How can i coin a word

Creating words can be a powerful way to give your writing a personal flair, or to develop a mode of speech for just you and your friends. Making a new word is as simple as writing or saying it once, but for it to have lasting meaning, you need to work on developing it. This guide will get you started in your creation process.

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    Learn how words work. Words act as signifiers for the object or concept that they are describing. Therefore, in order for a word to have any meaning, it has to be related to some form of object or idea. This relation can be specific or vague. For example “tree” calls to mind the concept of a tree, but could refer to any type of tree. The word “tree” itself is not descriptive in any way of what a tree looks like or any other characteristic of a tree, but it is attached to the meaning and thus will always recall the idea of a tree in the reader’s mind.

    • Words you create will necessarily need to connect to an idea, object, or action in order to make sense. This connection is built through context, or how you use the word and how it is affected by the words around it.
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    Brush up on your grammar. In order to create a convincingly real word, it will need to be grammatically correct. The grammar of your sentence will help provide the context for your meaning. Decide what part of speech your word belongs to. Is it a noun, referring to a person, place or thing? Is it a verb, describing an action? Is it an adjective, a word that describes a noun? Is it an adverb, a word describing an action?

    • Knowing where your word fits into grammatical structure will help you build convincing sentences with it.
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    Study suffixes and prefixes. Many of the words in the English language come from adding a suffix or prefix to an existing word. Try adding a suffix or prefix to a word you wish to modify.

    • Add a “-tastic” to the end of a word to imply that something was fantastic, either genuinely or sarcastically. For example, after going to see a concert, you could say that it was “rocktastic”.
    • Create an adjective by adding “y” to a noun. For example: “It had a newspapery feel to it.”
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    Study other languages. Many English words are derived from foreign languages. Taking concepts from foreign words can give your word a more credible and “realistic” feel. Latin and German are two very good languages to investigate when looking for base words.

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    Identify your theme and tone. When creating new words to describe fictional settings, take your theme and tone into account. Your newly created words should sound natural to the world that they inhabit. Foreign words can help to foster atmosphere, depending on the language:

    • Germanic languages are rough sounding, and have a guttural feel to them. Using Germanic-based words for tough characters can make them sound hardy. Using Germanic language for evil characters will give them a bestial quality.
    • Romance languages are light and airy, and can give your characters a seductive quality. Naming locations with a French- or Italian-based word will create a sense of exoticism.
    • Use Latin-based words to add a scientific feel. Latin evokes wisdom, and so Latin-based words can also imply intelligence. Latin is also an ancient language, and can be used to add mysticism.
    • Asian languages make good base words for exotic sounding locations and objects.
    • Use other languages as a basis for the sound and feel of the word you are creating. Avoid copying a word directly and instead use it as a guide.
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    Make a word that is recognizable. A successful word is one that the reader won’t trip over too hard. Try to relate the word to some recognizable concepts. For example, using the made-up word “bogmouth” to refer to a mouth condition gives the reader a general sense of what the character with bogmouth is experiencing. This is because the word “bog” is familiar, and evokes a similar feeling in most readers.

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    Define your word. Writing out an official definition for your word will help you to use it properly. Format your definition as it would appear in a dictionary, and list out any other forms the word can take. This can be especially useful if you are writing a piece with multiple made up words, both as a reference for you and for your reader.

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    Repeat your word. If you want your new word to stick in the readers’ minds and become second-nature to them, it needs to appear multiple times in your writing. Studies show that readers will understand a new word after reading it ten times with context.[1]
    This means that your word needs to be supported by the language around it to provide the reader with clues on how the word is used and what it means.

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    Understand the concepts of slang. Slang rises out of communities of speakers or writers as shorthand for objects, actions, and concepts. It is a method of exclusion, as only insiders will be able to understand the slang terms.

    • Slang starts as insider language, but can grow outside of that subculture if it becomes popular enough.
    • Slang is constantly evolving, and words and phrases can fall out of favor very rapidly. This is especially true if the slang begins to spread outside of the initial culture in which it was created. Avoid creating slang that is based off terms that are no longer in common use, as it will give your creation an archaic feel.
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    Truncate a word. This is when you cut off a portion of the word, either at the beginning or the end. Mash two truncated words together to form new compounds. You can combine this with adding prefixes or suffixes to create almost entirely new words.

