Use word stress sentence

English students often learn syllable and word stress rules before venturing into sentence stress. This is because sentence stress rules are far more variable and complex, while the rules for correct intonation in English generally stay the same. To demonstrate the differences, let’s look at a few different examples of stress in English.

Syllable Stress vs. Sentence Stress

When you learn how to pronounce different vowel and consonant sounds, you must also learn how to stress different parts of a word correctly. Stress is just another way to say “emphasize.” This means that some parts of a word are stronger (and slightly louder) than others. Here are a few examples:

  • Away (pronounced: a-WAY)
  • Delicious (pronounced: de-LI-cious)
  • Anticipate (pronounced: an-TI-ci-PATE)
  • Communication (pronounced: comm-un-i-CA-tion)
  • Autobiography (pronounced: au-to-bi-O-gra-phy)

Some longer words have a primary stressed syllable and one or more secondary stressed syllables. The primary stressed syllable is always stronger than the secondary stressed syllable, while both are stronger than unstressed syllables. Be sure to check out our guide on stressed and unstressed syllables to learn more about using proper English intonation.

Sentence stress refers to the words in a sentence that get the most emphasis. While common sayings and phrases usually have unchanging sentence stress rules, you can emphasize different words in a sentence to create new meanings. For example, let’s look at the common saying: I told you so!

The most common way to say this phrase is to put the primary stress on “told” and the secondary stress on “so,” like this:

I TOLD you SO!

However, you could also change the implicit meaning of the phrase by emphasizing “I.” By doing this, you will stress the fact that you (the speaker) were the one who told them (the listener) about something. 

Which words should you stress in a sentence?

So, how can you know which words to stress in a sentence? Again, there are no hard-and-fast sentence stress rules, but there are some general principles that will help you use stress properly when speaking in English. You can often tell which words should be stressed based on the parts of speech and where the words fall in a sentence.

  • Content words (nouns, adjectives, adverbs, and main verbs) are usually stressed.
  • Function words (determiners, prepositions, and conjunctions) are usually unstressed unless you want to emphasize their role(s) in a sentence.
  • Question words (who, what, when, where, why, and how) are usually unstressed unless you want to emphasize their role(s) in a sentence.
  • Subject pronouns (I, You, He, She, We, They) are usually unstressed, while object pronouns (me, you, him, her, us, them) are usually stressed.

Sentence Stress in a Statement

Pronoun Main Verb Adverb Preposition Determiner Noun
ran quickly to the desk.
unstressed unstressed STRESSED (primary) unstressed unstressed STRESSED (secondary)

This example denotes the natural rise and fall of the sentence. However, as previously stated, you could stress different words to alter the meaning:

  • I ran quickly to the desk. (emphasizes who is doing the running)
  • I ran quickly to the desk. (emphasizes what action is being done)
  • I ran quickly to the desk. (emphasizes the way in which you ran, but does not fundamentally change the meaning of the sentence)
  • I ran quickly to the desk. (inappropriate sense stress, but emphasizes the direction in which you ran)
  • I ran quickly to the desk. (inappropriate sense stress, but emphasizes that it was a specific desk)
  • I ran quickly to the desk. (emphasizes the object or location to which you ran)

Sentence Stress in a Question

Pronoun Modal Verb Main Verb Preposition Determiner Noun
Who  will come to the party?
unstressed unstressed STRESSED (primary) unstressed unstressed STRESSED (secondary)

Like the previous example, the sentence stress here also denotes the natural rise and fall of the word combination. However, you could still ask this question six different ways to convey six slightly different meanings:

  • Who will come to the party? (you want to know who the party attendees are)
  • Who will come to the party? (you want to know who will definitely be attending the party)
  • Who will come to the party? (you want to know who will attend the party, but this form does not change the standard meaning of the question)
  • Who will come to the party? (inappropriate sense stress, but emphasizes the location of the party) 
  • Who will come to the party? (inappropriate sense stress, but emphasizes which party you’re talking about)
  • Who will come to the party? (you want to emphasize the party, possibly in contrast to a separate event)

Sentence Stress and Intonation in English

If you couldn’t already tell, sentence stress is often linked to the way our voices rise and fall (intonation) while speaking. The natural rise and fall in pitch usually determines which words are stressed and unstressed. This is why the two example sentences above have similar structures. They are both examples of falling intonation.

