The cast from the l word

Bette Porter

Played by Jennifer Beals

Forced to leave the CAC, she fortuitously reunites with her ex-college roommate, a multi-millionaire eager to help Bette get her career back on track. Ironically, it’s Tina’s career that unexpectedly becomes the source of their most challenging life decision.

Kit Porter

Played by Pam Grier

After partnering with Helena on a new business venture, Kit finds love in the most unexpected place.

Alice Pieszecki

Played by Leisha Hailey

A career in turmoil causes tension in her relationship with Tasha and frustration with Jenny.

Tina Kennard

Played by Laurel Holloman

Tina faces unforeseen and shocking obstacles with the production of Lez Girls. She and Bette must face big decisions about their future together, career and family.

Jenny Schecter

Played by Mia Kirshner

Jenny and Shane confront something lying under the surface of their friendship, stunning their friends.

Shane McCutcheon

Played by Kate Moennig

Much to the shock of all of her friends, Shane makes a radical shift in her long-time friendship with Jenny.

New in Season 2

Helena Peabody

Played by Rachel Shelley

As Helena and Kit’s new business venture is getting off the ground, the return of an old flame causes havoc.

New in Season 3

Max Sweeney

Played by Daniela Sea

Max and boyfriend Tom face an unexpected medical challenge.

New in Season 4

Tasha Williams

Played by Rose Rollins

Tasha has increasing trouble with how little she has in common with Alice, and is unexpectedly tempted by someone new.

New in Season 5

Niki Stevens

Played by Kate French

After reaching a crossroads in her relationship with Jenny, Niki tries to maintain ties with her new group of friends.

Adult Content, Graphic Language, Nudity. Viewer Discretion Advised.

The L Word: ©Showtime Networks Inc. All rights reserved.

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The L Word
The L Word logo.jpg
Genre Drama
Created by
  • Ilene Chaiken
  • Michele Abbot
  • Kathy Greenberg
Starring
  • Jennifer Beals
  • Mia Kirshner
  • Pam Grier
  • Laurel Holloman
  • Katherine Moennig
  • Leisha Hailey
  • Erin Daniels
  • Karina Lombard
  • Eric Mabius
  • Sarah Shahi
  • Rachel Shelley
  • Eric Lively
  • Daniel Sea
  • Dallas Roberts
  • Janina Gavankar
  • Rose Rollins
  • Marlee Matlin
Opening theme «The L Word» performed by Betty (seasons 2–6)
Composer Elizabeth Ziff
Country of origin
  • United States
  • Canada
Original language English
No. of seasons 6
No. of episodes 70 (list of episodes)
Production
Executive producers
  • Ilene Chaiken
  • Rose Lam
  • Steve Golin
  • Larry Kennar
Producers
  • Rose Lam
  • Kim Steer
  • Elizabeth Ziff
  • Angela Robinson
  • Elizabeth Hunter
  • A.M. Homes
Production locations
  • Vancouver, British Columbia
  • Los Angeles, California
Running time 50 minutes
Production companies
  • Anonymous Content
  • Dufferin Gate Productions
  • Coast Mountain Films
  • Posse
  • Showtime Networks
Release
Original network Showtime
Original release January 18, 2004 –
March 8, 2009
Related
The L Word: Generation Q

The L Word is a television drama that aired on Showtime in the US from 2004 to 2009. The series follows the lives of a group of lesbian and bisexual women who live in West Hollywood, California.[1][2] The premise originated with Ilene Chaiken, Michele Abbot and Kathy Greenberg; Chaiken is credited as the primary creator of the series and also served as its executive producer.

The L Word featured television’s first ensemble cast of lesbian and bisexual female characters,[3][4] and its portrayal of lesbianism was groundbreaking at the time.[2][5][6][7] One of the series’ pioneering hallmarks was its explicit depiction of lesbian sex from the female gaze,[8] at a time when lesbian sex was «virtually invisible elsewhere on television.»[9] It was also the first television series written and directed by predominantly queer women.[10]

The L Word franchise led to the spin-off reality show The Real L Word (2010–2012) as well as the documentary film L Word Mississippi: Hate the Sin (2014), both of which aired on Showtime. A sequel television series, The L Word: Generation Q, debuted in December 2019, and a spin-off, The L Word: New York, is in development.

Production[edit]

The L Word was co-created by Ilene Chaiken, Michele Abbot, and Kathy Greenberg; Chaiken served as the primary creator and executive director of the series, as well as a writer and director.[11] Steve Golin and Larry Kennar served as additional executive producers, while Guinevere Turner, Susan Miller, Cherien Dabis, and Rose Troche were among the series’ writers.

The series premiered on Showtime on January 18, 2004 and ran for a total of six seasons, airing its finale on March 8, 2009. The L Word was filmed in Vancouver, British Columbia at Coast Mountain Films Studio, as well as on location in Los Angeles, California.

Series overview[edit]

Cast and characters[edit]

(Left to right) Mia Kirshner, Daniel Sea, and Anne Ramsay at L6, «The L Word» Fan Convention in 2009

Actor/Actress Character Appearances
Season 1 Season 2 Season 3 Season 4 Season 5 Season 6
Jennifer Beals Bette Porter Main
Mia Kirshner Jenny Schecter Main
Pam Grier Kit Porter Main
Laurel Holloman Tina Kennard Main
Katherine Moennig Shane McCutcheon Main
Leisha Hailey Alice Pieszecki Main
Erin Daniels Dana Fairbanks Main Guest
Karina Lombard Marina Ferrer Main Guest Guest
Eric Mabius Tim Haspel Main Guest Guest
Sarah Shahi Carmen de la Pica Morales Main Guest
Rachel Shelley Helena Peabody Main
Eric Lively Mark Wayland Main
Daniel Sea Max Sweeney Main
Dallas Roberts Angus Partridge Main Guest
Janina Gavankar Eva «Papi» Torres Main Guest
Rose Rollins Tasha Williams Main
Marlee Matlin Jodi Lerner Main

Title[edit]

Contemporary use of the phrase «the L word» as an alias for lesbian dates to at least the 1981 play My Blue Heaven by Jane Chambers, in which a character stammers out: «You’re really…? The L-word? Lord God, I never met one before.»[12]

The original code-name for The L Word was Earthlings, a rarely used slang term for lesbians.[13]

«The Chart»[edit]

«The Chart», an undirected labeled graph in which nodes represent individuals and lines represent affairs or hookups, is a recurring plot element throughout the series.[14] Originally, The L Word was to be based around a gay woman, Kit Porter, and «The Chart» was tattooed on her back.

The idea for the chart was formed in the L word’s writers room. The creators of the show were discussing their own mutual friends and who had had romantic entanglements with whom. This led to them creating a beta version of what the chart comes to be on a piece of paper. The writers eventually decide to incorporate this chart into the show.

In season 4, Alice launches The Chart as a social networking service. Concurrently, a real-world parallel project OurChart.com was created.[15] The website, which allowed registered members to create their own profiles and hosted several blogs on the show, operated from the beginning of season four until the end of season six, after which the site was discontinued and redirected to Showtime’s official website.[16]

A small portion of The Chart, covering some of the relationships established throughout the series. Pink circles denote primary characters, purple circles denote supporting and minor characters, and grey circles denote characters who are only alluded to and never depicted.

Plot[edit]

Season 1[edit]

The first season of The L Word premiered on January 18, 2004 and ended on April 11, 2004. The season introduces Bette Porter and Tina Kennard, a couple in a seven-year relationship attempting to have a child; Marina Ferrer, owner of the local cafe The Planet; Jenny Schecter, who has recently moved to Los Angeles to live with her boyfriend Tim Haspell; Shane McCutcheon, an androgynous, highly sexual hairstylist; Alice Pieszecki, a bisexual journalist who maintains The Chart; Dana Fairbanks, a closeted professional tennis player; and Kit Porter, Bette’s straight half-sister.

Season 2[edit]

The second season of The L Word premiered on February 20, 2005 and ended on May 15, 2005. The season introduces Carmen de la Pica Morales, a DJ who becomes part of a love triangle with Shane and Jenny; Helena Peabody, a wealthy art patron who becomes a rival to Bette and love interest to Tina (while she and Bette are separated).

Major storylines in the season include Tina’s pregnancy following a second insemination, culminating in Tina and Bette’s reconciliation at the end of the season; the introduction of Mark Wayland, a documentary filmmaker who moves in with Shane and Jenny and Kit’s acquisition of The Planet following Marina’s departure from Los Angeles;[17] Shane and Jenny becoming the unknowing subjects of Mark’s documentary after he places hidden cameras in their home; a developing relationship between Alice and Dana; and insights into Jenny’s past as an abused child.

Season 3[edit]

The third season of The L Word premiered on January 8, 2006 and ended on March 26, 2006. The season introduces Max Sweeney, a working-class trans man initially introduced presenting as a butch; and Angus Partridge, a male nanny who becomes Kit’s lover.[18]

The season is set six months after the birth of Tina and Bette’s daughter Angelica. Major storylines include Bette and Tina’s relationship deteriorating once again, which leads Tina to start a fake relationship with a man in order to win a possible custody battle with Bette; Max coming out as a trans man; Dana’s diagnosis with and ultimate death from breast cancer;[19] and Shane and Carmen’s engagement and wedding, which ends when Shane abandons Carmen at the altar. Helena is integrated into the primary group of characters as a friend rather than a rival; she acquires a movie studio, where she is entangled in a sexual harassment lawsuit that leads her mother to cut her off financially.