    • For example, instead of saying “all right,” the words can be truncated and mashed together to form the word “aight.”
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    Try verbing a word. This is simply taking a noun and making it into a verb. For example, the word “text” is traditionally read as a noun, but can now also be used as a verb referring to sending a text message.

    • Another example of verbing is the word “party.” Originally, it was a noun describing a gathering of people. Now, it also means to engage in the act celebrating, usually with drinking connotations. The context of the word dictates how it is interpreted.
    • The word gun is a noun, but can be used as a verb when you “gun someone down.” Verbing a noun can add spice and drama to an otherwise bland sentence.
    • Experiment with nouns to find one that works well with the verbing process. Not every noun can be verbed, but you can create a powerful and memorable sentence when you find on that can.
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    Spread your new slang word. Slang grows outward from peers, so in order for your slang term to work, it needs to be spoken and in use. Use it in conversation, but don’t necessarily give away that you’re using a new word. Let your peers infer the meaning through the context of what you’re saying. This will build credibility for your word.

Add New Question

  • Question

    Where do I find a site that I can officially enter a word to be coined?

    Community Answer

    Dictionary Of Obscure Sorrows is a site that coins new words. Have a talk with the manager.

  • Question

    Is the term STEMINISTA already coined?

    Sugarplum Princess

    Sugarplum Princess

    Community Answer

    Yes, because it is the name of a project by Michigan Science Center (MiSci).

  • Question

    What is an example of a word with a coined meaning?

    Community Answer

    The word «meme» was coined by professor Richard Dawkins and means an idea, behavior or style that spreads from person to person within a culture.

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Create a portmanteau, make a mnemonic, verbify a name

Coin a word

A whole new word Create new words with neologisms and more.

How to coin a word or phrase

Help people remember with acronyms

Help people remember with acronyms

Create a mnemonic

Alphabet scoop: Acronyms can help people codify and remember your key ideas.


How to coin a new word

How to coin a new word

Create new terms by merging old ones

A whole new word: Freshly minted words like portmanteaus get more attention than tired coinages.


How do you coin a word?

How do you coin a word?

Change a letter, change a word

HITS HAPPEN: Create new terms or twist old phrases.

Everyday I am amazed at the things that are possible with a little knowledge and effort. After doing the obligatory how to get my blog to be super freakin popular research, I came across a well-known personal blog {& my new bloggy idol} dooce.com. She was featured in Wikipedia as coining the word dooce {damn, how I want to be just like her when I grow up}.


How to Coin a Word


Do I smell a challenge coming on?  I have always been the person who believes that if it can be done…I can do it…if it doesn’t require heavy lifting or repairing carburetors of course.

Coining a word had always been on my bucket list, but now I was on a mission!

After throwing around the words fo’ shizzle dizzle, crapola & fantabulous, I opted for something related to what I do:

List-ol-o-gist: n: A person who is a master at creating lists.
The listologist just completed writing the list of the all-time best movies.

Buck-et List-ol-o-gist: n: A person who has mastered the art of living their life through their bucket list.
The only item left on her “things to do before you die” list is skydiving, then she will be a true bucket listologist.

I submitted them both to Urban Dictionary and got rejected the first time. After making some minor changes, I was successful at coining a word and you can find them both listed in Urban Dictionary {currently, waiting on approval from Websters!}

Would you consider coining a word? What word would it be?

This post may contain affiliate links. If you make a purchase through my links, I earn a commission that helps to keep this blog running—at no extra cost to you. For more information read my full disclosure.

Get more information on coining a word:
Who Else Wants to Coin a Word?

Christopher Johnson, a branding expert who runs the website The Name Inspector, has a new book out called Microstyle: The Art of Writing Little about how contemporary message-makers need to become «verbal miniaturists.» In this excerpt, Johnson explains how «neologisms can be among the most powerful of micromessages.»

In 2007, at PodCamp Pittsburgh 2, a social media «unconference,» some geeks were sitting around discussing web technology— and going off on tangents. According to Andy Quayle, one of the participants, «We were talking about different meats and international types of bacon and were receiving messages on our mobile devices and eventually the two mixed.» A new word was born: bacn, which the group defined as ’email you want—but not right now.’ Bacn refers to the email we sign up to receive— notifications from Facebook, beta announcements from startups, etc.—and never get around to reading. Bacn is spam’s tastier cousin.