In American English, there are two basic types of intonation: rising intonation and falling intonation. Falling intonation is far more common. When you speak with falling intonation, the pitch of your voice starts high and gets lower by the end of the sentence. More often than not, sentences with falling intonation use stressed verbs and objects. For example:

  • I saw a crab at the beach.
  • They never return my calls.
  • Frank is a responsible person.
  • My dad doesn’t like to wash the dishes.

Alternatively, rising intonation occurs when the pitch of your voice starts lower and gets higher at the end of the sentence. This type of intonation is less common, but you can use it when you want to ask a Yes/No question or when you want to express a negative emotion, like anger. Similarly, the stress often falls on verbs and objects, though this can vary depending on the meaning you want to convey. Here are some examples:

  • Are you sure?
  • Do you want to go to the park?
  • You’re so mean!
  • I don’t want to talk to you!

What is sense stress?

You might have heard of sense stress, which is very similar to the concept of sentence stress. Sense stress simply refers to the use of stress on different words to convey different meanings. Thus, sense stress is a form of sentence stress. Usually, people refer to appropriate or inappropriate sense stress. Appropriate sense stress sounds natural and correctly conveys the meaning of a sentence. Here are some examples of appropriate sense stress:

  • How many HAMBURGERS should we get?
  • What TIME is it?
  • He ANSWERED the phone.
  • They did NOT want to go swimming.

Alternatively, inappropriate sense stress sounds unnatural and conveys strange or incorrect meanings. Here are a few examples:

  • Where do you want to eat?
  • Did you go to the doctor?
  • I never go to the supermarket by myself.
  • She was watching a movie when the guests arrived.

Conclusion

Sentence stress is an element of English that can be difficult to grasp, especially for beginner or even intermediate learners. However, with practice, you can use stress to accurately express yourself. With time, you’ll find that sense and sentence stress are some of the best ways to get your point across to other English speakers!

If you’d like to hear native English speakers using sentence stress, be sure to subscribe to the Magoosh Youtube channel!

When a little stress is a good thing…

How do students of English learn to speak like native speakers? Everyone knows that pronunciation is important, but some people forget about sentence stress and intonation. The cadence and rhythm of a language are important for fluency and clarity. Languages of the world vary greatly in word and sentence stress—many languages stress content words (e.g., most European languages) while others are tonal (e.g., Thai) or have little to no word stress (e.g., Japanese). Practicing sentence stress in English helps students speak more quickly and naturally. Fortunately for teachers, students usually enjoy activities like the one in the worksheet below! After one of our subscribers asked us for resources on sentence stress this week, I thought I’d share some tips and a worksheet that you can use in class.

Sentence stress occurs when we say certain words more loudly and with more emphasis than others. In English, we stress content words because they are essential to the meaning of the sentence. In general, shorter words or words that are clear from the context don’t get stressed.

Content words include nouns, verbs, adjectives, and adverbs. Negative words such as not or never also get stressed because they affect the meaning of the sentence. Modals, too, can change the meaning of a sentence. Here is a list of words to stress in an English sentence:

  • nouns (people, places, things)
  • verbs (actions, states)
  • adjectives (words that modify nouns)
  • adverbs (words that modify verbs, adjectives, other adverbs, or entire sentences)
  • negative words (not, never, neither, etc.)
  • modals (should, could, might, etc., but not will or can)
  • yes, no, and auxiliary verbs in short answers (e.g., Yes, she does.)
  • quantifiers (some, many, no, all, one, two, three, etc.)
  • Wh-Question words (what, where, when, why, how, etc.—note that what is often unstressed when speaking quickly because it’s so common)

