How much per word

How much should freelance writers charge per word? Most beginner freelance writers have no idea. In fact, some freelance writers don’t know they should be charging per word in the first place.

This became evident when I first started hiring freelance bloggers to work with me. Quotes came in from one rupee (about $0.02) to one dollar per word. That’s when I realized it was important to help the community out by publishing industry payment standards.

I’ll start by ruling out the extremes for freelance bloggers: you shouldn’t be working for any less than $0.02 per word, but nor can you reasonably hope to work for anything close to a dollar per word.

So, where on earth should you be in-between those numbers?

An Introduction to Freelance Writing Fees

Firstly, keep in mind that the advice in this article is targeted for freelance bloggers. Industry standard rates vary for different types of writing and editing services, such as technical writing or commercial campaigns. With that in mind, let’s have a look at how to structure your overall freelance writing fees for blogging.

You’ve decided it’s time to become a freelance writer. Now, in general, you have three options for pricing your freelance blogging services. These are:

1. Recommended: Per word
2. Per hour
3. Per project

One major mistake many beginning freelance writers make is to think they should charge per hour or set up to handle payments per project. While this is possible to work with if a client specifically requests it, you should always estimate your overall fees by calculating rates per word first.

However, when you’re first getting started, it’s far easier to keep it simple and only charge per word. This gives you the control to determine your own hourly rate by:

• developing processes,
• writing faster, and
• improving the quality of your work.

In other words, you’ll be able to produce better work in a shorter amount of time as you become more experienced. Charging per hour or per project may end up robbing you of your hard earned money!

Average Freelance Writing Rates Per Word

In our experience, there’s a broad range: between $0.03 and $0.30 per word. To help you visualize, here is a loose estimation of how this might break down into different ranges. Keep in mind this is not a strict set of rules, but general guidelines to help you make an educated decision when setting your own prices.

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Freelance Writing Rates 2017

Estimated blogging standards for freelance writer rates per word in 2017

Level	Fee Per Word	Est. Per Hour (500 Words)
Entry Level	.03-.06	$15-$30
Intermediate	.07-.12	$35-$60
Experienced	.13-.20	$65-$100
In Demand Expert	.21-.30	$105-$150

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When I started as a freelance blogger in 2011 (writing for what is now the WPMU DEV blog), I was paid $20 per hour. Based on the speed at which I worked (which seems to be pretty fast by most people’s standards), I was earning about $0.03 per word at best. But that was fine, because I was just getting established, my skills weren’t top notch, and I had a lot to learn.

The most I have ever charged a client is $0.30, although that’s far higher than my average (which I’m afraid I will not reveal!).

Could you charge more than that? I reckon you could, for more technical, in-depth topics. But the way I have succeeded as a freelance writing is in blogging on topics that:

1. I know a lot about, and
2. don’t require an insane amount of research/work to write about.

With this approach, a seemingly low rate per word can actually result in excellent hourly rates.

Here is a a concrete example: As an intermediate blogger charging $.08 per word, you would get $80 for a 1,000 word article. If you outline, write, and edit it in two hours or less (which is quite reasonable!), this means you’ll earn at least $40 per hour. Not too shabby!

How To Set Your Own Freelance Writing Rates and Find Clients

By now, you’re familiar with freelance writer pricing works and appropriate per word fees.

It’s time to actually set your own rates and find clients happy to pay them! Being armed with the right knowledge and resources makes this process a lot smoother than playing a lot of guessing games.

1. Choose a Reasonable Rate for Your Experience

Aside from your own experience as a writer and how in-demand your niche is, you can reverse engineer your goal per-word rate using this formula:

• First, establish your minimum monthly income goal. For example, let’s say $2,000.
• Then, establish how many hours you’re willing to write in a week. Let’s say 5 hours per week / 20 hours per month.
• Divide the income goal number by the hours. In this case, $2,000 divided by 20 is $100.
• Find the per word fee in the table above which matches this hourly rate. In our example, this would be .20 per word.

This is your target rate! If it is close to your current experience level, that’s great. If not, you may need to set it as something to work towards. Choose the closest level possible and start from there to build your experience, client base, and create a demand for your work. If you are already an expert in a difficult field, such as medicine or science, you may have an easier time charing more early on even as a novice writer.

Remember, that range of $0.03 to $0.30 should pocket you something between $15 and $150 per hour. Not too shabby by most people’s standards. If you’re earning less than $15 for a client (you are tracking your effective hourly rate, no?), you should probably raise your rate.

You may be wondering about job opportunities – do they match the range I prescribe?

2. Find Clients Happy to Pay Reasonable Rates

Now that you’ve established your goal rates and what is appropriate for your current level of education and skill level, you need to find clients happy to pay in your price range. That begs the question, is this even possible?