In the lead-up to the third season, the fan fiction website FanLib.com launched a contest where individuals could submit a piece of L Word fanfiction, with the winner’s story incorporated into a scene in third-season episode.[20][21]

Season 4[edit]

The L Word was renewed for a fourth season on February 2, 2006,[22] and began filming on May 29, 2006.[23] The season aired from January 7, 2007 to March 25, 2007,[24] and introduces Jodi Lerner, a love interest for Bette;[25] Phyllis Kroll, Bette’s closeted new boss at California Art College;[26] Paige Sobel, a love interest for Shane;[27] Tasha Williams, a former Captain in the Army National Guard and love interest for Alice; and Papi, who has slept with the most women on The Chart.[26] Karina Lombard reprises her role for two episodes.[28]

Major storylines in the season include the adaptation of Lez Girls, an article written by Jenny for The New Yorker, into a film; Bette taking a job as a dean at California Art College; and Tasha’s struggle to reconcile her military service with her sexuality under don’t ask, don’t tell.

Season 5[edit]

The L Word was renewed for a fifth season on March 8, 2007, and began filming in summer 2007.[29] The season aired from January 6, 2008 to March 23, 2008 and introduces Nikki Stevens, a closeted gay actress who portrays the lead role in Lez Girls. [30] Adele Channing is also introduced, potentially by chance meeting Jenny at the Planet, and soon becoming her personal assistant. Papi and Angus were written out of the series.[31]

Major storylines in the season include Bette and Tina reconciling their relationship, Jenny being ousted from the production of Lez Girls, and Tasha’s dishonorable discharge from the military.

Season 6[edit]

The sixth and final season of The L Word aired from January 18, 2009 to March 8, 2009.[32] The season introduces Kelly Wentworth, Bette’s college roommate, who attempts to open a gallery with her; Jamie Chen, a social worker who becomes involved in a love triangle with Alice and Tasha; and Marybeth Duffy and Sean Holden, detectives with the LAPD.[33]

The season is a whodunit storyline focused on the murder of Jenny. The events of the season are depicted as a flashback leading up to the night of the crime, with each episode focused around what could have potentially motivated each character to have killed Jenny. The series concludes without revealing the identity of her murderer.

Interrogation tapes[edit]

Following the series finale of The L Word, Showtime released a series of seven short videos depicting Bette, Alice, Tina, Nikki Shane being questioned by the police over Jenny’s murder. The episodes were posted weekly on Showtime’s website. Showtime additionally released an interview with L Word series creator Ilene Chaiken, released in two weekly installments. In the interview, Chaiken stated that Alice went to jail for Jenny’s murder, but was not necessarily guilty of the crime.[34][35]

Generation Q[edit]

On July 11, 2017, it was announced a sequel series was in the works with Showtime.[36] Marja-Lewis Ryan has been selected to serve as executive producer and showrunner.[36][37][38] On January 31, 2019, Entertainment Weekly reported Showtime had picked up the sequel series for a premiere later in the year, in which Jennifer Beals, Katherine Moennig, and Leisha Hailey would reprise their roles.[39] Other sources, such as TVLine,[40] call the eight-episode order a revival, so the nature of the follow-up is unclear. The new series, titled The L Word: Generation Q, premiered in the fall of 2019.[41]

[edit]

The Farm[edit]

In July 2008, Showtime CEO Matthew Blank announced that the network would shoot a pilot for The Farm, an L Word spin-off series based on a pitch from L Word series creator Ilene Chaiken. Set in a women’s prison, the series was slated to star Famke Janssen, Melissa Leo, Laurie Metcalf, and Leisha Hailey, the lattermost of whom would reprise her role as Alice Pieszecki. The pilot was shot in December 2008.[42] In April 2009, Showtime declined to pick up The Farm for a full series order.[43]

The Real L Word[edit]

The Real L Word, a reality television series produced by Chaiken, aired on Showtime from June 20, 2010 to September 6, 2012. The series, initially set in Los Angeles and later in Brooklyn, New York City, followed a group of real-life gay women.[44]

L Word Mississippi: Hate the Sin[edit]

L Word Mississippi: Hate the Sin, a documentary directed by Lauren Lazin and produced by Chaiken, premiered on Showtime on August 8, 2014.[45] The documentary, which follows a group of LGBT women in rural Mississippi, won the GLAAD Media Award for Outstanding Documentary in 2015.[46]

Music[edit]

EZgirl served as The L Word’s music composer, while Natasha Duprey served as music supervisor. A total of five soundtracks were produced.

All three of Leisha Hailey’s bands were referenced in the series: a song by The Murmurs was used in the first season, Shane wears a shirt for Gush in the second season. Songs by Uh Huh Her were featured in the show’s fifth and sixth seasons; Tasha is seen wearing an Uh Huh Her t-shirt during the sixth season.

The band Betty wrote and performed the theme song, which is first introduced in season two. Betty makes numerous appearances in the show, and their music is featured throughout the series from season two

Reception[edit]

The show’s first season was «broadcast to critical acclaim and instant popularity»; as an article from The New York Times pointed out:[47]

Before The L Word, female gay characters barely existed in television. Interested viewers had to search and second-guess, playing parlor games to suss out a character’s sexuality. Cagney and Lacey? Jo on Facts of Life? Xena and Gabrielle? Showtime’s decision in January 2004 to air The L Word, which follows the lives of a group of fashionable Los Angeles gays, was akin to ending a drought with a monsoon. Women who had rarely seen themselves on the small screen were suddenly able to watch gay characters not only living complex, exciting lives, but also making love in restaurant bathrooms and in swimming pools. There was no tentative audience courtship. Instead there was sex, raw and unbridled in that my-goodness way that only cable allows.

Co-creator and executive producer Ilene Chaiken had some issues with the reaction:[47]

I do want to move people on some deep level. But I won’t take on the mantle of social responsibility. That’s not compatible with entertainment. I rail against the idea that pop television is a political medium. I am political in my life. But I am making serialized melodrama. I’m not a cultural missionary.

While the show was seen as fulfilling gay characters’ «obvious and modest representational need»[48] or even the «ferocious desire not only to be seen in some literal sense… but to be seen with all the blood and angst and magic that you possess»,[49] the show was criticized for various scenes which served to «reify heteronormativity».[50] The show was also praised for its nuanced consideration (in the first season) of how and in what ways gay women should stand up to the religious right, with the «Provocations» art show storyline being «a fictionalized version of what happened when Cincinnati’s Contemporary Art Center booked a controversial exhibition of Mapplethorpe photographs in 1990».[51]

As the series progressed, however, reviews became far more negative. By the time the sixth and final season began, The New York Times called the show a «Sapphic Playboy fantasia» that has «shown little interest in variegating portrayals of gay experience. Instead it has seemed to work almost single-mindedly to counter the notion of «lesbian bed death» and repeatedly remind the viewer of the «limits and tortures of monogamy» while «never align[ing] itself with the traditionalist ambitions [for same-sex marriage] of a large faction of the gay rights movement».[52] The decision to make the final season into a murder mystery which was ultimately left unresolved was also met with negative response.[53]

The series currently holds a 57% «Rotten» rating on Rotten Tomatoes.[54]

Cultural impact and legacy[edit]

The L Word broke new ground as the first television series to feature an ensemble cast made up of lesbian and bisexual female characters.[3][4] Similarly, it was also the first television series to be written and directed predominantly by queer women.[10] The series has been lauded for revolutionizing the depiction of queer women on television,[2][5][6][7] particularly for its portrayal of a queer community at a time when lesbian representation was often relegated to a single lesbian character amid an otherwise heterosexual cast.[10] One of the pioneering hallmarks of the series was its graphic lesbian sex scenes from the female gaze,[8] at a time when lesbian sex was «virtually invisible elsewhere on television.»[9][55]

Several shows have referenced The L Word, including South of Nowhere’s first season episode «Girls Guide to Dating»; According to Jim; the medical drama House; the first season finale of Weeds, Jon Stewart’s The Daily Show (July 24, 2006); Chappelle’s Show: The «Lost Episodes»; The Sopranos episode «Live Free or Die»; the US version of The Office; Gilmore Girls fourth season episode «Scene in a Mall»; The Big Gay Sketch Show; The Simpsons episode «You Kent Always Say What You Want»; and Family Guy episode «Brian Sings and Swings». Also, movies such as Puccini for Beginners, Scott Pilgrim vs. the World, and I Can’t Think Straight have made mention of The L Word as to reference lesbians but considers the term is sometimes used as slander.

Awards and honors[edit]

In 2004, Laurel Holloman won a Satellite Award for Best Actress – Television Series Drama. The show was also for a Satellite Award for Best Television Series – Drama in the same year. In the second season, Ossie Davis received a posthumous Emmy Award nomination for Outstanding Guest Actor in a Drama Series in recognition of his portrayal of Bette and Kit Porter’s father, Melvin. The show received multiple nominations for GLAAD Media Awards, and both Pam Grier and Jennifer Beals were repeatedly nominated for NAACP Image Awards.

In 2006, The L Word won the GLAAD Media Award for Outstanding Drama Series. It was consequently honored with a Special Recognition Award in 2009 from the same organization.

In 2008, The L Word’s companion website was honored at the 59th Annual Technology & Engineering Emmy Awards for Outstanding Achievement in Advanced Media Technology for Best Use of Commercial Advertising on Personal Computers.