Being geeks, these neologists—that is, creators of neologisms, or new words—made a website to promote their word and asked bloggers to write about it. Their promotional efforts paid off. Bacn became a story. Not everyone liked the new word. Some commenters on the Bacn website pointed out that bacon, the food, is simply too delicious to serve as a good metaphor for email you never get around to reading. But the story of Bacn spread. It was covered by CNET, InformationWeek, New Scientist magazine, National Public Radio, Wired magazine, and even People magazine.

Bacn was coined to attract attention, communicate instantly, and be remembered and repeated. It worked. Notice the big story wasn’t that people sign up to receive email and then don’t read it. The story was that someone had come up with a funny, catchy name for the common phenomenon that makes us see it in an interesting light. Neologisms can be among the most powerful of micromessages.

Coined words come in many varieties. There are political epithets like Defeatocrat; terms for new technologies and cultural phenomena like podcast, greenwash, and of course bacn; proprietary names for companies and products, such as Skype, Technorati, Wii, and more.

Almost all new words, from tech company names to political insults, result from a handful of processes familiar to linguists. Most of these processes are green: they reuse or recycle existing words. Here are seven common ways to build a new word:

  1. Reuse an existing word (Apple, spam)
  2. Create a new compound word by sticking two words together (YouTube, website)
  3. Create a blend by combining part of a word with another word or word part (Technorati, Defeatocrat)
  4. Attach a prefix or a suffix to a word (Uncola, Feedster)
  5. Make something up out of arbitrary syllables (Bebo)
  6. Make an analogy or play on words (Farecast, podcast)
  7. Create an acronym (GUBA, scuba)

Making up a new word doesn’t have to mean creating a new sound; it can also mean putting an existing sound to new use.

People often don’t think of these as neologisms, but the end result is essentially a new word. Remember, a word isn’t just a sound or a handful of letters; what makes it interesting, what makes it a word, is that it has a meaning. When people use the word word, they sort of vacillate between meaning just the spoken and written form on the one hand, and the form plus the meaning on the other. For this reason, lexical semanticists—linguists who really take words seriously—don’t even find the word word very useful. They use different terms when they’re talking about the form alone and when they’re talking about the form plus its meaning.

To put a special mark of ownership on a repurposed word, you can respell it. Respelling words serves some technical functions: as we saw in the last chapter, it makes them easier to trademark (as in Rice Krispies, Cheez Whiz, and Krazy Glue), it often creates a unique keyword to increase search engine visibility (as in Squidoo), and it sometimes makes it possible to acquire a meaningful «.com» domain (as in Topix, a localized news service). But respelling comes at a cost: you run the risk of seeming stupid or cheesy, or being confusing.

One of the best respelling techniques eliminates letters that aren’t necessary for pronunciation. This approach achieves spelling economy, a desirable quality in a name. Flickr, for example, eliminates the e in the common -er ending. Eliminating letters that are not pronounced is a natural move, and one that children often do. At the end of his kindergarten year, my son Tobias unwittingly coined a Web 2.0 name when he described himself in a written report as «organisd.»

Reusing a word—that is, giving it a new meaning—can change it forever in people’s minds. Spam, once a brand name for a humble canned meat product, provides a perfect example. Recycling words—recombining them into new, larger units, sometimes breaking them down into their component pieces first—offers almost limitless possibilities for new coinages.

Coining words is an English literary tradition. William Shakespeare was an avid neologist. Some words that we still use today, and many others that we don’t, made their first appearance in one of his plays. Shakespeare’s interest in new words was poetic rather than informational, however; he strove less to name new ideas than to express old ones so that they fit the cadences of his characters’ voices. The poetic use of neologism goes back even further in the history of our language. Old English epic poems such as Beowulf contained numerous kennings, fanciful compounds that replaced simple nouns with sometimes riddlelike descriptions. For example, a ship might be described as a «sea-steed,» or blood as «slaughter-dew.»

Words coined for special occasions without any concern for their permanence are called nonce words. Perhaps one of the best known coiners of English nonce words is Lewis Carroll. Many people have encountered his nonsensical poem «Jabberwocky,» which appears in the book Through the Looking Glass and is filled with words of Carroll’s invention:

Twas brillig, and the slithy toves
Did gyre and gimble in the wabe
All mimsy were the borogoves
And the mome raths outgrabe.

Humpty Dumpty later explains to Alice the meaning of part of this poem:

Well, «slithy» means «lithe and slimy.» «Lithe» is the same as «active.» You see it’s like a portmanteau—there are two meanings packed into one word.