Not to Stress

Some words don’t carry a lot of importance in an English sentence. Short words such as articles, prepositions, and conjunctions don’t take stress. Pronouns don’t usually get stressed either because the context often makes it clear who we’re talking about. The Be verb and all auxiliary verbs don’t carry much meaning—only the main verb does. Here is a list of words that shouldn’t be stressed in an English sentence:

  • articles (a, anthe)
  • prepositions (to, in, at, on, for, from, etc.)
  • conjunctions (and, or, so, but, etc.)
  • personal pronouns (I, you, he, she, etc.)
  • possessive adjectives (my, your, his, her, etc.)
  • Be verb (am, is, are, was, were, etc.)
  • auxiliary verbs (be, have, do in two-part verbs or questions)
  • the modals will and be going to (because they’re common, and the future tense is often clear from context)
  • the modal can (because it’s so common)

Examples

Model the following examples for your students and have them repeat after you. The words (or syllables when the word has more than one) that should be stressed are in bold.

  • The kids are at the park.
  • Do you have any brothers or sisters?
  • Why aren’t you doing your homework?
  • He bought a red car for his daughter.
  • I am Brazilian.
  • We are not familiar with this new computer program.
  • The athlete ran quickly and won the competition.
  • She does not know the answer.
  • I don’t know the answer, either.
  • We aren’t sure.
  • I’ve never heard of that before, but it makes sense.
  • They’ll ask the teacher for help.
  • Some people prefer Macs, but many others prefer PCs.
  • She is going to study tonight.
  • I can speak French.
  • I can’t speak Japanese.
  • Yes, I can. / No, I can’t.

Practice

When practicing sentence stress, whether in the examples above, the worksheet below, or your own activity, encourage reductions such as wanna, gonna, whaddaya, etc. These reductions will make it easier for your students to speak more quickly and will help them recognize when native speakers use these reduced forms. Plus, they’re fun to say!

Sentence Stress – Grammar & Usage Resources

Worksheet Answers

  1. boys, playing, video game
  2. computer, broken
  3. Where, going, after, class
  4. doesn’t,likecake
  5. writing, test, long, time
  6. prefer, coffee, tea
  7. doing, tonight (optional: What /encourage reduced pronunciation of Whaddaya)
  8. brother, wants, buy, red, car (demonstrate wanna for the subjects I, you, we, they, and plural count nouns)
  9. come, party (encourage reduced pronunciation of gonna)
  10. said, has, dog, not, cat

Here’s hoping your students don’t get too stressed!

Tanya

The stress placed on syllables within words is
called word stress or lexical
stress
. The stress placed on words
within sentences is called sentence
stress
 or prosodic
stress

Sentence stress is a greater prominence of words which are made more
prominent in the international group. The prominence of accented
words is achieved through the greater force of utterance and changes
in the direction of voice pitch.

Stress in utterance provide the basis for understanding the content,
they help to perform constitutive, distinctive, indemnificatory
function of intonation.

Word stress is definitely the key to understanding spoken English and
it is used so naturally by native speakers of the English language
that they are not even aware they are doing it. When non native
speakers talk to English natives without the use of word stress they
are likely to encounter two problems: 

1. The listener will find it difficult to understand the fast
speaking native.

2. The native speakers may find it difficult to understand the non
native speakers.

Any word spoken in isolation has at least one prominent syllable. We
perceive it as stressed. Stress in the isolated word is termed word
stress, stress in connected speech is termed sentence stress. Stress
is indicated by placing a stress mark before the stressed syllable.

Stress is defined differently by different
authors. B. A. Bogoroditsky,

for instance, defined stress as an
increase of energy, accompanied by an

increase of expiratory and
articulatory activity. D. Jones defined stress as

the degree of
force, which is accompanied by a strong force of exhala­

tion
and gives an impression of loudness. H.
Sweet also stated that stress

is
connected with the force of breath.

Word stress can be defined as the singling out of one or more
sylla­bles in a word, which is accompanied by the change of the
force of utterance, pitch of the voice, qualitative and quantitative
characteristics of the sound, which is usually a vowel.

      1. Theories of syllable formation and syllable division.

The syllable is a complicated phenomenon and like
a phoneme it can be studied on four levels — articulatory, acoustic,
auditory and functional.
The complexity of the phenomenon gave rise to many theories.