References[edit]

  1. ^ Brown, Tracy (December 6, 2019). «Commentary: Why ‘The L Word’ was must-see lesbian TV — and the reboot doesn’t need to be». Los Angeles Times. Retrieved August 31, 2021.
  2. ^ a b c Higgins, Bill (December 15, 2019). «Hollywood Flashback: ‘L Word’ Was a Groundbreaking Take on Gay Women’s Lives». The Hollywoood Reporter. Retrieved August 1, 2021.
  3. ^ a b Salam, Maya (November 29, 2019). «The Very (Very) Slow Rise of Lesbianism on TV». The New York Times. Retrieved December 19, 2019.
  4. ^ a b Hoeffner, Melissa Kravitz (November 29, 2019). «‘The L Word’ Is Back With Sex, Glamour and a Wider Lens». The New York Times. Retrieved August 31, 2021.
  5. ^ a b Hashemi, Sarah (December 6, 2019). «‘The L Word’ changed television. Its reboot speaks to a new generation». The Washington Post. Retrieved August 1, 2021.
  6. ^ a b Nicholson, Rebecca (December 2, 2019). «The return of The L Word: the groundbreaking lesbian show is back». The Guardian. Retrieved August 1, 2021.
  7. ^ a b Loh, Stefanie (December 6, 2019). «‘The L Word’ was groundbreaking in the canon of LGBTQ media. Here’s why its reboot, ‘Generation Q,’ is relevant today». The Seattle Times. Retrieved August 1, 2021.
  8. ^ a b Bahr, Robyn (December 5, 2019). «‘The L Word: Generation Q’: TV Review». The Hollywood Reporter. Retrieved September 8, 2021.
  9. ^ a b Patton, Elaina (August 6, 2021). «‘The L Word: Generation Q’ cast is caught between marriage and monogamy in Season 2″. NBC News. Retrieved August 7, 2021.
  10. ^ a b c Baker, Sarah; Rutherford, Amanda (2020). «Upgrading The L Word: Generation Q». M/C Journal. 23 (6). ISSN 1441-2616.
  11. ^ Amy Cavanaugh, «An interview with Ilene Chaiken» Archived 2009-03-14 at the Wayback Machine, Washington Blade, 2009-03-09.
  12. ^ Bailey, Lucille M. (1995). «Still More on «X-Word»«. American Speech. Duke University Press. 70 (2): 222–223. doi:10.2307/455820. JSTOR 455820.
  13. ^ Schenden, Laurie K. «Folk Like Us». Curve Magazine. Archived from the original on May 6, 2006. Retrieved 2006-09-03.
  14. ^ Elizabeth Jensen, «‘The L Word’ Spins Off Its Chart», The New York Times, 2006-12-18.
  15. ^ Pete Cashmore, «OurChart.com – The L-Word Launching Lesbian Social Network», Mashable, 2006-12-18.
  16. ^ Ilene Chaiken, «A New Year A New OurChart». (Archived June 29, 2009, at the Portuguese Web Archive.) Showtime.
  17. ^ m (2005-02-27). «Lap Dance». Showtime. Archived from the original on 2007-03-09. Retrieved 2007-02-01.
  18. ^ «Lifesize». Showtime. 2006-02-12. Archived from the original on 2007-03-09. Retrieved 2007-01-25.
  19. ^ «Losing the light». Showtime. 2006-03-12. Archived from the original on 2007-03-09. Retrieved 2007-01-25.
  20. ^ Hibberd, James (December 5, 2005), «Lights! Camera! ‘L Word’ Action!». Television Week. 24 (49):4
  21. ^ (December 5, 2005), «At Deadline».MediaWeek. 15 (44):3
  22. ^ «More Love! More Lust! More Longing! Showtime’s The L Word Returns for a fourth Season». Showtime. 2006-02-02. Archived from the original on 2013-02-02. Retrieved 2006-09-03.
  23. ^ «Film List: Television series in production in BC». British Columbia Film Commission. 2006-08-29. Archived from the original on 2006-10-20. Retrieved 2006-09-03.
  24. ^ «Next On The L Word«. Starbrand.tv. Archived from the original on 2006-06-27. Retrieved 2006-09-03.
  25. ^ «Marlee Matlin Joins Cast of Showtime’s Hit Series The L Word». Showtime. 2006-05-01. Archived from the original on 2013-02-02. Retrieved 2006-09-03.
  26. ^ a b «The L Word «Sheperds» in a New Cast Member». Showtime. 2006-06-06. Archived from the original on 2013-02-02. Retrieved 2006-09-03.
  27. ^ Dodd, Stacy (2006-07-26). «Kristanna Loken». Variety. Archived from the original on 2011-11-09. Retrieved 2012-02-06.
  28. ^ «News». P Papi World. 2006-06-14. Archived from the original on 2013-01-27. Retrieved 2006-09-03.
  29. ^ «Five Times the Love! Lust! Laughs! Longing! SHOWTIME’s THE L WORD(R) Returns for a Fifth Season» (Press release). PR Newswire. Archived from the original on 2008-05-11.
  30. ^ Adalian, Josef (2007-03-08). «Showtime loyal to ‘L Word’«. Variety.
  31. ^ «OurChart. You’re On It». OurChart. Archived from the original on 2012-07-11. Retrieved 2013-12-18.
  32. ^ «Showtime will have last ‘Word’«.[dead link]
  33. ^ Exclusive: Elizabeth Berkley Utters ‘The L Word’ EW.com Jul 22, 2008 by Michael Ausiello
  34. ^ «Showtime : The L Word : Home». Sho.com. Archived from the original on 2009-06-29. Retrieved 2013-12-18.
  35. ^ Executive Producer Ilene Chaiken and The Cast Comment on different Theories about Jenny’s death on YouTube. Originally aired Dec. 18, 2008.
  36. ^ a b Goldberg, Lesley (July 11, 2017). «‘The L Word’ Sequel in the Works at Showtime». The Hollywood Reporter. Retrieved July 11, 2017.
  37. ^ Otterson, Joe (2017-11-20). «‘The L Word’ Sequel Series Taps Marja-Lewis Ryan as Showrunner». Variety. Retrieved 2017-11-24.
  38. ^ Andreeva, Nellie (2017-11-20). «‘The L Word’ Sequel Taps Marja-Lewis Ryan As Showrunner At Showtime». Deadline. Retrieved 2017-11-24.
  39. ^ Romano, Nick (January 31, 2019). «The L Word sequel ordered to series for 2019 premiere on Showtime». Entertainment Weekly.
  40. ^ Iannucci, Rebecca (January 31, 2019). «The L Word Revival Officially Snags Eight-Episode Order at Showtime». TVLine.
  41. ^ «‘The L Word’ Sequel Gets Official Title, Set For Fall Premiere On Showtime». Deadline Hollywood, May 22, 2019
  42. ^ Valerie Anne del Castillo (2008-10-06). «‘The L Word’ Set to Come Back in January Next Year». Showtime. Archived from the original on 2009-02-26. Retrieved 2009-02-26.
  43. ^ Annie Barrett (2009-04-03). «Showtime passes on L Word spinoff (whew!) and Matthew Perry series (sniff!)». Entertainment Weekly. Retrieved 2009-04-03.
  44. ^ Rudolph, Ileane (18 June 2010). «The L Word Franchise Keeps It Real with New Series». TV Guide. Retrieved 18 June 2010.
  45. ^ Thomas, June (8 August 2014). «L Word Mississippi: Hate the Sin, a Great Documentary With a Terrible Title». Slate. Retrieved 2 August 2019.
  46. ^ Lowe, Kinsey (9 May 2015). «GLAAD Awards NYC: Kelly Ripa, ‘Lilting,’ ‘L Word Mississippi: Hate The Sin’«. Deadline. Retrieved 2 August 2019.
  47. ^ a b Glock, Alison (February 6, 2005). «She Likes to Watch». The New York Times. Retrieved 2009-03-16.
  48. ^ Eve Kosofsky Sedgwick, «Foreword: The Letter L.» Reading the L Word, edited by Kim Akass and Janet McCabe. London: I. B. Tauris (2006): xix
  49. ^ Dana Heller, «How Does a Lesbian Look? Stendhal’s Syndrome and the L Word.» Reading the L Word, edited by Kim Akass and Janet McCabe. London: I. B. Tauris (2006): 57
  50. ^ Samuel A. Chambers, «Heteronormativity and The L Word: From Politics of Representation to a Politics of Norms» Reading the L Word, edited by Kim Akass and Janet McCabe. London: I. B. Tauris (2006): 91
  51. ^ Margaret McFadden, «»We cannot afford to keep being so high-minded»: Fighting the Religious Right on The L Word» The New Queer Aesthetic on Television: Essays on Recent Programming, edited by James R. Keller and Leslie Stratyner. Jefferson, North Carolina: McFarland & Company, Inc., Publishers (2006): 125
  52. ^ Ginia Bellafante (2009-01-16). «So Many Temptations to Succumb to, So Many Wandering Eyes to Track». The New York Times. Retrieved 2009-03-16.
  53. ^ Hogan, Heather (26 February 2009). «R.I.P., Jenny Schecter, and other things on her tombstone». AfterEllen.com. Logo). Archived from the original on 13 December 2010. Retrieved 18 July 2010.
  54. ^ «The L Word». Rotten Tomatoes.
  55. ^ Goldblatt, Henry (July 13, 2020). «How to Shoot a Sex Scene in a Pandemic: Cue the Mannequins». The New York Times. Retrieved August 7, 2021.

External links[edit]

Wikimedia Commons has media related to The L Word.

The L Word cast list, including photos of the actors when available. This list includes all of the The L Word main actors and actresses, so if they are an integral part of the show you’ll find them below. You can various bits of trivia about these The L Word stars, such as where the actor was born and what their year of birth is. This cast list of actors from The L Word focuses primarily on the main characters, but there may be a few actors who played smaller roles on The L Word that are on here as well.