The best clients usually come from relationship building. However, while this is the best long-term plan for sourcing great clients, it is hard to get off the ground this way when you’re just getting started. This is where job boards and forums come in. These are great resources if you are new(ish) to the world of freelance blogging.

But seriously, is it possible to earn good rates as a beginner before figuring out how to make direct pitches? If we take the listings we feature on Paid to Blog Jobs (although I don’t have the averages to hand) opportunities are generally available between $0.03 and $0.10 per word. You’ll have none lower than $0.03 as a general rule, but you will get some over $0.10 (although they tend to be outliers). Of course, every job board will vary in the quality of listings it provides.

To summarize:

1. For top dollar, pitch ideal clients directly – and eventually earn referrals from existing clients.
2. If you’re just getting started, try job boards to pick up your first gigs.

With this information, you are now much more equipped to enter the world of freelance writing and find success. The road is not always easy, but it is definitely worthwhile if you want to leave your regular job behind.

Conclusion

I’ll finish with one final piece of advice: don’t get too misty-eyed at the thought of earning $0.10, $0.15, or even more per word. Is it possible to earn that much? Absolutely. Is it a challenging journey? Yep. Do I encourage you to go for it? Absolutely – but be realistic about the time and effort it will take to get to the ‘top’.

That aside, the good news is that $0.05 to $0.10 per word equates to very a healthy hourly rate, on which one can live very comfortably – especially if you work on your speed and efficiency.

Let’s review the takeaways on how (and how much) freelance writers charge, one more time:

1. It is important to charge per word so you have more control over your effective hourly rates.
2. Freelance writing rates range from .03-.30, or an estimated $15-$150 per hour.
3. Once you’ve found an appropriate rate for your work, you can start pitching new clients either directly or through job boards.

Care to share your thoughts on freelance blogging rates? Let us know what you think below!

Image Credit: blondinrikard

Editor’s note: This post was originally published on May 18th, 2015 by Leaving Work Behind founder Tom Ewer, and has since been revamped and partially rewritten for comprehensiveness by the Leaving Work Behind editorial team.

What fees should freelance translators charge for their services? What are the average translation rates per word and what factors influence how much you can charge? Grab your calculator and let’s check the numbers!

Knowing how much to charge is a challenge many new freelance translators face when starting out. Indeed, the financial side of things is one of the most blatantly overlooked aspects of a translator’s training.

Many graduates are coming out of university with solid translation skills; nevertheless, they are left high and dry on an number of equally crucial aspects of the profession.

One of these overlooked aspects has to do with translation rates. Most newly-graduated translators don’t have the faintest idea of what their services are worth in the market, which is lamentable given how much students pay in university fees these days.

In this post I will attempt to shed some light on this topic, and hopefully help you gain a better understanding of how things work in the translation world. My perspective on the subject in that of a UK-based linguist, but the principles of translation pricing are essentially the same in most places.

As a ‘spoiler’, please note there isn’t a clear-cut answer: the average market rates depend on a number of factors. However, having a clearer knowledge of these factors should put you on the right track.

How Translation Rates Are Calculated

Most professions run on an hourly pay basis: each hour of work equals to a fixed amount that is owed to you. In such cases, you trade each hour of your time for money.

In-house translators tend to get paid like this: they work for a company as employees, thus being included in the company’s payroll. It’s important to note, however, that in-house translators are rare to find these days, with most professional translators now working on a freelance basis.

Here things are very different: none of the ‘get-paid-by-the-hour’ logic applies to freelance translators. For most of us, the standard practice is to charge a rate per word. It’s the word count – not time – that matters. Let’s see how this works in more detail.

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Translation Rates per Word

The principle is simple: to calculate how much you are to charge for a given translation project, you need to multiply your rate per word by the source text’s total number of words.

Example: Suppose you receive a 2,000-word document to translate. Suppose as well that you charge 10 pence per source text word. You need to multiply 2,000 words by 10p to get your cost estimate (2000 * 0.10). The result is £200.00 for this project.

In short, it doesn’t matter how much time the translator spends on a project. What really matters is the project’s volume in terms of the number of words.

Keep in mind this is just the principle. Calculating the total cost of a translation project can be a bit more nuanced and complicated nowadays. As you will see below, we are living in the CAT tool era. Repetition and fuzziness reports need to be taken into account too, and they play an important role when doing the math nowadays… but more on that in a second!

Note: Some translation agencies will ask for your translation rates per 1,000 words. It’s exactly the same thing as explained above, just formulated in a slightly different way: if you charge 10p per each single word, it follows that you charge £100 by 1,000 words.

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What Rates Do Translators Charge Per Word

This is where it gets tricky, as there are many factors that influence a freelance translator’s rates.

Having worked as a Project Manager for several years with extensive cooperation with hundreds of other freelance translators, I’d say roughly there’s a fairly common range somewhere between 4p and 15p per word.