We could start with the so-called expiratory
(chest pulse or pressure) theory by R.H. Stetson
.
This theory is based on the assumption that expiration in speech is a
pulsating process and each syllable should correspond to a single
expiration. So the number of syllables in an utterance is determined
by the number of expirations made in the production of the utterance.
This theory was strongly criticized by Russian and foreign linguists.
G.P. Torsuyev,
for example, wrote that in a phrase a number of words and
consequently a number of syllables can be pronounced with a single
expiration. This fact makes the validity of the theory doubtful.

Another theory of syllable put forward by O.
Jespersen
is generally called the
sonority theory.
According to O. Jespersen, each sound is characterized by a certain
degree of sonority which is understood us acoustic property of a
sound that determines its perceptibility. According to V.A.
Vassilyev
the most serious drawback of
this theory is that it fails to explain the actual mechanism of
syllable formation and syllable division. Besides, the concept of
sonority is not very clearly defined.

Further experimental work aimed to description of
the syllable resulted in lot of other theories. However the question
of articulatory mechanism of syllable in a still an open question in
phonetics. We might suppose that this mechanism is similar in all
languages and could be regarded as phonetic universal.

In Russian linguistics there has been adopted
the theory of syllable by LV Shcherba.

It is called the theory of muscular tension. In most languages there
is the syllabic phoneme in the centre of the syllable which is
usually a vowel phoneme or, in some languages, a sonorant. The
phonemes preceding or following the syllabic peak are called
marginal. The tense of articulation increases within the range of
prevocalic consonants and then decreases within the range of
postvocalic consonants.

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This time I am going to draw your attention to some delicate item of the English language. To begin with, you’ve got to remember that each time you learn new vocabulary, it is important to make sure you

know the following:

• the meaning of the word you’re learning;
• collocation (which other words commonly go with it);
• “currency” — whether or not the word is restricted to certain situations or can be used widely;
• its spelling;
• and pronunciation.

Let’s take the word “ DESPERATE“.

Meaning

 —   feeling that you have no hope and are ready to do anything to change the situation you are in (desperate with sth) ;

 —  needing or wanting something very much (desperate for sth, desperate to do sth );

 —    a desperate situation is very bad or serious.

Collocation

desperate attempt/bid/effort; desperate battle/struggle/fight

“Currency”

quite frequently used (especially by pessimists) 

Spelling

desperate (not disparate or whatever else)

Pronunciation

/ˈdes.pər.ət/

Although the last point is crucially important, very often it’s neglected by students and even by teachers. There are two interesting features of English pronunciation which give you the key to understanding and being understood and these are STRESS and INTONATION. Today we’ll start by considering WORD and SENTENCE STRESS (наголос). 

English is considered a stressed language while many other languages are considered syllabic. What does that mean? It means that in English, certain words have stress within a sentence, and certain syllables have stress within a word. And it is this stress that allows our ears to understand the meaning and also to pick up the important parts of the sentence. We give stress to certain words while other words are quickly spoken (some students say eaten!). In other languages, such as French or Italian, each syllable receives equal importance (there is stress, but each syllable has its own length). English however, spends more time on specific stressed words while quickly gliding over the other, less important, words.

Английская грамматика: Word and Sentence stress in English

What is word stress?

In multi-syllable words (багатоскладових словах) the stress falls on one of the syllables while the other syllables tend to be spoken over quickly. For example, try saying the following words to yourself: qualify, banana, understand. All of them have 3 syllables and one of the syllables in each word will sound louder than the others: so, we get QUAlify, baNAna and underSTAND. (The syllables indicated in capitals are the stressed syllables). What makes a syllable stressed? It is usually higher in pitch (the level of the speaker’s voice). It’s pronounced louder. And finally, it’s longer in duration.
Stress can fall on the first, middle or last syllables of words, as is shown here:

Ooo

oOo

ooO

SYLlabus

enGAGEment

usheRETTE

SUBstitute

baNAna

kangaROO

TECHnical

phoNEtic

underSTAND

In order for one syllable to be perceived as stressed, the syllables around it need to be

unstressed.