He also explains that mimsy is a blend of miserable and flimsy. We now have other, less literary reasons to create new words.

They help us keep pace with the rapid rate of change in science, technology, business, and society. Neologism is such a salient feature of tech-obsessed American culture that there’s a feature in Wired magazine devoted to it. The web makes tracking new words much easier than it was in the past. Several websites, such as Word Spy, are devoted solely to spotting and documenting neologisms.

Good neologisms sound fresh and perfectly natural at the same time. Naturalness results from respecting the normal cadences of speech and the sounds of the words used, as well as the meanings and grammatical functions of the component parts. Biznik, the name of a social network for independent businesspeople, is a perfect use of the Yiddish-derived suffix -nik, which attaches to nouns and describes people who have an affinity for what the noun names (beatnik, peacenik).

It’s surprising how many new words are poorly constructed. The old IBM computer name Aptiva sounds odd if you think of it as consisting of the word apt and the suffix -ive with a Latinate vowel at the end. The -ive suffix attaches to verbs to make adjectives (creative from create, divisive from divide, etc.), but apt is already an adjective, so Aptiva just seems a little off.

Neologism is the ultimate in microstyle, because it involves poking around under the hood of words and tinkering with their internal structure. Even if you just stick two words together to make a compound, as in YouTube, you create a word-internal syllable boundary, which can be a sticking point in pronunciation. But what really calls for some finesse with verbal mechanics is the blend word, or portmanteau.

In a well-constructed portmanteau, two component words blend together seamlessly through a phonetic overlap or similarity. Consider the word vegangelical, a blend of evangelical and vegan. While vegan doesn’t rhyme with the first two syllables of evangelical, it does have the same vowel sounds (when evangelical has a fully unemphasized and neutral second vowel). There’s also a shared «v» sound, even though it occurs in a slightly different place. The result of combining these words is apt, both semantically and phonologically. Another interesting blend is adhocracy, a combination of ad hoc and democracy.

Bad blends try to squish words together in unnatural ways. Foodportunity, a networking event for food journalists, got its terrible name when someone stuck the whole word food into a spot previously occupied by a syllable consisting of only a single vowel. The huge phonetic difference between these two parts makes the neologism sound unnatural. Other bad blends fail to preserve the patterns of syllable emphasis of their component words. I like to call this phenomenon awkwordplay, a blend of awkward and wordplay, because that name actually demonstrates the phenomenon. If you try to pronounce the word awkward correctly, with no emphasis on the second syllable, then wordplay sounds all wrong. If you pronounce wordplay correctly, with emphasis on the first syllable, awkward gets all messed up. There’s no nice, natural way to pronounce this word. A real example of awkwordplay is the name Teensurance, for a teen insurance policy from Safeco. The one-syllable word teen requires its own emphasis, but it replaces the unemphasized first syllable of insurance, resulting in a clunky name.

Perhaps the easiest way to create a new word is to simply stick two existing words together to make a compound. Political appellations that use this pattern include wingnuts (extreme right-wingers), moonbats (extreme lefties), and Islamofascists (which uses the classical compound-forming o to connect its two parts).

Update: Read a second excerpt from Johnson’s book here.


Reprinted from Microstyle: The Art of Writing Little by Christopher Johnson. Copyright © 2011 by Christopher Johnson. Used with permission of the publisher, Norton, W. W. & Company, Inc.

Create new terms by merging old ones

Tracy Ousdahl and Paul Pinney have traveled the earth. But sometimes, alternatively of venturing out to a cool finish, they use their time off to visit their families .How to coin a new word Don ’ triiodothyronine call that a vacation, though. To Tracy and Paul, that ’ s a famcation. half-and-half words like famcation — linguists call these portmanteaus — not entirely grab readers ’ attention. They besides move further and faster on social media. In fact, research by HubSpot ’ s Dan Zarrella shows that tweets containing novel words tend to get retweeted more much than those that don ’ triiodothyronine .

Smash words together like Shakespeare.

Smirch was a verb, writes Barbara Wallraff, author of Word Fugitives : In Pursuit of Wanted Words, before Shakespeare added the prefix be- to it. And hindrance was in use for at least 200 years before shakespeare came up with obstruct. The bard besides created the words daredevil, ladybug, eyesore and eyeball, among many others.

