жанр. Звучание Canadian Softball, в частности, напоминало об эмо-группах поздних 1990-х — ранних 2000-х.
Состояла эта группа из самого Алонжа, вокалиста и гитариста, бассиста Уилла Грини и барабанщика/бэк-вокалиста Энди Конвэя. В альбоме у этой группы была только одна песня: The Distance Between You and Me is Longer Than the Title of this Song. Как видите, даже её название носит пародийный характер.
Позднее группа представила еще несколько песен, а 28 июля обещает выпустить альбом. В общем, дела у пародийной выдуманной группы идут даже лучше, чем у некоторых реально существующих артистов.
Many talented songwriters’ words have been described as poetic lyricism. So with this in mind, is there a place for spoken word artists in the music industry?
This article will explore the potential of spoken word in the music industry, looking at both the advantages and the challenges it presents. Finally, we will examine the potential of spoken word in the future of the music industry.
Overview
There is no doubt that the spoken word has continuously increased in popularity. This continued to progress with regard to mainstream success. As seen in the likes of Kate Tempest, George the Poet and Scroobius Pip to name a few.
These three poets all have touring success; which includes festivals such as Latitude and Glastonbury. Nominations for Kate Tempest – a Mercury Award, George the Poet – a Brit, MTV Brand New and BBC’s Sound of? Scroobius Pip – for an AIM Award.
One of the many reasons behind their commercial success is their integration with music. All three have experimented as lyricists and have worked with musicians in a successful attempt at getting their work heard by many.
History
Spoken word poetry has been used in music for centuries. In the Renaissance period, spoken word was often used in religious music. The words of hymns and canticles are delivered in a spoken or chanted form.
In the 19th century, the use of spoken word in music began to expand. With the introduction of the popular ballad live performances. Ballads often featured a narrative, with the words spoken or sung by a soloist or chorus.
In the 20th century, spoken word found a new home in the form of rap and hip-hop music. This genre of music is often characterized by its use of spoken word. Often with a heavy emphasis on rhyme and wordplay.
In more recent years, spoken word has become increasingly popular in a variety of genres. Many artists have embraced performance poetry. This helps to express their feelings and ideas in a unique and creative way.
Allen Ginsberg
Allen Ginsberg was an American poet and one of the leading figures of the Beat Generation. He is best known for his poem, “Howl,” which was published in 1956. It became one of the most iconic works of the Beat era. He was also an advocate for free speech and social justice. He was a major influence on the counterculture of the 1960s.
Ginsberg was a pioneer of spoken word music writer and performer, which combines national poetry and music. He was one of the first spoken word poets to perform with a backing band. The recordings of his works often featured jazz and folk musicians. His influence can be heard in the work of many contemporary spoken word artists.
Spoken Word vs Hip Hop
There is, of course, a very blurred line between rappers and spoken word artists. Both eloquently use their words to create a vivid picture. This is seen with Kate Tempest and George the Poet who originally started their careers as rappers. Both described their inner-city lifestyles with fluidity and grace, which was a real contrast to what their words actually described.
However, when asked how they would refer to themselves, both have stated that they’re spoken word performers. On the counter, if you take Loyle Carner as an example, he has been hailed as London’s rising hip-hop artist.
The up-and-coming artist shares similarities with George the Poet and Kate Tempest in that he also has unique lyricism, effortless flow, and paints a very poignant picture, the only difference being, he describes himself as a rapper.
The Benefits of collaboration for Spoken word artists
Spoken word artists benefit massively from collaboration, although they were both respected in their own right Dan Le Sac & Scroobius Pip received a greater reception as a duo it led to numerous award winning nominations and provided the opportunity to further collaborate with singer-songwriters, they helped bring a wider audience to spoken word and redefined their work as artists.
Here’s another example:
Originally this track was a spoken word piece that was put over a solo piano track, upon collaborating with Macklemore and Ryan Lewis. Mary Lambert reached chart success and was still able to keep a poignancy to her lyrics this drew attention to her other works as a singer/performance poet.
Of course, all the aforementioned artists are talented in their own right and had the potential to receive recognition on their own merit, however, they were able to utilise the opportunities that come with collaboration and profit from creative progress.
Advantages vs disadvantages
Advantages:
- Spoken word in the music industry has the power to reach a wider audience, as it can be used to convey a message in an accessible and engaging way.
- It can be used to create a unique sound and style, as spoken word artists can use their own unique vocal delivery and flow to bring their message to life.