Have another look at the groups of words in the table above. In the word SYLLABUS, we said the first syllable was stressed. This logically implies that the final two are unstressed. Also, in the word BANANA, the first and third syllables are unstressed, and the middle one is stressed. In order to improve your pronunciation, focus on pronouncing the stressed syllable clearly. However, don’t be afraid to «mute» (not say clearly) the other unstressed vowels.  

But how do we recognize where the stress falls? Well, there are a couple of ideas:

1. Try putting this word in the end of a short sentence, and saying it over a few times: for example, It’s in the syllabus; He had a prior engagement; I don’t understand. 

2. Try saying this word as though you have been completely taken by surprise: for example, SYLlabus? baNAna? kangaROO? 

In dictionaries we spot the stress with help of a mark before the stressed syllable like in the following examples: /bəˈnɑː.nə/, /ɪnˈgeɪdʒ.mənt/, /ˌʌn.dəˈstænd/.

The table below is a kind of a ‘rough guide’ to stressed syllables. Though these are rather tendencies than rules, since they only tell us what is true most of the time, and it is always possible to find exceptions.

In longer words with many syllables, there can be a primary stress and a secondary stress. So the primary stress would be the highest in pitch and perhaps the longest, but there might also be another syllable that is important. For example, the word EMBARRASSMENT (ɪmˈbær.ə.smənt ).So there it is the last two syllables that are not stressed. And it is the second syllable that is stressed. But the first syllable is also somewhat important and higher in pitch than the last two. So, the first syllable there has a secondary stress, and the second syllable has the primary stress. The last two syllables are unstressed.

There are several ways of indicating stress when it comes to making notes as you are learning a new vocabulary item. And I strongly advise you to use one of them. For this, of course, you will need to consult your dictionary all the time.

What is sentence stress?

Sentence Stress is actually the “music” of English, the thing that gives the language its particular “beat” or “rhythm”. In general, in any given English sentence there will be particular words that carry more “weight” or “volume” (stress) than others. Believe me, we do convey a lot of meaning through how much stress we place in a sentence and which word the stress is on.
Consider the following example:

Английская грамматика: Word and Sentence stress in English - 2I did not say you stole my red hat.

At the moment, nothing is particularly stressed. The meaning seems fairly obvious. But what if some stress is placed on the first word — I:

I did not say you stole my red hat.

Then the meaning contains the idea that someone else said it, not me. Stress the second and third word and you get another shade of meaning:

I did not say you stole my red hat. (Strong anger and denial of the fact.)
I did not say you stole my red hat.
I did not say you stole my red hat. (But I implied it that you did. Did you?)
I did not say you stole my red hat (I wasn’t accusing you. I know it was someone else)
I did not say you stole my red hat. (I said you did something else with it, or maybe borrowed it.)
I did not say you stole my red hat. (I meant that you stole someone else’s red hat)
I did not say you stole my red hat. (I said that you stole my blue hat.)
I did not say that you stole my red hat. (I said that you stole my red bat. You misunderstood my pronunciation)

Analyzing this way, you can see how important stress is in English. Now, you need to understand which words we generally stress and which we do not stress. Stressed words carry the meaning or the sense behind the sentence, and for this reason they are called content words – they carry the content of the sentence. The example below gives us three content words – LIVES, HOUSE and CORNER:

he LIVES in the HOUSE on the CORNER.

These three content words carry the most important ideas in the sentence. Unstressed words tend to be smaller words which we need in order to make our language hold together. They help the sentence “function” and for this reason they are called function words. 

Content Words

Function Words

Main Verbs

go, talk, writing

Pronouns

I, you, he ,they

Nouns

student, desk

Prepositions

on, under, with

Adjectives

big, clever

Articles

the, a, some

Adverbs

quickly, loudly

Conjunctions

but, and, so

Negative Aux. Verbs

can’t, don’t, aren’t

Auxiliary Verbs

can, should, must

Demonstratives

this, that, those

Verb “to be”

is, was, am

Question Words

who, which, where

Now, say this sentence aloud and count how many seconds it takes:

The beautiful Mountain appeared transfixed in the distance.