Vote for your favorite items, including Jane Lynch Dana Delany and more.

If you are wondering, «Who are the actors from The L Word?» or «Who starred on The L Word?» then this list will help you answer those questions.

In most cases you can click on the names of these popular The L Word actors and actresses to find out more information about them. If you’re looking for a particular The L Word actor or actress, then type their name into the «search» bar to find them directly.

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  • Erin Daniels

    Erin Daniels (born October 9, 1973) is an American actress. She is best known for her role as Dana Fairbanks on The L Word (2004–2007). Her feature film work includes A Single Man and One Hour Photo.

Jennifer Beals (Bette Porter)

Jennifer-Beals

Credit: Everett Collection; Peggy Sirota for EW

Jennifer Beals rose to fame when she starred in Flashdance in 1983, after which her various roles before The L Word included the films Vampire’s Kiss (1989), In the Soup (1992), and Devil in a Blue Dress (1995), in addition to a handful of TV appearances and a dozen TV movies.

Since her run on The L Word ended, the actress has appeared in The Book of Eli (2010), Before I Fall (2017), After (2019), and Luckiest Girl Alive (2022). She also had main roles on the short-lived series Proof and Taken and recurring roles on The Night Shift, The Book of Boba Fett, and Law & Order: Organized Crime. Beals reprised her role as Bette Porter for Showtime’s L Word sequel series, The L Word: Generation Q.

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Leisha Hailey (Alice Pieszecki)

Leisha-Hailey

Credit: Everett Collection; Peggy Sirota for EW

Leisha Hailey began her career in music as one half of the pop duo the Murmurs, which was active throughout the ’90s and changed its name to Gush in 2001. The band broke up when Hailey was cast on The L Word, after which she did more work as an actress, appearing in episodes of Drop Dead Diva, The New Normal, Supernatural, and Silicon Valley, among other series and films.

Since 2016, she has been on hiatus from being part of the music duo Uh Huh Her with Camila Grey to pursue other endeavors, such as starring on The L Word: Generation Q.

Mia Kirshner (Jenny Schecter)

Mia-Kirshner

Credit: Everett Collection; Peggy Sirota for EW

Mia Kirshner was a professional actress by the time she was a teenager; when she was cast on The L Word, her long list of film and TV credits included Murder in the First (1995), The Crow: City of Angels (1996), and Not Another Teen Movie (2001), as well as a recurring role on 24.

Post-L Word, Kirshner had a recurring role on The Vampire Diaries from 2010 to 2011 and was a regular on SyFy’s Defiance from 2013 to 2014. Her other film credits include The Barrens (2012), Milton’s Secret (2016), A Swingers Weekend (2017), and Crisis (2021).

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Katherine Moennig (Shane McCutcheon)

Katherine-Moennig

Credit: Everett Collection; Peggy Sirota for EW

Before she played Shane McCutcheon, Katherine Moennig got her first major TV role on the short-lived series Young Americans in 2000.

After The L Word ended, she had a main role on the TV series Three Rivers from 2009 to 2010 and played Lena on Ray Donovan from 2013 to 2019, as well as in 2022’s Ray Donovan: The Movie. Her other film credits include The Lincoln Lawyer (2011), Gone (2012), and My Dead Boyfriend (2016). Moennig returned alongside her L Word costars on The L Word: Generation Q in 2019.

Erin Daniels (Dana Fairbanks)

Erin-Daniels

Credit: Everett Collection; Peggy Sirota for EW

Erin Daniels had a handful of film and TV credits to her name before she was cast on The L Word.

Since the end of the series, Daniels has appeared in such films as A Single Man (2009), The Sitter (2011), The Bling Ring (2013), and The Surrogate (2020). Her TV résumé post-L Word includes appearances on Swingtown, CSI: Crime Scene Investigation, Rizzoli & Isles, and The Bold Type, among other shows. Daniels also reprised her role as Dana for a 2022 episode of The L Word: Generation Q. 

Sarah Shahi (Carmen de la Pica Morales)

Sarah-Shahi

Credit: Everett Collection; Peggy Sirota for EW

Before The L Word, Sarah Shahi appeared in episodes of such series as Spin City, Alias, Frasier, and Dawson’s Creek, and in 2003’s Old School.

Since 2009, her extensive work on television includes lead roles on Fairly Legal — which ran from 2011 to 2012 — and Netflix’s Sex/Life, as well as recurring roles on Chicago Fire from 2012 to 2013, Person of Interest from 2013 to 2016, and The Rookie in 2019. Her film credits include I Don’t Know How She Does It (2011), Road to Paloma (2014), Hangman (2017), Language Arts (2020), and Black Adam (2022).

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Daniel Sea (Max Sweeney)

Daniela-Sea

Credit: Naomi Kaltman/Showtime; Peggy Sirota for EW

Daniel Sea played Max Sweeney — who was notable for being the first series regular transgender character on TV — on The L Word.

He focused more on music after the series ended, but still accrued a handful of screen credits, including the films Don’t Look Up (2009), The Casserole Club (2011), and The Dead and the Living (2012). The actor also made an appearance as Max in a 2022 episode of The L Word: Generation Q.

Ilene Chaiken (Co-creator, writer, and executive producer of The L Word)

Ilene-Chaiken

Credit: Everett Collection; Peggy Sirota for EW

Ilene Chaiken was a producer on The Fresh Prince of Bel-Air and had written the screenplays for two TV movies and the Pamela Anderson-starring 1996 film Barb Wire before she co-created The L Word with Michele Abbott and Kathy Greenberg.

Since the series ended, she has been an executive producer on The Real L Word: Los Angeles, Empire, The Handmaid’s Tale, The L Word: Generation Q, and Law & Order: Organized Crime, all five for which she has also earned writing credits.

The L Word reunites

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Credit: Peggy Sirota for EW

Ahead, see stunning photos of the cast and co-creator in Entertainment Weekly‘s exclusive 2017 reunion, two years prior to Generation Q.

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Network: Showtime; Genre: Drama; Content Rating: TV-MA (for nudity, simulated sex, graphic sexual dialog and profanity); Available: DVD; Classification: Modern Classic (star range: 1 — 5)

Seasons Reviewed: Complete Series (6 seasons)

Llene Chaiken’s «The L Word» is an ensemble melodrama that plunges us into the world of a tight-nit group of lesbians including Bette (Jennifer Beals) and Tina (Laurel Holloman), a long-time couple trying to start a family, bi-sexual creator of «the chart» Alice (Leisha Hailey , inspired as the comic relief), grating, tortured newcomer Jenny (Mia Kirshner), sex-magnet and hair-stylist to the stars Shane (Katherine Moennig) and celebrity tennis player Dana Fairbanks (Erin Daniels). Once the show starts rolling, the characters sink their teeth into you and don’t let go.

If HBO is the standard setter, Showtime has carved out a niche «answering» HBO. A niche series played so specifically to a sliver demographic it could only work on Showtime, «L» is a strong-fisted answer to «Sex and the City» — though different in every possible way. Stripping away the romanticized fairy tale of the relationship show, «Word» runs on pure, naked authenticity. While it lacks «Sex’s» intellectual pontification, everything — everything — about «Word» feels real. A gay marriage coupled coupled with a gay divorce, the excitement of new love coupled with the misery of a cheating partner, and sex is sometimes a beautiful expression of companionship and sometimes a meaty, awkward, disgusting mess. «L» has a late night Showtime inclination to titillate, but often the sex scenes and plentiful gratuitous nudity are the dullest part. You don’t need a man to ruin your life, these women make each other miserable all on their own. The dramatic outbursts are raw and, at their best, difficult to watch. The performances are precise and jump boldly and with full commitment through each flaming hoop and some sloppy writing.

In these PC times it is hard not to talk about a show like «L» without stepping into the middle of a political firestorm. In some ways the show brings this on, from a hyper-defensive title to some unnecessary posturing in its more manipulative story lines (a to-the-camera speech by Gloria Steinham is a low point). There is no mistaking that, «L» has an out-in-your-face feminist agenda to shake up and reshape the world’s traditional norms with the questions posed by the simple existence of the characters. What defines a marriage? What defines sex? What is art? What defines a parent/grandparent? It is all fascinating stuff. A few years ago this all may have been mind-blowingly iconoclastic material, but now with homosexuality the new media sacred cow, «L» is given a free license to do whatever it wants.

The difference between this show and others is that it takes full advantage in exploring this fertile ground. It doesn’t fall back on its identity, taking for granted an audience that is starved for intelligent entertainment, but explores and expands beyond the one-note characters of «Will & Grace» or simply identifiable caricatures of «Queer Eye». Instead it is a multi-layered tapestry playing like a little epic, spanning the lesbian experience. I won’t say that «L» is going to «strike a civil rights blow» for «progressives», but I will say that its sliver demographic has never been so well spoken for and the show never stops going all out to entertain.

First and foremost a relationship series, «L»s characters open the door for some truly unique plot lines – such as Alice’s relationship with a lesbian identified man, Dana’s fiancé planning the first gay celebrity wedding out from under her and, the big season 1 question, Jenny’s moral crisis over cheating on her male fiancé, Tim (Eric Mabius, given dignity few shows would allow), with another women. The weak link in the chain is Pam Grier as Bette’s heterosexual sister Kit. The show about grinds to a halt when she appears to sing or whine about her alcoholism.