Among the first people to “ neologize publicly on aim, ” Wallraff writes, were english writers Lewis Carroll and Edward Lear. Carroll, author of Through the Looking Glass, added chortle — a combination of boo and chuckle — to the english linguistic process. Portmanteau comes from the English portmanteau baggage, a patch of baggage with two compartments. ( Or as Carroll wrote, “ two meanings packed up into one word. ” ) Our language is filled with portmanteau : smog ( from smoke and daze ), motel ( motor and hotel ) and brunch ( breakfast and lunch ) .

How to play with portmanteau.

ready to make like Shakespeare and coin your own word ? here are four techniques to try : 1. Create a Wordoid. fair plug in an existing news or bible break up, click a release, and Wordoid will create a slang word for you. hera are some of the results I got when I plugged in the words edit, coach, confer, rewrite and train :

  • Coachieving
  • Consultimate
  • Rewritering

How can you use Wordoids to make your copy more creative ? 2. Combine two words like Sam Horn. Sam Horn, the goddess of developing creative koran titles, offers this process for coining half-and-half words .

  • List your key words in two columns. Also consider prefixes and suffixes you can add to your key words to create new words.
  • Bad + Advocate = Badvocate
    Chart + Article = Charticle
    Glamour + Grunge = Glunge
  • Review the list. Try combining at the first half of the key words in column A with the second half in column B.
  • Combine the first half of the key words in column B and the second half in column A.

The result : New words like the term one of Horn ’ second clients came up for her bible about how fleshiness can lead to chronic diseases. You guessed it :

Diabesity.

3. Gain inspiration from WordSpy. Check out on-line tools like Verbotomy and WordSpy for fresh words that surprise and delight you. here, a handful from WordSpy :

  • Apostrofly n. An errant or misplaced apostrophe, particularly one that seems to have been added randomly to the text.
  • Diworsify v. To make something worse by diversifying.
  • Googleganger n. A person who has the same name as you, and whose online references are mixed in with yours when you run a Google search on your name.
  • Momoir n. A memoir about motherhood. — momoirist n.
  • Proem n. A prose poem; a work written in prose but incorporating poetic imagery and rhythms.

By reading great neologisms, you can inspire yourself — about plan yourself — to coin more creative terms. 4. Model the masters. Collect your favorites portmanteaus, take them apart, put them back in concert and find ways to create words that work for you and your topics.

here are some of the best from my collection :

Mario shrugs smugly, a sort of smrug.
— Paul Murray, novelist, in Skippy Dies
Capitalistas: A disease of misplaced importance. Ex: The Engineer will run the Project, and the Accountant will send Invoices at the end of each Quarter.
— Sally Jacques, head of information management and investor services at Standard Bank South Africa
Profanitype:  the special symbols used by cartoonists to replace swear words (points, asterisks, stars, and so on).
— Rich Hall, writer on “Not Necessarily the News”
Dialexia: being terrible at transcribing phone numbers.
— Barbara Wallraff, author of Word Fugitives
CFNO: A CFO (Chief Financial Officer) whose answer always seems to be No no matter how large or small the purchase request. (Not to be confused with COR: Chief Obstacle Remover).
— BuzzWhack

Play with portmanteau, noodle with neologism.

newly minted words get more attention than banal coinages. So what words can you smash together to make fresh ones ? Who knows ? In a pair of hundred years, it might be intemperate to believe they seaport ’ deoxythymidine monophosphate constantly existed. And in the meanwhile, they ’ ll make your message more engage .

  • How can you surprise and delight readers?

    Neurologists call it “ the pleasure of the text, ” the wages readers get from figuring out figural language. ( It can be quite a reward : If your pun is fishy enough, Master the Art of Storytelling - creative-content workshop, starting July 11 your readers ’ brains even deliver a little dose of dopamine. ) Learn to tap pun ’ sulfur superpowers at Master the Art of Storytelling, our business-storytelling workshop starting July 11. There, you ’ ll determine to flip phrases ; compress details ; sub sound-alikes ; tilt, rhyme and eddy — even coin new words with spare on-line tools that do the work for you. You ’ ll get inspired by some of the earth ’ s most creative headlines. And you ’ ll polish your skills in a pun exercise, with recipes from anagram to oxymoron. Save up to $ 100 with our group discounts .Register for Master the Art of Storytelling - creative-content workshop, starting July 11

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