- It can be used to bring a sense of emotion and feeling to a song, which can be powerful and captivating.
Challenges:
- It can be difficult to find success as a spoken word artist, as there is a lot of competition in the industry.
- It can be hard to get your message across effectively, as it can be difficult to find the right words and delivery to make your point.
- It can be hard to find the right production and recording techniques to capture and enhance the spoken word performance.
The future of spoken word in the music industry
The potential of spoken word in the future of the music industry is significant. The power of spoken word is its ability to communicate complex emotions and ideas in a direct, powerful way.
In the future, spoken word is used to create powerful music that is both emotionally and intellectually engaging. It could also be used to create music that is socially and politically conscious, and to bring attention to important issues.
Additionally, spoken word is used to create music that is accessible to a wide range of audiences, including those who may not be familiar with traditional music genres. The potential of spoken word in the future of the music industry is vast, and could be a powerful tool for musicians to reach new audiences and create meaningful, powerful music.
Why I’m using Мusic Gateway to collaborate
Мusic Gateway is the perfect platform to intertwine both music and spoken word, being able to connect with a whole host of talented musicians, artists, producers and the rest on a global scale, allows members to be able to strive for the best possible outcome from the final product. And of course being on a platform with a vast amount of creative individuals, striving for the best outcome is sure to ensure quality and pride in the work created.
This is why I’m using Мusic Gateway for a collaboration project. As a spoken word artist, I enjoy the rhythm and the flow in which you perform and have always liked the idea of merging my written work with music. In order to do this and develop creatively, I think the best way is to connect with other musicians and producers to create a track, starting completely from scratch, and being completely open to style and what is featured on the track.
Our top picks for spoken word artists
George the Poet
Levi the Poet
Kae Tempest
Get involved:
Spoken word artists looking to collaborate with artists, musicians producers etc to create a track that can feature spoken word.
Can be varying in genre, the idea is to celebrate collaboration maybe get a vocalist on the chorus, feature spoken word artists on a verse etc. Get as many artists involved.
Asked by: Sydni D’Amore
Score: 4.4/5
(23 votes)
A broad designation for poetry intended for performance. Spoken word can encompass or contain elements of rap, hip-hop, storytelling, theater, and jazz, rock, blues, and folk music. …
Where does spoken word come from?
Where has it come from? Spoken word first kicked off with the American Beat Poet movement that took place in the 1940s and 1950s. This saw a group of authors in New York using their work to exploring and influence the American culture of the time.
How do you describe spoken word poetry?
Spoken word poetry is poetry that is written on a page but performed for an audience. Because it is performed, this poetry tends to demonstrate a heavy use of rhythm, improvisation, free association, rhymes, rich poetic phrases, word play and slang.
What’s the difference between spoken word and poetry?
“How is spoken word different from page poetry?” This question seems to have a pretty basic answer: one is written with the intention of being performed, or spoken aloud, while the other is written specifically for the page.
What is the difference between spoken word and rap?
spoken word is delivery based on message emphasis. you deliver your message in a way that will put more power behind your words. rap is delivery based on beat. you deliver your message based on complimenting the beat/music (while emphasizing the message like spoken word.
44 related questions found
Why rap is not a poem?
Rap Is Not Poetry
From linguistic point of view rap music is not poetry. This is because even though it looks like poetry, it takes the ill formed nature of poetry. That is, rappers usually manipulate their wordings to form a metrical pattern (Mel 43).
What is spoken word in rap?
Spoken word is a «catchall» term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues.
What defines spoken word?
A broad designation for poetry intended for performance. Though some spoken word poetry may also be published on the page, the genre has its roots in oral traditions and performance. Spoken word can encompass or contain elements of rap, hip-hop, storytelling, theater, and jazz, rock, blues, and folk music.
Can spoken word rhyme?
Spoken word poetry is a form of poetry that doesn’t have to rhyme, but certain parts can be rhymed to emphasize an image or give it a lyrical quality. Spoken word poems will sometimes contain elements of hip-hop, folk music, or jazz to enhance the rhythmic presentation.
Is spoken word Slam Poetry?
A spoken word refers to a poem written and has to be performed. It refers to poetry that is written for performance on stage. … Slam poetry is performed as a form of competition with other poets. While the spoken word is usually not a competition, it can be just a performance to entertain an audience.
Who is the best spoken word artist?
