The word made strange

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theology, language, culture / J. Milbank

Автор:

Место издания:
Oxford

Издатель:
Blackwell

Дата издания:
1997

Объём:
298 p.

ISBN:
9780631203360

Сведения о содержании:
Preface. Part I: Arche. 1. A Critique of the Theology of Right. 2. Only Theology Overcomes Metaphysics. Part II: Logos. 3. Pleonasm, Speech and Writing. 4. The Linguistic Turn as a Theological Turn. Part III: Christos:. 5. A Christological Poetics. 6. The Name of Jesus. Part IV: Pneuma. 7. The Second Difference. 8. The Force of Identity. Part V: Ethos. 9. Can Morality be Christian?. 10. The Poverty of Niebuhrianism. Part VI: Polis. 11. Out of the Greenhouse. 12. On Complex Space. Index of Names.

Язык текста:
Английский

«This is an important work by an influential thinker. Milbank has emerged as a major voice in contemporary theology, and he commands an audience in broader intellectual arenas as well. Here he extends and enriches the theological perspective of Theology and Social Theory. He also addresses criticisms of his earlier work. The analysis is richly textured and ranges over diverse intellectual terrain. Regardless of whether one is persuaded by his arguments, they ought not to be ignored.» Professor L. Gregory Jones, Loyola College, Maryland

«In a scintillating sequel to his upsetting Theology and Social Theory, John Milbank once again displays his mastery of classical and contemporary sources in both philosophy and theology, to lead us to a radical revisioning of the universe in its source, animated by faith in a triune creator.» David B. Burrell, C. S. C, University of Notre Dame

«This is a very exciting book, straddling many fields, theology, moral philosophy, political philosophy, aesthetics. It builds a powerful cumulative case against the dominant mode of modern a priori philosophizing — at attempts to establish a priori the limits of reason from the inside, or to define moral and political principles in abstraction from all the multiple conceptions of good that human beings live by, or to define that poetry and art become afterthoughts. Milbank brilliantly connects the arguments that have been mustered by certain philosophers against the narrowness of a priori thinking, with the insights of Vico and Hamann’s understanding of the linguistic creativity, and links these in turn to some of the central ideas of Christian theology. This book opens new doors, makes new connections, and will open new perspectives for people working in a host of fields — theology, poetics, philosophy of language, and moral and political theory. It is a truly brilliant and insightful work, defining a personal vision, which will leave no reader unaffected, whether they agree or not.» Charles Taylor, McGill University

«In this book John Milbank continues his extraordinary theological project began in Theology and Social Theory. Here, however, we have Milbank developing his Christological and ecclesial reflection with his extraordinary creativity and intellectual depth. All those who were awed at Theology and Social Theory will be even more awed by this book.» Stanley Hauerwas, Duke University

«While this reviewer finds Milbank’s arguments convincing, all those who wrestle with this profound articulation of postmodern theology will find that- whether they are persuaded or not -Milbank will have changed the way they think about the topics he addresses.» A. K. M Adam, Princeton Theological Seminary

«Milbank rereads the theological tradition in order to offer a genealogy of modernity that confronts the latter with it’s ghosts, denials and violent complicities, while tendering a radical orthodoxy claiming cultural centrality: theology matters like nothing else…This book stands as a beacon in an otherwise rather gloomy theological scene. It is witty, thoughtful and sharp. Anyone wanting to know whether the British liberal tradition is coming should read this book.» Ian Markham Liverpool Hope University College

«It is the rare work in contemporary theology that generates a sense of intellectual excitement. Even where I am not persuaded by Milbank’s arguments, I cannot help but admire the skill and intelligence with which he formulates them. To be recommended to anyone who takes the task of contemporary theology seriously.» Michael L. Raposa, Lehigh University

«Where Milbank is superior, and can be read with great profit by presuppositionalists, is in his attention to the cultural, social, and political dimensions of Christianity.» Peter Leithart, Cambridge University

«Certainly one can see here a major mind at work, and it is certainly commendable to engage those influential thinkers.» Max Stackhouse, Princeton Theological Seminary

«The World Made Strange provides a very useful introduction to the thought of one of today’s most important intellectuals….Milbank’s successful theological performances on the themes of revelation and anthropology have the power to guide the reader toward independent and perhaps more successful christological reflections.» R. R. Reno, Pro Ecclesia

«Milbank draws out linguistic, cultural, political, and philosophical dimensions of christology, pneumatology, and ethics in his own distinctive mode: he is rigorously critical, postmodern, and theologically orthodox. The result is intensely challenging.» A.K.M. Adam, Princeton Theological Seminary

The essays in this new book from John Milbank range over the entire field of theology, and both extend and enrich the theological perspective underlying his earlier Theology and Social Theory. In the essays Milbank offers a theological account of language, and suggests that no secular construct of language offers any true possibility of meaning. He then applies this account across a wide range of theological topics, offering us a new theology which is orthodox in a surprising and disturbing way. Beyond the sterile alternatives of liberalism and a ‘neo-orthodoxy’ grown mechanical, Milbank suggests the incarnate divine word is always mediated by human discourses, yet registers its presence by transfiguring these discourses down to their very roots.

Theology, Language and Culture offers a richly textured and broad ranging inquiry which will serve to enrich contemporary intellectual debates across a range of disciplines.

The Word Made Strange: Theology, Language, Culture

The essays in this new book from John Milbank range over the entire field of theology, and both extend and enrich the theological perspective underlying his earlier Theology and Social Theory. The essays are focused around the theme of a theological approach to language, and offer a richly textured and broad ranging inquiry which will contribute to a variety of contemporary debates.