The production is beautiful all around. With a little imagination the show-runners have broken the restraints of the genre, as with the surreal sequences that evolve around Jenny’s pretentious novels. The musical choice is always spot-on. The show is bathed in an atmospheric soundtrack (many remixes of the show’s fun and boisterously embarrassing season 2 theme) and, minus that, the ambient noise of passing cars and motorcycles on the LA streets. «L» washes the audience in atmosphere.

The first season climaxes in a knock-down brawl between Bette and Tina the likes of which I’ve never seen. In «Liberally» Bette’s battle with a fanatical Christian group is brought to a stirring climax. «Lonliest Number» takes the show into more surreal territory. The show’s best moments are when it lightens up and just lets the characters have fun together. In «Let’s Do It» the gang set up a sting to see if Dana’s crush is on their team. «Looking Back» finds them on a trip to the Dina Shore Invitational and recounting «coming out stories». At the end of the day the show is elevated on the backs of the cast, their chemistry, and the honest crafting of these characters.

«L Word» could have coasted by on a lesbian theme, but it doesn’t settle for doing anything easy and becomes so much more. After the 3rd season the quality goes downhill, stories are recycled, ending in a scattershot final season and one of the most ridiculous, mis-calculated messes of a series finale I’ve ever witnessed. Still, I’m the exact opposite of the demographic this narrow-cast series is going for and I can’t get enough. The mark left by a great series is one that creates a world that you would want to live in, and «L» puts you right in its universe. «The L Word» is a soulful, addictive thing of beauty — often surreal, at times maddening — and a remarkable pure character drama.

* * * * / 5

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The characters from The L Word.

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Main Cast

    Jenny Schecter 

https://static.tvtropes.org/pmwiki/pub/images/jenny.jpg

Played By: Mia Kirshner

  • Author Avatar: Loosely based on one of the show’s creators-who Ilene Chaiken got kicked off later. She also creates herself an enervate, Jessie, in the Show Within a Show, Lez Girls.
  • Betty and Veronica: She is the Archie to Marina’s Veronica and Tim’s Betty in season 1, and to Claude’s Veronica and Max’s Betty near the end of season 4.
  • Brutally Honest: With her friends, not her sexual or romantic partners.
  • Chewing the Scenery: From season 3 onward. Part of the reason fans really started hating her.
  • Coming-Out Story: Her arc in season 1.
  • Dark and Troubled Past: She was always a bit off, but it doesn’t get explained in detail until season 2. She was gang-raped by boys as a kid, and her parents chose to ignore it instead of helping her, allowing it to «fester into this psychosis» as she puts it. She makes the best of it later though-her autobiographical book about it puts her into the spotlight that allows her to write a serialized novel, Lez Girls, and make it into a movie.
  • Driven to Suicide: Generation Q reveals that she actually died from suicide.
  • Eerie Pale-Skinned Brunette: Pale, dark-haired, and melancholic. It’s particularly noticeable in season 2, when her hair is short and spare, and her eye makeup is darker and more dramatic, emphasizing her waifish looks.
  • Face�Heel Turn: A less dramatic variation in seasons 4-6. She doesn’t betray anyone, per se, but she does become more impulsive and self-centered, leaning towards The Friend Nobody Likes.
  • Fish out of Water: In LA in seasons 1 and 2. She gets over it.
  • Freudian Excuse: Jenny herself believes her rape as a child made her into the «dysfunction liar» (her words) she becomes later, given her repressed trauma over it.
  • The Gadfly: She loves bringing up inappropriate topics to shock the conservative and stuffy. Best displayed when Max tries to take her to a posh company dinner in season 3.

    Corporate Executive: My wife zones out when I talk shop too, Jenny.
    The Mrs.: I do; I think about golfing, I think about my manicure, I think about my kids…
    Jenny: I was just thinking about how when I was a kid, I used to masturbate like twenty times a day and I’m writing a story about it, but I don’t know if it should be straight-up fiction or like, a New Yorker-style essay piece. I just don’t know.

  • Important Haircut: Gets one in season 2, because Long Hair Is Feminine and she wants to show up on the Gaydar.
  • Informed Judaism: She’s established to be Jewish, though this doesn’t come up that much or ever affect her character. It appears she’s only culturally or ethnically Jewish, with Jenny not practicing Judaism that we see, though flashbacks from her past indicate her family may have been Orthodox. The most notable mention is the fact that her grandmother survived the Holocaust in Europe.
  • Manipulative Bitch: Jenny starts becoming this in Season 5, starting by seducing the girlfriend of a reporter who’d trashed her memoir to prove she’s not really so saintly as made out. To this end, she does things such as get an old dog to garner sympathy from the woman (a vet) as he needs euthanasia, and tricks the reporter off on a fake interview.
  • Rape as Backstory: It turns out that Jenny had been gang raped by older boys, which is most of what’s learned about her past, since this affected her so much.

    Bette Porter 

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Played By: Jennifer Beals

  • The Ace: Beautiful, smart, self-made wealthy, sophisticated, charismatic, athletic… Then her relationship with Tina ends and she loses it completely.
  • All Lesbians Want Kids : Part of her Establishing Character Moment in the pilot.
  • Amicable Exes:
    • She eventually gets there with Tina, after things get really really ugly.
    • She and Alice also count, as they had a fling before Bette met Tina.
  • Berserk Button: How dare you bring up my stillborn baby, You Monster!.
  • Brainy Brunette: Very intellectual, well-read and sophisticated brunette.
  • But Not Too Black: She’s been blamed for invoking this trope using her biracial background, though she embraces her blackness (even specifically getting an African-American donor to impregnate her partner so their baby would reflect them both).
  • Deadpan Snarker: So much so.
  • The Determinator: It doesn’t always work out, but she always puts up a fight. Her reaction to the controversy over Provocations in the first season establishes her pretty well.
  • Double Standard: Rape, Female on Female: After Tina catches her cheating with Candace, she initiates intercourse with Tina, who protests several times at first. This is never brought up again and never called out for being rape.
  • The Fashionista: An interesting take on the trope. She isn’t exactly girly, but she has a thing for expensive snappy power suits and sharp heels.

    Jodi: You’re always so clean. I can’t imagine you ever getting dirty.

  • Granola Girl: In her Buddhist phase.
  • Hippie Parents: She and Tina are this to Angelica.
  • Hot Teacher: While teaching at the university, to Indiana Jones levels.
  • Modesty Bedsheet: Alone of the main cast, Bette covers her breasts with a sheet post coitus, as a result of Jennifer Beals’ apparent refusal to show hers (Bette’s never seen topless in the show or Generation Q, the Sequel Series).
  • Parental Abandonment: Bette’s mother left while she was a girl, and her father dies from cancer in Season 2 (even prior they were estranged over her sexual orientation).
  • Soapbox Sadie: She flirts with this trope every now and then, especially when it comes to freedom of speech. Do NOT challenge her convictions about art.
  • «Well Done, Daughter!» Girl: Her father’s opinions are very important to her. However, her being lesbian gets in the way a bit. Kit tries to help her understand that he’s a bigot in his own right and striving for his perfect approval is a hopeless quest, but she never entirely stops.
  • Why Would Anyone Take Him Back?: In-Universe. Tina lampshades it herself — why would she ever get together with Bette? But she does.

    Tina Kennard 

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Played By: Laurel Holloman

  • All Lesbians Want Kids: Part of her Establishing Character Moment in the pilot. However, it’s a bigger part of her character, especially in early seasons than Bette’s.
  • Amicable Exes: She eventually gets there with Bette, after things get really really ugly.
  • Ethical Slut: For a short while after ending things with Bette. Must have gotten it from Helena…
  • Has a Type: Tall, dark, bossy, snarky and handsome.
  • Hippie Parents: She and Bette are this to Angelica.
  • Holier Than Thou: She gives everyone shit about cheating, then she hooks up with Bette in all sorts of inappropriate occasions, including when Bette is with Jodi.
  • I Want My Beloved to Be Happy: Helps Bette get Jodi back, when she still has feelings for Bette herself.
  • Soapbox Sadie: More so than Bette-but although she goes there often, she doesn’t really play it straight either.

    Alice Pieszecki 

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Played By: Leisha Hailey

  • Beware the Nice Ones: She gets personal fast in a fight.
  • Cannot Keep a Secret: Comes with being a Gossipy Hen.
  • The Cutie: She is very sweet and quirky.
  • Deadpan Snarker: Bordering on Snark Knight at times.
  • Intrepid Reporter: She’s something of a politically minded gay Carrie Bradshaw.
  • Plucky Girl: She eventually takes all things in a stride.
  • Savvy Guy, Energetic Girl: An inverted trope, since it involves two women in a relationship. Alice is the energetic girl to Tasha’s savvy girl.
  • Tomboy and Girly Girl: With Tasha the Shell-Shocked Veteran.
  • Token Minority: For most of the series, Alice is the sole bisexual, which gets her some flack from lesbians.