12 Powerful Spoken Word Artists You Need To Add To Your Playlist
- Alok Vaid-Menon (Preferred pronouns: they/them) …
- Uppa Tsuyo Bantawa (Preferred pronouns: he/him and she/her) …
- Andrea Gibson (Preferred pronouns: they/them) …
- Dr Abhijit Khandkar (Preferred pronouns: he/him) …
- Safia Elhillo (Preferred pronouns: she/her)
What was the first spoken word?
Also according to Wiki answers,the first word ever uttered was “Aa,” which meant “Hey!” This was said by an australopithecine in Ethiopia more than a million years ago.
Why is spoken word so powerful?
It encourages cathartic expression and emotional processing that ultimately contributes to a more holistic pedagogical space. It fosters a culture of active listening. Just as important as the opportunity to speak, spoken word also provides young people a place to listen.
What are the benefits of spoken word poetry?
The teaching of Spoken Word Poetry is important because it addresses students’ critical thinking, democratic engagement, and empowers their voices through verse. Spoken Word Poetry allows students to weave their primary discourse into their secondary discourse.
Why does all slam poetry sound the same?
It’s these two factors, the standardization imposed by competition and the tyranny of the Youtube algorithm, which make Slam Poet Voice so ubiquitous. As popular works in a genre (see above) are widely consumed, they become widely imitated, and those imitations get their own imitations.
Is haiku a form of literature?
haiku, unrhymed poetic form consisting of 17 syllables arranged in three lines of 5, 7, and 5 syllables respectively. The haiku first emerged in Japanese literature during the 17th century, as a terse reaction to elaborate poetic traditions, though it did not become known by the name haiku until the 19th century.
Does poetry have to rhyme?
There’s a common misconception that poems have to rhyme. … A lot of modern poetry doesn’t rhyme, and it still works just fine. If you force your poem to rhyme, the reader/listener will be able to tell. The important thing in poetry isn’t whether or not it rhymes, it’s whether or not it resonates.
How do you recite spoken word poetry?
Tips:
- Present yourself well and be attentive. Use good posture. Be confident and make a direct connection with the audience.
- Nervous gestures and lack of confidence will detract from your score.
- Relax and be natural. Enjoy your poem—the judges will notice.
What is the spoken word of God?
Rhema is the word which the Lord has spoken, and now He speaks it again.»
How do you analyze spoken words?
Check out these six ways to analyze a poem.
- Step One: Read. Have your students read the poem once to themselves and then aloud, all the way through, at LEAST twice. …
- Step Two: Title. Think about the title and how it relates to the poem. …
- Step Three: Speaker. …
- Step Four: Mood and Tone. …
- Step Five: Paraphrase. …
- Step Six: Theme.
Is rap just spoken word?
Rap music can be defined as music that consists of rapping, the same way a song contains singing. … A common difference between spoken word and rap is that rap has a beat while spoken word doesn’t.
Is rap singing or speaking?
Difference Between Rapping and Singing
Rapping is often described as speaking but it is much beyond that. Rapping is rhyming skills and making words rhyme to the given upbeat tune. Singing is often seen as the creation of musical sound with variations in pitch, rhythm, and beat.
Why is hip hop poetry?
Hip hop inspires attentive listeners to reconsider the pleasures and opportunities rhyme offers and it inspires a new generation to reintroduce conspicuous patterned rhyme back into our poetry.
In music, there are few universal truths. That said, the inherent ability for a well-crafted spoken-word part to send a shiver down the spine of anyone who hears it is definitely one. Of course, that goes double when such a moment is your first introduction to a song.
There’s really no wrong way to incorporate such elements. You don’t have to be Hotel Books or Levi The Poet to add a little spoken-word flair. However, some artists certainly stand out with their ability to weave them in masterfully—especially right from the beginning.
Read more: Garbage call out misogyny in new single “The Men Who Rule The World”
Here are 10 spoken-word song introductions that you should never skip over.
“Survivor Guilt” – Rise Against
Really, just leave it to Rise Against to hit us hard whenever they so choose. «Survivor Guilt» delivers that signature gut punch with the vivid style of narration that’s present throughout Endgame. About halfway through the album, the track interjects with a spoken-word introduction that’s pulled from the film version of Joseph Heller’s Catch-22. The dialogue continues around the three-minute mark of the song, creating a thematic undercurrent that totally brings the whole track together.