Time required? Probably about 5 seconds. Now, try speaking this sentence aloud: 

      He can come on Sundays as long as he doesn’t have to do any homework in the evening.

Time required? Probably about 5 seconds. But the first sentence is much shorter than the second sentence?! How’s it possible? The thing is that Even though the second sentence is approximately 30% longer than the first, it has the same number of stressed words – 5.  From this example, you can see that you needn’t worry about pronouncing every word clearly to be understood. You should however, concentrate on pronouncing the stressed words clearly.

You will soon find that you can understand and communicate more because you begin to listen for (and use in speaking) stressed words. All those words that you thought you didn’t understand are really not crucial for understanding the sense or making yourself understood. Stressed words are the key to excellent pronunciation and understanding of English. I hope this ode to the importance of stress in English will help you to improve your understanding and speaking skills :-).

Now watch the videos to review what we’ve learned this time:

Мы рассмотрели правила и примеры постановки ударений в английском языке. Чтобы узнать больше об английской грамматике, читайте другие публикации в разделе Grammar!

sentence stress

By
Last updated:

August 16, 2022

Every language has a rhythm.

When you learn a new language, you use the rhythm and music from your native language without meaning to.

But when you do this, your English might sound off-beat!

By improving your rhythm and sentence stress in English, you’ll be improving your speaking and listening skills, as well.

Contents

  • What Is Sentence Stress in English?
    • Content words
    • Structure words
  • Focus Words in Sentence Stress
    • Pitch changes in focus words
  • Thought Groups
  • Sources to Master Sentence Stress


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What Is Sentence Stress in English?

So you know that sentence stress is the music of the language, but what does that mean exactly? English is a stress-timed language that has a pattern of stressed and unstressed syllables and words. You change stress to emphasize, give new information, contrast information or to clarify.

In other words, English lets you put the stress on different words (or parts of words) to change the meaning of the whole sentence. You can make some information more important than the rest of the sentence through sentence stress.

In English, we have content words and structure words. You can think about it in terms of “strong” and “soft” beats.

Content words

Content words are the “strong” beats and usually include words with more lexical (more in-depth) meaning, such as nouns (cat, house), verbs (sleep, run), adverbs (slowly, quickly) and adjectives (small, large). The main stress in these words get the the emphasis, or stress, in a sentence:

I’m SORry. The CLASS is FULL.

LIons and TIgers and BEARS, oh MY.

Try saying the sentences above out loud, putting a stronger stress on the capitalized parts. You can even drum the beat on a table, hitting harder as you say the stressed words.

In this video, Tom Hanks, an American movie actor, performs slam poetry about the classic television series “Full House.” You can really hear the emphasis on the content words.

There are other words that can be content words, depending on the meaning. These include the following: Wh-words (who, what, where and why), interjections (Yes, ahh, dear me) and negatives (can’t, won’t). For example:

NO, you CAN’T come.

WHAT are you SAYing?

Structure words

Structure words are the “soft” beats with less meaning in the sentence. They provide the grammatical elements of the sentence and are said with a quieter beat. Structure words are articles (a, an), prepositions (in, on), conjunctions (but, and), pronouns (I, you) and auxiliary verbs (is, was).

For example, the words “I,” “the” and “is” in the following example are structure words:

I KNOW. The STORE is FULL.

If you give a strong beat to the wrong word or even the wrong syllable, you can change the meaning or make the sentence hard to understand. “You enjoy HIStory,” can sound like “You enjoy his STOry.”

Here’s a video from Rachel’s English going over content and structure word stress in action.

Focus Words in Sentence Stress

You now know about the strong and soft beats that make up the music of the English language. In every sentence or phrase, there’s one word that has the main emphasis or focus. The loudest part is the strong syllable of the focus word.

Focus words help your listener understand the main point of what you’re trying to convey. It can provide essential or new information. It can contrast ideas or even make a correction.

Many times, the focus word is the last content word in the phrase or sentence:

Taylor Swift is AMAzing!