    Shane McCutcheon 

https://static.tvtropes.org/pmwiki/pub/images/shane.jpg

Played By: Katherine Moennig

  • Bifauxnen: Shane has very short, loose hair, wearing boyish clothes with a masculine attitude and husky tone of voice. When she worked as a prostitute, her clients were gay men (Shane didn’t engage in anal sex or undress, so they wouldn’t notice). Even in the present she’s mistaken for male and seen as a hot young man by some gay guys while visiting a gay bar along with a friend (she has to correct them because they can’t tell).
  • The Casanova: Shane goes through many women during the series and only briefly is with a woman longer than casual sex.
  • Contralto of Danger: Shane, the most masculine of the main lesbians, has a low and husky voice.
  • Dark and Troubled Past: Shane’s dark past is not focused on as much, but is still mentioned. In Seasons 1-2, we learn that she was once forced to work as a (pretending-to-be-male) prostitute, that she was essentially abandoned by her parents, has various drug addictions, etc. These events are strongly implied to be the reason she is such a loyal friend, but terrible with relationships/commitment — she feels the need to please others, is satisfied with very little for herself, but is afraid to commit to anyone or anything. The later seasons continue to add heartbreaking details — Shane is thrilled to simply have her own, tiny little room because she’s apparently never had her own before. (In Season 6, Jenny, of course, promptly converts Shane’s room into a study one day when Shane is out, assuming that since they’re now sleeping together, she’ll just move into Jenny’s room with her!)
  • Even the Girls Want Her: Shane has some sort of power to make all straight women Spaghetti Girls.
  • Heterosexual Life-Partners: With Alice. Despite her proclivity for fucking up relationships, she is an unswerving friend. Though obviously, the «heterosexual» part doesn’t apply here.
  • Indifferent Beauty: She knows how she affects women, but she is hardly vain. However, she does have nipple confidence!
  • In the Blood: Her father is a serial womanizer, though he uses women and lies to them, and Shane mostly just Really Gets Around.
  • Intimate Marks: Shane’s got a tattoo at the base of her spine, as shown when she’s topless a couple times.
  • Messy Hair: Somewhat subverted, as it is a stylistic choice — a desirable one at that too. However, it does reflect her general IDGAF attitude.
  • Parental Substitute: Shane is thrust into parenthood as her little brother Shay, whom she’s just met, gets dumped in her care by his mother. However, she ends up loving this and says it’s the best thing she’s ever had in her life.
  • The Pornomancer: Shane rarely has to do anything with seducing women. Just being around tends to attract them, even when the women were seemingly straight.
  • Runaway Bride: Ditches Carmen at the altar, which she comes to regret.
  • She Cleans Up Nicely: Shane actually looks very nice wearing a dress and with her hair down, though it was only for going to Carmen’s cousin’s quinceañera as this is really different from her normal style (she puts it on reluctantly to attend).
  • The Stoic: Mostly. In her more Byronic moments you can see she is Not So Stoic.
  • Tomboy and Girly Girl: The tomboy to Jenny and Alice’s Girly Girl.
  • Tomboyish Name: She has this as the resident bifauxnen lesbian tomboy of the cast.

    Kit Porter 

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Played By: Pam Grier

  • The Alcoholic: She gets on and off the wagon throughout the series.
  • The Atoner: She really want to make amends for her days before rehab, particularly to her family.
  • Big Beautiful Woman: Of the Sassy Black Woman orientation. Papi approves.
  • But I Can’t Be Pregnant!: Kit, who’s going through menopause, got pregnant by acccident anyway. She’s incredulous and used multiple tests to be sure.
  • Foolish Sibling, Responsible Sibling: The foolish to Bette’s responsible one.
  • Hair-Trigger Temper: You don’t mess with Kit Porter. Ever.
  • Incompatible Orientation: With Papi. To her credit, she does try, but Kit just wasn’t made in that mold.
  • Killed Offscreen: In Generation Q it turns out that she died from a heroin overdose at some point after the end of the original show.

    Helena Peabody 

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Played By: Rachel Shelley

  • Brainy Brunette: A smart, posh brunette.
  • Cultural Rebel: First when she moves to LA, later when she goes to jail, and from there to Haiti.
  • The Fashionista: She loves designer footwear.
  • I Am Very British: Helena is English and speaks with an upper class accent.
  • Lipstick Lesbian: She’s glamorous with long hair, stylish clothing (often pantsuits) and has impeccable manners most of the time.
  • Money Fetish: For a while after her mother cuts her off.
  • Ms. Fanservice: While pretty much all females fit this trope, no one does cleavage better then Helena.
  • New Old Flame: With Dylan. Also a serious case of Why Would Anyone Take Him Back?, seeing how terribly Dylan treated her.
  • Old Money: Discussed, though it used more to characterize her relationship with her mother.
  • Rich Bitch: Originally introduced as one, though it is subverted pretty early on.
  • Tall, Dark, and Handsome: A Statuesque Stunner with long, dark hair.
  • Treadmill Trauma: Falls off one when she gets a text from Alice about Shane and Jenny dating.

    Moira/Max Sweeney 

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Played By: Daniel Sea

  • The Bus Came Back: Returned in Season 3 of Generation Q and was revealed to be happily married with a big family.
  • But I Can’t Be Pregnant!: He gets pregnant with Tom the interpreter’s baby, and didn’t think this could be possible after taking so many male hormones.
  • Dogged Nice Guy: To Brooke, who had a fit when she found out he was trans.
  • Fish out of Water: In glitzy West Hollywood, as he’s from a small town in the Midwest. He never entirely gets over the contrast.
  • The Friend Nobody Likes: Of the just-not-that-close variety. Except for Shane and Jenny (who is rarely nice to him), no one seems to really like him. Not even Alice, who works with him.
  • Hair-Trigger Temper: Max develops one after he starts taking testosterone, having outbursts over minor things and dismaying Jenny, his girlfriend, who says she doesn’t recognize him. It turns out this is due to his dose being much too high. This changes back to how he was once it’s adjusted.
  • Incompatible Orientation: With Jenny. An interesting example, as in the beginning of the relationship they were two compatible female lesbians. After Max comes out of the closet as male and undergoes changes, Jenny is no longer interested, and they become Just Friends.

    Max: I know I’ve been kind of a jerk since I’ve been on the testosterone, but I’m getting better. I don’t see what the problem is.
    Jenny: The problem is, Max, you identify as a straight man, and you want me to be your straight girlfriend, and I identify as a lesbian who likes to fuck girls.

  • Mister Seahorse: Max gets pregnant while transitioning to male (and looks quite masculine due to the hormones he’s been taking).
  • Nice Guy: Too nice for his own good, probably. Aside from briefly turning into a jerk due to his testosterone dose being too high, Max is extremely nice to everybody, even transphobic family and colleagues, reacting at most with quiet sadness.
  • Only Sane Man: He has his fair share of drama, but compared to the soapy, wild lives of the rest, he’s pretty down-to-earth.
  • The Quiet One: Especially when compared with his very talkative surroundings.
  • Took a Level in Jerkass: Briefly in season 3, due to the hormones he’d been taking. He gets better after finding out that the dose he was on was way too much.
  • Trans Tribulations: Max faces pushback even from friends over transitioning, difficulty paying for top surgery, getting testosterone too high which severely affects his mood, and worst of all frequent transphobia even from his family (who don’t want him to even attend his mom’s funeral).

    Tasha Williams 

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Played By: Rose Rollins

  • Butch Lesbian: Tasha is a soft butch, and definitely a tomboy. She starts out as a tough, tacturn soldier suffering from PTSD who wears tanktops often or sleeveless shirts in civilian garb, with long hair but having it pulled back in a bun mostly.
  • Closet Gay: Tasha is partly closeted due to being in the military, when Don’t Ask Don’t Tell was still in place. She’s cautious about PDA with her girlfriend, and when found out gets warned by her CO not to let it ever happen again or he’ll report her. Later she’s prosecuted by the Army for homosexual conduct (which she’s guilty of), but the prosecutor is herself a closeted lesbian afraid Tasha’s lover Alice will out her so she allows Tasha a way off to stay in the Army. Tasha though refuses to take it and admits she does love Alice on the stand, coming out in the courtroom.
  • Gay Conservative: Tasha’s an Iraq War veteran who clashes with Alice while they’re dating, since the latter opposes the war. She expresses support of the war effort and the US rebuilding Iraqi society. Both agree to disagree though, and their relationship overcomes this (they later break up, but not over politics).
  • Has a Type: Tasha says she’s into girly girls, thus why Popi didn’t work out with her (who’s a tomboy).
  • Hidden Depths: At first Tasha just seems largely taciturn and doesn’t emote much. She then consoles Leonard, Phyllis’s husband, in a very sensitive way, surprising her friends.
  • Military Brat: She used to be one. Her father was in the military too.
  • Odd Friendship: With Papi. Papi is a Spicy Latina who Really Gets Around, whereas Tasha is a quiet, stern Token Wholesome.
  • Only Sane Woman: In a sea of melodramatic self-righteous straw liberals, Tasha just makes her point.
  • Opposites Attract: She’s quiet, conservative and reserved. Her girlfriend Alice is loud, liberal and outgoing.
  • Red Oni, Blue Oni: Tasha is blue (quiet, reserved, cool) in contrast to Papi’s red (who’s a passionate Spicy Latina and Really Gets Around).
  • Salt and Pepper: An unusual example. Tasha’s black and the straitlaced one, a quiet soldier dating Alice, her girlfriend who’s white plus far more unconventional.
  • Savvy Guy, Energetic Girl: An unusual take on the trope, as it revolves around two women. Tasha is the savvy to Alice’s energetic girl.
  • Shell-Shocked Veteran: A former military officer who was stationed in Iraq, and still sometimes gets bad flashbacks from battle.
  • Token Wholesome: In a show that has at least two sex scenes per episode, Tasha is surprisingly tame. She’s in a committed relationship with Alice when they date, and has only one sex scene, which is the lowest of all the lesbians.
  • Tomboy and Girly Girl: Tasha is a tomboy soldier who dated Alice, who’s a more girly civilian.
  • Trauma Button: Tasha has a lot of PTSD triggers, even really simple things setting them off. Initially as well she won’t talk about them, leaving Alice confused.
  • When She Smiles: Her demeanor is usually very calm and even strict, but when she laughs…

Former Main Characters

    Dana Fairbanks 

https://static.tvtropes.org/pmwiki/pub/images/dana.jpg

Played By: Erin Daniels


  • Author Avatar: Loosely based on one of the show’s creators.
  • Coming-Out Story: Complete with The Beard, conservative parents and some Gayngst.
  • Covert Pervert: Alice and Tonya seem to bring it out in her.
  • Dogged Nice Girl: To Lara.
  • Endearingly Dorky: She lacks confidence, being quirky and downright dorky at times, especially when it’s time to hit on someone. People seem to find it attractive.
  • Just Friends: With Jenny. They lacked all kinds of chemistry.
  • Lesbian Jock: Dana is a professional tennis player who publicly comes out as a lesbian.
  • Lethal Diagnosis: Breast cancer.
  • Passionate Sports Girl: She is a professional tennis player and very into her sport.