Издательство: «Wiley-Blackwell» (1997)

Формат: 155×230, 312 стр.

ISBN: 0-631-20336-2

John Milbank

John Milbank, a Christian theologian, is Professor of Religion, Politics and Ethics at the University of Nottingham. He previously taught at the University of Virginia and before that at the University of Cambridge. Born in 1952 in London, Milbank was educated in Britain, receiving his Doctor of Divinity from Cambridge. A key part of the controversy surrounding Milbank concerns his view of the relationship between Theology and the social sciences. He argues that the social sciences are a product of the modern ethos of secularism, which stems from an ontology of violence. Theology, therefore, should not seek to make constructive use of social theory, for theology itself offers a comprehensive vision of all reality, extending to the social and political without the need for social theory. Milbank is sometimes described as a metaphysical theologian, in that he is concerned with establishing a Christian trinitarian ontology. He relies heavily on aspects of Augustine and Plato’s thought, in particular its modification by the neo-Platonists. Together with Graham Ward and Catherine Pickstock, he has helped forge a new trajectory in constructive theology known as «radical orthodoxy» — a predominantly Anglo-Catholic sensibility highly critical of modernity.

Books

*»Theology and Social Theory», 1990 — (ISBN 0-631-18948-3)
*»The Word Made Strange», 1997 — (ISBN 0-631-20336-2)
*»Truth in Aquinas», with Catherine Pickstock 2000 — (ISBN 0-415-23335-6)
*»Being Reconciled: Ontology and Pardon», 2003 — (ISBN 0-415-30525-X)
*»The Suspended Middle: Henri de Lubac and the Debate concerning the Supernatural», 2005 — (ISBN 0-8028-2899-X)

Essays by Milbank that appear in edited volumes

*»Postmodern Critical Augustinianism: A Short Summa in Forty-two Responses to Unasked Questions», found in «The Postmodern God: a Theological Reader», edited by Graham Ward, 1997 — (ISBN 0-631-20141-6)
*»The Last of the Last: Theology in the Church», found in «Conflicting Allegiances: The Church-Based University in a Liberal Democratic Society», 2004 — (ISBN 1-58743-063-0)
*»Alternative Protestantism: Radical Orthodoxy and the Reformed Tradition», found in «Radical Orthodoxy And the Reformed Tradition: Creation, Covenant, And Participation», 2005 — (ISBN 0-8010-2756-X)

External links

* [http://www.firstthings.com/article.php3?id_article=3119 The Ethics of Self-Sacrifice] article in First Things (1999)
* [http://www.ctinquiry.org/publications/reflections_volume_5/milbank.htm «Christ the Exception»] from the Center of Theological Inquiry
* [http://www.nottingham.ac.uk/theology/lookup/lookup_role.php?id=804776&page_var=personal University Profile] at the University of Nottingham
* [http://theologyphilosophycentre.co.uk The Centre of Theology and Philosophy] , of which Milbank is the director.

Источник: John Milbank

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On and on they drove through the darkness, and though the rain stopped, the wind rushed by and whistled and made strange sounds.

Even the drunken King sat up and made strange noises.

At table he made strange noises and ate greedily, yet in spite of all that, added to his noted temper and rude manners, men loved him and sought his company more than that of any other writer of his day, for «within that shaggy exterior of his there beat a heart warm as a mother’s, soft as a little child’s.»*

It is not uncommon for human clay in this condition to value itself above all things upon its great prudence and sagacity; and Mr Swiveller, especially prizing himself upon these qualities, took occasion to remark that he had made strange discoveries in connection with the single gentleman who lodged above, which he had determined to keep within his own bosom, and which neither tortures nor cajolery should ever induce him to reveal.

They made strange growling, barking noises, as with much baring of fangs they advanced upon us.

By day made strange, the woods we range With blinking eyes we scan; While down the skies the wild duck cries «The Day—the Day to Man!»

Film, English, history, and other scholars from Australia, North America, and the UK discuss the various roles elderly characters play in horror cinema: feisty senior citizens in Bubba Ho-Tep, The Devil-Doll, Don’t Breathe, and Rabid Grannies; the relationship between the elderly and abjection in The Visit, The Taking of Deborah Logan, The Shining, and Skeleton Key, as well as aging women in horror film; how the aged in horror films are made strange, uncanny, and terrifying in Drag Me to Hell, Countess Dracula, Psycho II, and The Visit; elders attempting to fight back against aging in Bram Stoker’s Dracula, The Hunger, The Brotherhood of Satan, and American Horror Story; and aging characters empowered or trapped by their knowledge in Ghost Story, The Cabinet of Dr.

She also placed a sick bag over her head and reportedly made strange telephone noises.

In the regular pacing of couplets, Harpur unfolds a terrain made strange by rare snowfall, transformed into «Iceland?

It has made strange bedfellows after Pakistan Peoples Party (PPP) leadership put tribal chieftain Malik Asad Sikandar in the saddle.

The landing gear made strange sounds when the pilot pulled the lever to lower it into place.

Upon seeing his works that have found residence in many private collections, we’d easily recognize where the characters were culled: from the streets of Manila, from the shores of Zambales made bent, made gaunt, made strange by the artist’s hand and imagination.The painter has just turned 51 this January.

The girls convulsed, contorted and made strange sounds.

At the edges of experience, the strange is made familiar, and the familiar is made strange.

The non story so far: Dry-eyed Simon made strange seal noises and called it crying.

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