Sometimes, though, you might move the focus word to change the meaning of your sentence. For example. if someone asks you what you plan to do next year, you might answer:

I’m going to COLlege.

The focus is the answer to the question: College is where you’ll be going.

On the other hand, if someone misheard that your sister is going to college, you might respond:

I’M going to college.

In this case, the focus is on the fact that it’s you (and not your sister) who’s going to college.

Pitch changes in focus words

Along with placing a stronger stress on the focus word, you’ll also need to raise the pitch—that is, make the sound of your voice higher.

To understand this better, St. George International has a great video that shows how stress and pitch placed on different words in the same sentence can completely change the meaning of the sentence.

Understanding the pitch change can also help improve your listening comprehension skills. When you hear the pitch change, you know what’s coming is critical. For those taking the TOEFL or IELTS listening test, practicing listening for the pitch change can improve your score.

Jill Diamond offers up some quick tips on how to identify the focus words in her online videos.

If you want more help on the topic, English with Lucy is super popular for a reason: She has lots of useful videos on English pronunciation.

Thought Groups

If you’re going to practice sentence stress, you have to also understand thought groups. Thought groups are phrases or sentences that express your “thought” by using natural pausing and a focus word.

In writing, we use punctuation (periods, commas, question marks) to show the natural pause.

Roses are red, violets are blue. (The comma shows the natural pause.)

In speech, you do this by adding a slight or quick pause before going to the next thought group. If you don’t pause, the sentences stream together, making your ideas unclear or completely wrong.

Let’s eat GRANDma!

Let’s EAT, GRANDma!

In the first example above, you’re telling the listener you want to eat Grandma. And in the second, you’re telling Grandma that it’s time to eat. Both mean very different things, shown through a correctly emphasized and paused thought group.

Not only do you pause at the end of a thought group, but you also use pitch and intonation—or the rise and fall of our voice—to signal the pause.

I love eating ↗GRANDpa. I love ↗EATing,↘ ↗GRANDdpa!

You can hear this in action with this silly animation from Justin Franko.

You can also have more than one thought group within a sentence. And within each thought group, you have a focus word:

It’s better to be SAFE than SORry.

Where there’s a WILL, there’s a WAY.

You can think of it like you’re “chunking” the language. Pronunciation Pro has some “chunking videos” that break down intonation and pausing.

Gabby Wallace from Go Natural English has some dynamic English pronunciation videos on thought groups that help you chunk like a native speaker.

Sources to Master Sentence Stress

Learning about sentence stress isn’t enough! These resources help you hear and practice the music of the language:

  • “Well Said”: If you want to buy a pronunciation textbook, it should be the “Well Said” series by Linda Grant and Eve Einselen Yu. The books have fun activities that focus on all the important features of English pronunciation, including sentence stress.

    The series goes over the latest research in pronunciation, TOEFL iBT preparation exercises and a full audio program.

  • FluentU: This website and app lets you learn with short English videos featuring native speakers. With the help of the “loop-back” rewind feature, you can listen to clip sections over again and imitate what’s being said. All the videos come with transcripts and interactive subtitles that allow you to follow along and learn vocabulary.

    After watching, you can test out your writing, speaking and listening skills with personalized quizzes.

sentence-stress

  • English Club: This is a free website for English learners that covers the rhythm of sentence stress. You can listen and practice with included bite-sized chunks of dialogue or learn about sentence stress rules. English Club is an excellent place to start when first learning about the beat of sentence stress.

sentence-stress

  • Oxford Online English: If you love YouTube, then you’re going to love Oxford Online English. You can subscribe to their channel and watch and learn from pronunciation experts all about English sentence stress.

    You’ll never become bored with a vast (large) selection of pronunciation videos, taught by certified teachers.

Sentence stress is all about hearing the beat and using the English rhythm correctly. It’s not about having a perfect accent, but rather about emphasizing the correct focus word by raising and lowering your pitch, and taking a pause when needed.

Mastering sentence stress is a small step you can take that’ll help you sound much more natural when speaking English!


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