    Tim Haspel 

https://static.tvtropes.org/pmwiki/pub/images/tim_haspel.jpg

Played By: Eric Mabius

Main character in season 1. Tim is Jenny’s boyfriend at the start of the series.


  • Amicable Exes: He attempts to be this to Jenny during his short reappearance in season 3, but when they’re unable to reconcile their differences when they meet again.
  • Betty and Veronica: He is the Betty to Marina’s Veronica, being seen as the «safe and stable» option.
  • Disposable Fianc�: He and Jenny did get married, but it barely lasted a week.
  • Emasculated Cuckold: Jenny keeps sleeping with Marina behind his back for most of season 1 and he’s portrayed as being very humiliated by it when he finds out, especially since it was an Open Secret to everyone else and refuses to take Jenny back.
  • Good Luck Charm: Tim is very superstitious, and brings a stopwatch with him to work every day.
  • Nice Guy: Eventually subverted, though he did have a right to be mad. He took it a bit far.
  • Put on a Bus: After his divorce from Jenny, he leaves for Ohio in the first episode of season 2 and only has a few guest appearances in later seasons.
  • Took a Level in Jerkass: At first he’s portrayed as a fairly generic if Nice Guy who was understandably upset about Jenny cheating on him, but later appearances have him show up to express some homophobic and transphobic views.

    Marina Ferrer 

Played By: Karina Lombard

https://static.tvtropes.org/pmwiki/pub/images/marina_ferrer.jpg

Main character in season 1. Owner of the Planet and Jenny’s Love Interest.


  • The Bartender: Of her own lesbian bar, The Planet.
  • Betty and Veronica: The Veronica to Tim’s Betty and Jenny’s Archie, being the «dangerous seductress» who disrupts Jenny’s stable life.
  • Closet Key: Marina seducing Jenny is what gets the latter to find out she’s into women.
  • Contralto of Danger: Her low voice is very seductive. Lampshaded by Jenny.
  • Driven to Suicide: After she has a nervous breakdown, she attempts to commit suicide via pills. She survives, but is Put on a Bus by going back to her family in Italy due to it.
  • Femme Fatale: She’s portrayed as a sexually aggressive woman who seduces Jenny even though she knows Jenny is with Tim. Her promo even labels her as «The Hunter».
  • Love at First Sight: She and Jenny have an instant connection while talking about literature, complete with sensual Held Gaze.

    Alice: Well, I’m just gonna leave you two alone to get married.

  • Put on a Bus: At the beginning of season 2, she is sent to her family in Italy after a failed attempt at suicide.
  • Sex Goddess: Jenny claims Marina was the best sex she ever had in her life.

    Jenny: No, no, no, you guys, you guys, I’m serious. This is probably the best sex that anybody can have on the fucking planet Earth.

  • Statuesque Stunner: She is way taller than Jenny.

    Carmen de la Pica Morales 

    Eva «Papi» Torres 

https://static.tvtropes.org/pmwiki/pub/images/eva_papi_torres.jpg

Played By: Janina Gavankar

Main character in season 4. A legendary womanizer who befriends the group.


  • All Gays are Promiscuous: She’s an amped-up Shane. She’s been with over a thousand women.
  • The Casanova: Papi is renowned as a legendary lesbian seducer, and seduces Alice within minutes after meeting her.
  • Dashing Hispanic: Interestingly inverted. She is a charming womanizer with a Spanish accent but she’s a woman.
  • Ethical Slut: She might be extremely promiscuous, but she’s open about it and doesn’t want to hurt the women she hooks up with. She even has a «rule of conduct» when it comes to dating, such as not sleeping with the roommates of her lovers. Despite her sassy attitude, she’s ultimately a kind person and loyal friend.
  • Even the Girls Want Her: Straight girls. More of an Informed Attribute. Unfortunately for her, this did not include Kit.
  • A Friend in Need: Tasha lampshades this often. Papi is a very loyal friend.
  • Gratuitous Spanish: Constantly speaks in Spanish, to illustrate her being a Spicy Latina
  • Incompatible Orientation: With Kit. Papi is really into her, but Kit is just too straight.
  • Latin Lover: She’s a Spicy Latina legendary womanizer.
  • Lesbian Jock: Papi is very athletic and her favorite place to meet girls is at the basketball games she’s playing in.
  • The Nicknamer: She sometimes calls people the Spanish variant of their name. Alice becomes Alisia and so forth.
  • Not Staying for Breakfast: Papi is a Love ‘Em And Leave ‘Em type. It’s even part of her «rules».

    Papi: Rule #1 — Papi doesn’t do breakfast.

  • Odd Friendship: With Tasha. Papi is a Spicy Latina who Really Gets Around, whereas Tasha is a quiet, stern Token Wholesome.
  • Only Known by Their Nickname: She’s only known as «Papi» for the majority of her screentime, with her real name being revealed as Eva Torres much later.
  • Really Gets Around: A thousand hookups. That’s just a lot of work…

    Papi: I just do my thing. I live my life and my life has girls in it.

  • Sex Goddess: She’s legendary for her sexual prowess. She claims to be really good at «making [women] feel good» and that she can make a woman orgasm with just a kiss. She proves it when she sleeps with Alice, bringing her to multiple loud orgasms throughout the night.
  • Shrouded in Myth: Initially. Alice finds her on The Chart, a social networking site for lesbians that maps sexual relationships. Papi has over 1000 hits. It takes Alice a couple episodes to find her, given that she goes to Latin clubs asking for «papi»-not a name, just «daddy» in Spanish.
  • Spicy Latina: Even more so than Carmen. Papi is a sexy Latina with a hot temper and a sassy attitude.
  • Unknown Rival: She tries to get a friendly rivalry with Shane, but Shane’s just too disinterested to care.

List of The L Word cast members

This is a List of The L Word actors.

:»See also: List of characters from The L Word»

Cast members

*Jennifer Beals — Bette Porter
*Laurel Holloman — Tina Kennard
*Mia Kirshner — Jenny Schecter
*Pam Grier — Kit Porter
*Katherine Moennig — Shane McCutcheon
*Leisha Hailey — Alice Pieszecki
*Erin Daniels (Seasons 1—3) — Dana Fairbanks
*Eric Mabius (Season 1) — Tim Hapsel
*Karina Lombard (Season 1) — Marina Ferrer
*Rachel Shelley (Season 2—) — Helena Peabody
*Eric Lively (Season 2) — Mark Wayland
*Sarah Shahi (Seasons 2—3) — Carmen de la Pica Morales
*Daniela Sea (Season 3—) — Moira/Max Sweeney
*Dallas Roberts (Season 3—4) — Angus Partridge
*Cybill Shepherd (Season 4—) — Phyllis Kroll
*Marlee Matlin (Season 4—) — Jodi Lerner
*Janina Gavankar (Season 4—) — Papi
*Rose Rollins (Season 4—) — Tasha Williams
*Malaya Rivera Drew (Season 5—) — Adele Channing
*Kate French (Season 5-) — Niki Stevens
*Elizabeth Keener (Season 5—) — Dawn Denbo
*Clementine Ford (Season 5—) — Molly Kroll