“Dear Bobbie” – Yellowcard
Just in case you wanted to cry today, we’ll bring up Yellowcard‘s «Dear Bobbie.» Because the song that Ryan Key wrote in honor of his grandparents’ six-decade-spanning marriage apparently wasn’t sentimental enough, he had to include the heart-wrenching spoken parts to really drive it all home. And not only is the narrative of the part beyond beautiful, but it’s also genuine. That’s right, Key’s grandfather is reading out passages he’d actually written to his wife.
“Undone — The Sweater Song” – Weezer
There are many reasons why Weezer hit the ground running so fast with their debut self-titled album. Near the top of the list, of course, was their ability to incorporate such a wide variety of cool sonic elements. «Undone — The Sweater Song» offers a neat example in its spoken introduction, which just involves a casual conversation between Matt Sharp, Karl Koch and Mykel Allan. It makes the song inherently engaging right off the bat, although it did backfire by setting a tone that Rivers Cuomo hadn’t initially intended.
Read more: 10 women vocalists who made the 2010s a monumental time for alternative
“Better Than Revenge” – Taylor Swift
It doesn’t matter how hardcore you are—no one can resist speaking along to the spoken part at the top of Taylor Swift‘s «Better Than Revenge.» It’s short compared to some of the other intros on this list, but it’s the outright attitude that gets us every time. Never mind the fact that it sounds like she’s scolding a young child or pet at the top of a song that seems to be about losing a significant other to someone else (who may be, but definitely isn’t, Hayley Williams).
“At The Bottom Of Everything” – Bright Eyes
Well, you can’t say that Bright Eyes do anything halfway. The spoken-word intro in «At The Bottom Of Everything» very well could have been a standalone track. Covering a detailed narrative, it goes for over a minute before the music even kicks in. The epilogue puts the whole song into the context of a conversation between two passengers as their plane goes down. It definitely sets a morbid tone for a song that’s otherwise upbeat and sunshine-y, but we wouldn’t want it any other way.
“I’m A Fake” – The Used
There are few song intros that are as truly iconic as the one that kicks off the Used‘s «I’m A Fake.» In fact, if you had any sort of 2000s emo phase, you probably still have all the words memorized. The brief passage is nothing short of charged. It draws beautifully on dismal themes before catapulting the listener straight into the aggressive instrumentation. While it could certainly stand alone as a poem, it does wonders in elevating the experience of the song.
Read more: 10 alternative artists who gave iconic ’80s classics a modern update
“Curse Of The Virgin Canvas” – Alesana
This eerie-as-hell spoken-word intro didn’t just kick off a song but a whole series of concept albums. The first track on Alesana‘s 2010 album, The Emptiness, «Curse Of The Virgin Canvas,» is the root of their Annabel narrative. That said, you don’t need to be invested in the musical story to fully appreciate the 20-second part. The creepy, raspy delivery is perfect for setting the haunting tone of the rest of the track.
“Fire Coming Out Of The Monkey’s Head” – Gorillaz
Damon Albarn and Jamie Hewlett, the creative masterminds behind Gorillaz, never come up short. So, it stands to reason that even the spoken parts would hold up against the rest of their discography. What’s particularly intriguing about the intro to «Fire Coming Out Of The Monkey’s Head» is how it reads like a modern fairy tale. If it weren’t for the background beats, you’d have virtually no idea that you were about to be launched into an experimental realm of alternative rock. That said, even if you wanted to skip this captivating experience, you’d be making a mistake. Not just because it’s cool as hell but because the narration carries through the rest of the track.
“Warbrain” – Alkaline Trio
If there’s anything we’ve known since 1998, it’s that Alkaline Trio hit hard with their lyrics. So, it may come as a surprise that the spoken-word intro in «Warbrain» didn’t even come from the band. Rather, it’s Craig Fairbaugh of +44 who reads the part. The first two lines also pull from a quote by philosopher Friedrich Nietzsche. The lo-fi delivery adds a certain textural element to the fade-in of the music, creating an immediate interest factor.
Read more: 10 alternative songs from 2001 that you still know every word to
“This Time Imperfect” – AFI
You knew this one was coming as soon as you saw the article title, didn’t you? That’s because the spoken-word intro on «This Time Imperfect» is a prominent feature on AFI‘s Sing The Sorrow. Admittedly, this one demands a focused ear and a little bit of patience. The lines are softly spoken—so much so that you might miss them without headphones—and take up the better part of four minutes. That said, the generated ambiance and cameo by Jade Puget‘s little brother, Gibson, are well worth it.