There’s a huge discrepancy between both ends of the aforementioned range, but my experience tells me this is essentially accurate. Most translation agencies perceive a 4p/word rate as cheap, while 15p/word is seen as expensive.

Important: If you have your own direct clients, you should be able to charge more than you normally would charge a translation agency. There’s no middleman in that case (you’re dealing with the end-client yourself), so you have more leeway to increase your rates in such cases.

New translators often charge too little for their services. That’s a huge mistake that usually ends up in the freelancer either having to fight back to raise the rates or just quit the industry altogether. It’s harder to convince a client to pay you more after they’ve benefited from your cheap services: they’ll always try to stand their ground and protect their advantageous position.

That’s why you should advertise your services with confidence and charge accordingly. Knowing exactly how much you can get away with will depend on a number of factors. Let’s dive into them!

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Deciding Your Translation Rate per Word

The main factors that influence how much you will be able to charge as a freelance translator are:

1. Your language combination(s)
2. Your specialism(s)
3. Your level of experience

Languages and Language Combinations

The first step to determine what values (rate per word) you can realistically ask for – and find customers willing to pay that – is to list your working languages, i.e., the language(s) you translate into and the language(s) you translate from.

Some languages are more expensive than others. It’s a result of a supply and demand curve.

Example: Translation rates for Nordic languages (such as Danish) tend to be considerably higher than those for Romance languages (such as Italian.) While the supply of professional linguists who work from/into Danish is low relative to the level of demand (which drives prices up), there’s a higher level of competition within the Italian language market (which drives prices down.)

To give you a clearer idea, I’ve listed some of the most common languages and divided them into groups* according to their average market rates (broadly speaking, as there may be exceptions to the rule.)

*Note: The below table is by no means ‘scientific’. It simply reflects my overall perception as someone who has been working as a PM for several years and has dealt with projects in all these languages. It’s been made to the best of my knowledge: if you feel anything is inaccurate kindly let me know in the comments. It’s also not ‘normative’ and just sums up the average market rates per language (it doesn’t mean there aren’t Italian linguists out there who charge higher translation rates than some Danish linguists, for instance.)

Most importantly, it’s the specific language combination (also known as language pair) that ultimately influences the average translation rates on the market. Again, it all comes down to supply and demand.

Example: The average rates of professionals who translate from Spanish into Italian tend to be lower than those of linguists who translate from Catalan into Italian. That’s because there are more professionals capable of doing the former than the latter.

Our friends from ProZ.com have been kind enough to make a translation rate search engine available to all of us. They have gathered the jobs carried out through their platform and calculated the average rates per word for each language combination. You can use this search engine by clicking the image below:

As stated, the results are just a statistical aggregate of projects carried out through their platform. It does not necessarily reflect at 100% what’s being done on the market as a whole, but it’s still an amazing way to get some sort of idea.

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Specialism(s)

The above rate search engine also has a filter that allows you to search for a specific specialism (or field of expertise.) That’s another important factor that may influence your translation rates.

This one is self-explanatory: the more specialised the content, the more skill it requires to translate. A translator who specialises in, say, wind energy converters is in a better position to charge more for their services than a linguist who specialises in human resources.

For that reason, financially speaking, developing a high level of expertise in a selected number of technical fields is a wise decision, since it allows you to level up your game (and your rates.)

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Experience

Finally, practice indeed makes perfect. A more experienced linguist tends to be able to charge higher rates for the same type of service than a newbie: their perceived value and trustworthiness makes it easier for clients to accept higher rates.

These are the main factors that influence translation rates per word. Nevertheless, as already briefly stated, it’s important to also keep in mind that nowadays, with the advent of CAT tools, the way project costs are calculated is a bit more complex.

That is something to keep in mind once you have decided your translation rates per word, as it affects how much you get paid per project. That’s what we’ll see next.

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Repetitions, Matches and Fuzziness: How CAT Tools Affect Translation Fees

CAT tools are the real game changer in modern-day translation, for better or worse. They have introduced us to statistical analyses of source texts and inserted a degree of automation to the translation process.

Texts may sometimes be repetitive, with the same sentence appearing on more than one occasion. Other times, despite not being the exact same sentence, it may be highly similar to many other sentences throughout the file.

In addition, CAT tools use Translation Memories (TMs) to store previous translations. When analysing a new text against an existing TM, the exact same sentences (or very similar sentences) may show up more than once.

In short, a good CAT tool can deliver a statistical report in a matter of seconds on things such as:

• The level of repetition (i.e., how repetitive the text is)
• The level of homogeneity (i.e., internal similarities within a project)
• The level of fuzziness (i.e., similarities, or ‘matches’, between a new project and previous translations stored in an existing TM)

Nowadays, the total amount a translator is paid for per project is proportional to the statistics of the source text.