Guest stars

Below is a list in alphabetical order of guest stars that have appeared, with their respective performances.
*Anne Archer as Lenore (in season one), Alice’s vain actress mother
*Rosanna Arquette as Cherie Jaffe (season one and three), a «Hollywood wife» with whom Shane had a romantic fling
*The rock band The B-52s (season two) as themselves
*Sandra Bernhard as Charlotte Birch (season two), a college professor of a creative writing class that Jenny attends
*The rock band Betty as themselves (seasons two & three). They also wrote/performed the theme song used since season twocite web|url=http://villagevoice.com/people/0525,conaway2,65117,24.html|title=She Is ‘The L Word’|accessdate=2006-09-03|author= Conaway, Laura|date=2005-06-19|work=The Village Voice] and a number of tracks for the musical score.Fact|date=February 2007
*Elodie Bouchez as Claude (season three), a French writer that becomes romantically involved with Jenny
*Kate Clinton as Dr. Farber, a lesbian sex therapist
*Alan Cumming as Billy Blaikie (season three), a transvestite party promoter.
*Lolita Davidovich as Francesca Wolf (season one), Marina’s lover
*Ossie Davis (his final acting role; seasons one and two) as Bette and Kit’s conservative father, Melvin Porter
*Dana Delany as Barbara Grisham (season three), a senator (and lesbian in the closet) from Massachusetts
*Holly Dignard as Chandra
*Snoop Dogg as rapper Slim Daddy (season one) for whom Kit appears in a music video
*Charles S. Dutton as the motivational speaker Benjamin Bradshaw (season two) who becomes romantically involved with Kit
*Steven Eckholdt as Henry (season three), a divorced father that becomes Tina’s first boyfriend after breaking up with Bette.
*Lisa Gay Hamilton (season one) as a nameless art show attendee that attends Bette’s show in New York
*The rock band Heart as themselves
*Alexandra Hedison as Dylan (season three), a documentary director that becomes Helena Peabody’s love interest, and later her sexual harassment plaintiff
*Nona Hendryx as herself
*Sandrine Holt as Catherine Rothberg (season four), a rich and poker playing lesbian, who uses Helena Peabody for her games and entertainment
*Arianna Huffington as herself (season two)
*Sharon Isbin as herself
*Irene López as Mercedes Morales, Carmen’s mother (season three)
*Dr. Susan Love as herself
*Jane Lynch as Joyce Wischnia, a gay-rights attorney who puts the moves on Tina while representing her against Bette in season two, and who Bette subsequently retains against Tina in the custodial fight of season three.
*Kelly Lynch as ‘drag king’ Ivan (seasons one and two) who helps Kit with her alcohol recovery
*Camryn Manheim as the egotistical and hot-tempered movie producer Veronica Bloom (season two), who hires Shane as her assistant
*Meredith McGeachie as Tonya (seasons one, two, and three), Dana’s celebrity-obsessed temporary fiancée and manager
*Tammy Lynn Michaels as Lacey, Shane’s stalker (season one)
*Dan Payne as a policeman (pilot episode)
*The singer Peaches as herself
*Melissa Rivers as herself (season two)
*Eric Roberts as Gabriel McCutcheon, Shane’s dysfunctional father (seasons three and four)
*Julian Sands as Nick Barashkov (season one), Jenny’s former college professor of Russian literature;
*Helen Shaver as Fay Buckley (season one), the leader of an extreme right-wing activist group bent on shutting down Bette’s art gallery;
*Russell Simmons as himself (season three)
*The rock band Sleater-Kinney as themselves
*Lauren Lee Smith as Lara Perkins (seasons one, two and three), a chef that both Dana and later Alice become romantically involved with;
*Cybill Shepherd as Phyllis «Heads Will Roll» Kroll, the university chancellor who hires Bette as dean of Art and confides her nascent lesbianism to Bette as well (season four)
*Gloria Steinem as herself (season two)
*Holland Taylor as Peggy Peabody (seasons one, two and three), the wealthy contributor to Bette’s art gallery and Helena’s mother
*The indie-pop band Tegan and Sara as themselves
*Guinevere Turner as Gabby Deveaux (seasons one and two), Alice’s hot and cold recurrent girlfriend
*The indie-pop band The Organ as themselves.
*Patricia Velásquez as Begoña, an inmigrant acctress (season five)

References

Wikimedia Foundation.
2010.

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MAIN CAST

BETTE PORTER – JENNIFER BEALS

Jennifer Beals

Jennifer Beals plays Bette Porter, a fiercely ambitious former professor, art curator, and director of CAC.Currently, she is a mayoral candidate for Los Angeles and mother toher teenage daughter Angie.

Beals, born December 19, 1963 in Chicago, Illinois, appeared in “Flashdance” while a freshman at Yale studying American literature. While at Yale, she was classmates with David Duchovny, who suggested her for a part on The X-Files (which went to Gillian Anderson). She appeared in several notable films including Devil in a Blue Dress, The Last Days of Disco, Roger Dodger, The Book of Eli and Before I Fall. On TV, she starred in The Chicago Code, Proof and Taken

“(In 2004) non-binary was a mathematical term rather than part of the lexicon in today’s discussion of gender identification and sexuality. I am very happy for the show to come back. We’ve been working for years to have it come back on the air. Nothing has taken its place.”

Katherine Moennig – Shane McCutcheon

Katherine Moennig plays Shane McCutcheon, a self-possessed & successful hairstylist who is arriving back in LA after living on the road and selling her lucrative salons. She used to crash on couches and other peoples beds as often as she could but shes got money now.

Born December 29, 1977 in Philadelphia Pennsylvania, to a mother who was a dancer on Broadway and a father who was a violin maker, she moved to New York City at the age of 18 to study acting. Some of the feature films she’s appeared in are; The Shipping News, Love The Hard Way and The Lincoln Lawyer. Her television credits include Young Americans, Three Rivers, Dexter, Ray Donovan and Grown-ish. She is married to musician Ana Rezende.

“We meet Shane when she’s coming back to L.A. She’s been gone for a while, and she’s coming back from a past that you are not supposed to know about just yet. And I think within that past is you are going to see a character that has grown in that span of time, but also, you are who you are at the end of the day. So her demons still hold her back from things that, of course, she would like to accomplish, and I think that’s just basic human nature”

Katherine Moennig

Leisha Hailey – Alice Pieszecki

Leisha Hailey

Leisha Hailey plays Alice Pieszecki, an upbeat, feminist talk show host of former podcast fame. Like Bette, Alice used to live in West Hollywood before moving to the East side in her 30s with her girlfriend Nat and Nat’s two young children, where Alice juggles her role as a parent with her burgeoning career.

Born July 11, 1971 in Okinawa, Japan she grew up in Nebraska and graduated from the American Academy of Dramatic Arts in New York. She was a member of the musical group The Murmurs, later called Gush and in 2007 she formed Uh Huh Her with Camila Grey. Her first major film role was in the 1997 movie All Over Me.

“I think it’s actually interesting, that conversation between a newer generation and older generation of, like, who’s done the marches, who’s broken those barriers down. I’m always personally trying to respect anyone who came before us, came before our show, and I think that’s an important conversation to always have. But it’s also really interesting to learn from a new generation as well. What they have to teach us, is part of what we can’t wait to tell on the show”

Jacqueline Toboni – (Sarah) Finley

Jacueline Toboni plays Sarah Finley, a charming & unfocused former Olympic swimmer who works whatever job pays the bills – currently for ALICE as the office PA. What Finley lacks in direction, she makes up for with eagerness and loyalty. She comes from a deeply religious blue-collar family in Missouri, & struggles to reconcile her sexual orientation with her faith.

She was born the youngest of five children in San Francisco on February 18, 1992. She graduated from the University of Michigan with a BFA Theatre class. In addition, she studied at many theatre programs including the Williamstown Theatre Festival, the Movement Theatre Studio in New York, and the Royal Academy of Dramatic Art in London. Before graduating, she left to accept a recurring role on NBC’s Grimm.

“She is very fun, is always moving, and I think she doesn’t want to stop moving because then she’s going to have to confront what she’s lost. I think a lot of that has to do with her family and her religious upbringing. I think we’ll see her sort of deal with that.”

Jacqueline Toboni

Rosanny Zayas – Sophie Suarez

Rosanny Zayas

Rosanny Zayas plays Sophie Suarez, a warm & charismatic TV producer who got a full-ride to USC, which is where she met Dani. She left her unstable documentary career two years ago with the intention of putting down roots and making a more stable income.

Born in New York on 14 May, 1990, she is a graduate of Juilliard. She has appeared in recurring roles on Orange Is The New Black, The Code, Elementary and Instinct. On the film side, she was recently seen opposite Patricia Arquette and Angela Bassett in the film, Otherhood, and she appears in the upcoming indie film Modern Persuasion

“There are a lot of groundbreaking things that this show did for people of color in Los Angeles and the LGBTQ community, and I feel like now you get to see a different part of it as the time has passed, and I think that’s something beautiful to watch throughout the show.”

Arienne Mandi – Dani Nunez

Arienne Mandi plays Dani Nunez, a powerful & calculating PR executive at her fathers corporation, where she plans to take over for him one day. L.A. born and raised, her fathers success afforded Dani a wealthy lifestyle full of private school and privileged opportunities.

Born in Los Angeles, California, she participated in various small stage productions throughout elementary and high school. On the small screen, she has appeared on a number of series, including Hawaii Five-O, NCIS and NCIS: Los Angeles. Mandi is also an impressive polyglot, fluent in Spanish, French, Farsi and English.

“What’s great is that she, like all of us, we go through our changes throughout the season, and she has many realizations, carries a beautiful relationship with someone who she loves a lot, and kind of navigating herself within and what she really truly cares about and what she wants to fight for. I think it’s really amazing to see how the old mixes in with the new and how our lives intertwine.”

Arienne Mandi

Leo Sheng – Micah Lee

Leo Sheng

Leo Sheng plays Micah Lee, a soft-spoken, earnest, adjunct professor at USC with a giant heart, currently getting his PhD in social work. He’s a trans man from the Bay Area who lives with his two best friends, Sophie and Dani. Micah transitioned nearly six years ago, and he hasn’t yet experienced a serious relationship as his true self. He and Dani dated in college, where they met.

Born in Hunan, China, Leo grew in Ypsilanti, Michigan and was raised by two moms. He came out as trans when he was 12 and started his social transition in middle school. He later went public, documenting his transition online.

“I think that unfortunately in our history of representation, stories around trans folks have often been very tragic, and those are a reality for many trans people, but I’m really excited that we are going into a different direction for Micah. There’s a lot of excitement, and not everything is necessarily about his transition, and that’s kind of fun.”

SEPIDEH MOAFI – GIGI GHORBANI

Sepideh Moafi plays Gigi Ghorbani, passionate realtor & Nat Bailey’s ex wife.

She was born on September 18, 1985 in Regensburg, Bavaria, West Germany. Moafi has appeared in the second season of Falling Water, The Deuce , as well as on Notorious. She has also guest starred on Nurse Jackie, The Blacklist and Limitless. She earned a Bachelor of Music in Vocal Performance at the San Francisco Conservatory of Music and an MFA in Acting from UC Irvine.

Sepideh Moafi

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