What are some of your favorite spoken-word intros in songs? Sound off in the comments!
| «Произнесенное слово» | |||
|---|---|---|---|
| Сингл от Chase & Status при участии поэта Джорджа | |||
| Выпущенный | 17 июня 2016 г. | ||
| Записано | 2014 г. | ||
| Длина | 3 : 23 | ||
| метка |
|
||
| Автор (ы) песен |
|
||
| Производитель (и) | Погоня и статус | ||
| Хронология синглов Chase & Status | |||
|
» Spoken Word » — песня британского продюсерского дуэта Chase & Status с вокалом британского рэпера Джорджа Поэта . Песня была выпущена для скачивания в цифровом виде 17 июня 2016 года на лейблах MTA Records и Mercury Records . Песня достигла 78-го места в UK Singles Chart . Песня была написана Найджелом Свонстоном, Тимом Коксом, Сол Милтоном, Уильямом Кеннардом, Натаниэлем Ледвиджем, Джорджем Мпанга и спродюсирована Chase & Status.
Содержание
- 1 Музыкальное видео
- 2 Трек-лист
-
3 График производительности
- 3.1 Недельные графики
- 4 История выпусков
- 5 ссылки
Клип
Музыкальное видео, сопровождающее выпуск «Spoken Word», было впервые выпущено на YouTube 12 июля 2016 года общей продолжительностью три минуты двадцать четыре секунды.
Отслеживание
| Нет. | заглавие | Длина |
|---|---|---|
| 1. | «Разговорное слово» (с участием поэта Георгия) | 3:23 |
График производительности
Еженедельные графики
| Диаграмма (2016) | Пиковая позиция |
|---|---|
| Одиночный разряд Великобритании ( OCC ) | 78 |
История выпуска
| Область | Свидание | Формат | метка |
|---|---|---|---|
| Соединенное Королевство | 27 ноября 2015 г. | Цифровая загрузка |
|
Рекомендации
| «Произнесенное слово» | |||
|---|---|---|---|
| Одинокий к Погоня и статус с участием Георгий поэт | |||
| Вышел | 17 июня 2016 г. | ||
| Записано | 2014 | ||
| Длина | 3:23 | ||
| Этикетка |
|
||
| Автор (ы) песен |
|
||
| Производитель (и) | Погоня и статус | ||
| Погоня и статус хронология одиночных игр | |||
|
«Произнесенное слово«это песня Британский рекордная продукция дуэт Погоня и статус, с вокалом британского рэпера Георгий поэт. Песня была выпущена для скачивания в цифровом формате 17 июня 2016 г. MTA Records и Mercury Records.[1] Песня достигла 78-го места в рейтинге Таблица одиночных игр Великобритании. Песня была написана Найджелом Свонстоном, Тимом Коксом, Сол Милтоном, Уильямом Кеннардом, Натаниэлем Ледвиджем, Джорджем Мпанга и спродюсирована Chase & Status.
Содержание
- 1 Клип
- 2 Отслеживание
- 3 График производительности
- 3.1 Еженедельные графики
- 4 История выпуска
- 5 Рекомендации
Клип
Музыкальное видео, сопровождающее выпуск «Spoken Word», было впервые выпущено на YouTube 12 июля 2016 года общей продолжительностью три минуты двадцать четыре секунды.[2]
Отслеживание
| Нет. | Заголовок | Длина |
|---|---|---|
| 1. | «Произнесенное слово» (с участием поэта Георгия) | 3:23 |
График производительности
Еженедельные графики
| Диаграмма (2016) | Вершина горы позиция |
|---|---|
| Великобритания одиночные игры (OCC )[3] | 78 |
История выпуска
| Область, край | Дата | Формат | Этикетка |
|---|---|---|---|
| объединенное Королевство | 27 ноября 2015 г.[1] | Цифровая загрузка |
|
Рекомендации
- ^ а б c Разговорное слово (с участием Джорджа Поэта) — Сингл от Chase & Status в Apple Music
- ^ Погоня и статус — Разговорное слово при участии поэта Джорджа — YouTube
- ^ «Официальный чарт синглов» 100 лучших «. Официальные графики компании. Проверено 27 октября 2016 года.
|
Погоня и статус |
|
|---|---|
|
Дискография |
|
| Студийные альбомы |
|
| Одиночные игры |
|
| Рекламные синглы |
|
|
|
Категория