That’s because the combination of CAT tools with TMs helped speeding up the translation process. Back in the day, if the text was repetitive, the linguist still had to manually translate the exact same sentence(s) – or very similar ones – over and over from scratch; now, thanks to functionalities such as auto-propagation, pre-translation and quality assurance, the same thing can be done quickly, more consistently and with less effort.

Of course, there’s a downside to it. If parts of the content are repeated, very similar to one another, or have already been stored in the TM, you won’t get paid in full for those specific parts.

So, if a project has absolutely no reps or matches, you get paid 100% of your standard rate for every single word you are translating (in a CAT tool context these ‘unique’ words tend do be known as ‘New Words‘ or ‘No Match Words‘.)

On the other hand, if half of a project is made of ‘No Match Words’ and the other half has some degree of fuzziness and/or repetition, you get paid 100% of your rate per word on 50% of the project; for the other half of the text, a CAT tool discount will be applied against your rate per word.

Below is a screenshot of a statistics report from memoQ, which is one of the major CAT tools on the market. Note how the software runs the stats and splits the total word count into different categories/brackets depending on their level of repetition/fuzziness:

In the above example, the translator would get paid:

• the full rate per word on 136 words (which equates to the No Match bracket)

• a varying, gradual percentage of the standard rate per word on 237 words (which equates to the 4 fuzzy brackets: 95%-99%, 85%-94%, 75%-84% and 50%-74%)

• a tiny fraction (at best) of the standard rate per word on 70 words (which equates to the Repetition, 101% and 100% match brackets)

Note: Some clients/agencies are more generous than others when it comes to calculating CAT tool discounts – there really isn’t a universal rule for this. It’s always best to ask for a clarification with regard to this and decide for yourself whether their terms are agreeable.

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Minimum Charges

It is also common practice for translators to set a minimum charge for their services.

Example: If you decide to set a translation minimum charge at £25.00, you are essentially stating you won’t accept being paid less than £25.00 per project – even if the project you’re being contacted for is tiny.

This is a way to encourage clients to contact you for projects with at least a somewhat meaningful volume, as opposed to sending you numerous tiny projects several times a day that individually may pay you close to nothing.

From a financial perspective, minimum charges are a wise decision to ensure there is value in the jobs you commit to.

I have seen minimum charges starting at £10.00 and going as far as £50.00. Again, it all comes down to supply and demand: translators who are constantly swamped with work may want to consider raising their minimum charge at some point; translators who are struggling to find work may have to lower it in order to become more competitive.

Important: Please note that not every client is willing to agree to a minimum charge these days, or they may want to negotiate a lower minimum charge with you. You need to see for yourself whether that makes financial sense given your specific circumstances. There’s nothing wrong with negotiating with clients if that works to your advantage!

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Alternative Ways to Price a Translation

This word count-based method has been used on the UK market for a long a time, and eventually became the gold standard for pricing translation services. For that reason, it’s what makes sense on today’s market – most translation agencies and direct clients won’t accept any other method.

Do keep in mind, however, that despite being predominant, this method is not the only one in existence. A brief mention to other measures is probably worth it for ‘educational purposes’.

On the one hand, in some very specific cases it may still be possible to charge a translation hourly rate: it all depends on your agreement with your particular client. But realistically speaking, that’s not very common any more.

Depending on the language, there are some linguists who either charge by the number of target text words (instead of source text) or ask for the source text word count to be multiplied by, say, 1.1 or 1.2 in order to increase the total count.

Example: Linguists who translate from German tend to get a somewhat raw deal, considering that German is notorious for its tendency to compound words. One single word in German may sometimes equate to 3 or 4 words in English – but sadly the linguist only gets paid for 1.

Those linguists are mostly from a previous generation and are kind of swimming against the tide (which doesn’t mean they are wrong or their method doesn’t make sense: it’s the fiercely competitive translation industry as a whole that’s pushing things towards a different direction.)

In addition, ‘old school’ clients in some specific markets may still use a more ‘traditional’ measurement to calculate translation prices. Examples of that are the lauda in Brazil and the cartella in Italy, which are units of measurement that consider the number of lines and characters (not the number of words.) We don’t hear those terms as often these days, but they keep being used to an extend in some contexts.

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Conclusion

Translation is a highly competitive industry, with many nuances and different factors that influence market rates. Applying a translation rate per word is the standard nowadays, both in the UK and in most of the world – although exceptions may take place.

The main factors you need to take into account are your language combination(s), your specialism(s) and experience.

When CAT tools are used, that is likely to result in some sort of reduction to the overall translation project fee you otherwise would be owed. However, CAT tools should most definitely speed up and simplify your tasks if used properly.

You should aim to set your translation fees at a price that makes sense to your skills and circumstances. Trying to undercut all your competitors always leads to a bad result: you’ll work like a mad person and still struggle to make ends meet. It’s always best to value your profession fairly and, most importantly, yourself.